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      <description><![CDATA[Encuentra las mejores 14 fotos Spinning en alta resolución en cizucu. Todas son libres de derechos, gratuitas para descargar y perfectas para cualquier proyecto, sin necesidad de atribución.]]></description>
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          <title><![CDATA[Keep a tree in heart and perhaps the singing bird will come. | Yosuke0312]]></title>
          <link>https://www.cizucu.com/es/photos/jUiiUZEHIGRyFWLF5AjX</link>
          <description><![CDATA[Descarga fotos Un pájaro amarillo posado en una rama de flores de durazno de alta calidad y gratuitas tomadas por Yosuke0312 en cizucu.]]></description>
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            <name>Yosuke0312</name>
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          <pubDate>Wed, 05 Feb 2025 18:22:34 GMT</pubDate>
          <atom:updated>2025-02-12T20:38:47+09:00</atom:updated>
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            <media:title><![CDATA[Keep a tree in heart and perhaps the singing bird will come. | Yosuke0312]]></media:title>
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            <media:description><![CDATA[Descarga fotos Un pájaro amarillo posado en una rama de flores de durazno de alta calidad y gratuitas tomadas por Yosuke0312 en cizucu.]]></media:description>
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          <title><![CDATA[This is a photo I really like. It's from a day trip in KL. Thanks to my friend for spending the day with me, I was able to take many beautiful photos. | JasonMusicman]]></title>
          <link>https://www.cizucu.com/es/photos/gKAknk1Iforgt5uQulVC</link>
          <description><![CDATA[Explora más de las increíbles obras de JasonMusicman en cizucu.]]></description>
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            <name>JasonMusicman</name>
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          <pubDate>Wed, 18 Mar 2026 11:41:50 GMT</pubDate>
          <atom:updated>2026-03-18T11:41:50+09:00</atom:updated>
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            <media:title><![CDATA[This is a photo I really like. It's from a day trip in KL. Thanks to my friend for spending the day with me, I was able to take many beautiful photos. | JasonMusicman]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de JasonMusicman en cizucu.]]></media:description>
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          <title><![CDATA[The sight of mighty mountains made me realise how trivial we actually are...and no matter how much we (humans) may try to conquer - there is no winning from those who have survived for millions of years  | awwsoumm]]></title>
          <link>https://www.cizucu.com/es/photos/wFpdEvwDweDAtd5Nf7kl</link>
          <description><![CDATA[Explora más de las increíbles obras de awwsoumm en cizucu.]]></description>
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            <name>awwsoumm</name>
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          <pubDate>Tue, 17 Mar 2026 21:05:49 GMT</pubDate>
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            <media:title><![CDATA[The sight of mighty mountains made me realise how trivial we actually are...and no matter how much we (humans) may try to conquer - there is no winning from those who have survived for millions of years  | awwsoumm]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de awwsoumm en cizucu.]]></media:description>
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          <title><![CDATA[Bangkok's Chinatown unfolds like a scented palette of heritage, aromas spilling from hidden alleyways and storied street corners, blending with a vibrant color aesthetic that refuses to fade into muted tones. Through an unedited lens, every corner writes its own scene, each frame flowing into the next, a living canvas where cultures meet, and time holds its breath. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/es/photos/M1IK8BGcHcUuGQKcf8pp</link>
          <description><![CDATA[Explora más de las increíbles obras de Lawrence Liou en cizucu.]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/es/momoliou</uri>
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          <pubDate>Sat, 14 Mar 2026 23:33:33 GMT</pubDate>
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            <media:title><![CDATA[Bangkok's Chinatown unfolds like a scented palette of heritage, aromas spilling from hidden alleyways and storied street corners, blending with a vibrant color aesthetic that refuses to fade into muted tones. Through an unedited lens, every corner writes its own scene, each frame flowing into the next, a living canvas where cultures meet, and time holds its breath. | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Lawrence Liou en cizucu.]]></media:description>
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          <title><![CDATA[Kuntsilo is an award winning building and was a former grain silo on the island of Odderøya in Kristiansand. It used to serve as an emergency storage for 15000 tonnes of grain. | Thecynicalfox]]></title>
          <link>https://www.cizucu.com/es/photos/sHDHl5CRlhtIZOL3EiLv</link>
          <description><![CDATA[Explora más de las increíbles obras de Thecynicalfox en cizucu.]]></description>
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            <name>Thecynicalfox</name>
            <uri>https://www.cizucu.com/es/thecyicalfox</uri>
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          <pubDate>Mon, 12 Jan 2026 16:50:01 GMT</pubDate>
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            <media:title><![CDATA[Kuntsilo is an award winning building and was a former grain silo on the island of Odderøya in Kristiansand. It used to serve as an emergency storage for 15000 tonnes of grain. | Thecynicalfox]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Thecynicalfox en cizucu.]]></media:description>
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          <title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></title>
          <link>https://www.cizucu.com/es/photos/OPN3NpM6QdtFUYQeC5SZ</link>
          <description><![CDATA[Explora más de las increíbles obras de Sophie Harris-Taylor en cizucu.]]></description>
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            <name>Sophie Harris-Taylor</name>
            <uri>https://www.cizucu.com/es/users/XvsKmfiv1WdGFcpzAAdftVuhqJl1</uri>
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          <pubDate>Sun, 05 Apr 2026 22:40:45 GMT</pubDate>
          <atom:updated>2026-04-05T22:40:45+09:00</atom:updated>
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            <media:title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Sophie Harris-Taylor en cizucu.]]></media:description>
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          <title><![CDATA[A few days back, I had the privilege of attending a Kathakali performance at Kalamandam centre in Fort Kochi. I was also welcomed to watch them prepare themselves for the performance. Right from the base makeup, to the quills added to make the broad jaw, the frills added to make the flawless  outfit and then the stunning jewellery.It was so thrilling to see it all come together in a span of 3 hours which were dedicatedly spent in donning a persona that felt so real.  This photograph is also a part of 'Hands that speak' a series of photos/videos I capture to show people from different walks of life through small gestures in the form of photos/ videos. | AnushkaR]]></title>
          <link>https://www.cizucu.com/es/photos/rBD2HuMFlYrDklurQZND</link>
          <description><![CDATA[Explora más de las increíbles obras de AnushkaR en cizucu.]]></description>
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            <name>AnushkaR</name>
            <uri>https://www.cizucu.com/es/users/8TUcBLHS0mOCVDU62h5nI7FU7CZ2</uri>
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          <pubDate>Fri, 13 Mar 2026 23:35:43 GMT</pubDate>
          <atom:updated>2026-03-13T23:35:43+09:00</atom:updated>
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            <media:title><![CDATA[A few days back, I had the privilege of attending a Kathakali performance at Kalamandam centre in Fort Kochi. I was also welcomed to watch them prepare themselves for the performance. Right from the base makeup, to the quills added to make the broad jaw, the frills added to make the flawless  outfit and then the stunning jewellery.It was so thrilling to see it all come together in a span of 3 hours which were dedicatedly spent in donning a persona that felt so real.  This photograph is also a part of 'Hands that speak' a series of photos/videos I capture to show people from different walks of life through small gestures in the form of photos/ videos. | AnushkaR]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de AnushkaR en cizucu.]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/es/photos/1Kl9GX36axe5C6q3oIK8</link>
          <description><![CDATA[Explora más de las increíbles obras de Amsyar Ashaary en cizucu.]]></description>
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            <name>Amsyar Ashaary</name>
            <uri>https://www.cizucu.com/es/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2</uri>
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          <pubDate>Sun, 22 Mar 2026 21:53:43 GMT</pubDate>
          <atom:updated>2026-03-22T21:53:43+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Amsyar Ashaary en cizucu.]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/es/photos/0dwoPbHAGQlxMTLop6kw</link>
          <description><![CDATA[Explora más de las increíbles obras de Amsyar Ashaary en cizucu.]]></description>
          <author>
            <name>Amsyar Ashaary</name>
            <uri>https://www.cizucu.com/es/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/es/photos/0dwoPbHAGQlxMTLop6kw</guid>
          <pubDate>Sun, 22 Mar 2026 23:15:29 GMT</pubDate>
          <atom:updated>2026-03-22T23:15:29+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/0dwoPbHAGQlxMTLop6kw.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0dwoPbHAGQlxMTLop6kw.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0dwoPbHAGQlxMTLop6kw.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0dwoPbHAGQlxMTLop6kw.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Amsyar Ashaary en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
          <link>https://www.cizucu.com/es/photos/a18natgq2Cvi84J6arq9</link>
          <description><![CDATA[Explora más de las increíbles obras de JIYEJI en cizucu.]]></description>
          <author>
            <name>JIYEJI</name>
            <uri>https://www.cizucu.com/es/jiyeji</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/es/photos/a18natgq2Cvi84J6arq9</guid>
          <pubDate>Sun, 07 Sep 2025 19:23:19 GMT</pubDate>
          <atom:updated>2025-09-07T19:23:19+09:00</atom:updated>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 놀러갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다.  This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?fm=jpg" type="image/jpeg" width="4724" height="7087" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/a18natgq2Cvi84J6arq9.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de JIYEJI en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></title>
          <link>https://www.cizucu.com/es/photos/0YqcAFIGmAt7Dv5EtyZy</link>
          <description><![CDATA[Explora más de las increíbles obras de JIYEJI en cizucu.]]></description>
          <author>
            <name>JIYEJI</name>
            <uri>https://www.cizucu.com/es/users/M2zHDaTlpZYaOsQpahReBUlgEWo2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/0YqcAFIGmAt7Dv5EtyZy</guid>
          <pubDate>Sun, 07 Sep 2025 17:31:56 GMT</pubDate>
          <atom:updated>2025-09-07T17:31:56+09:00</atom:updated>
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            <media:title><![CDATA[아마 우리가 곧 마주하게 될 가을 풍경입니다. 가을을 그다지 좋아하는 편은 아니었는데요, 풍경을 즐기고, 좋아하는 사람들과 함께 보낸 기억이 늘어갈수록 가을이 좋아지게 되었습니다. 이 사진은 혼자 홋카이도에 갔을 때 촬영했고, '황홀하다'라는 감각을 느껴 이름을 '홀경(惚境)'이라 짓게 되었습니다. '유키무시'라고 하는 지독한 벌레를 만나 꽤 고생하기도 했고, 완벽하게 세팅하고 촬영한 장면이 아니기 때문에 다소 어지럽기도 하지만, 마음의 일렁거림이 제법 담겨졌다고 생각해 좋아하는 사진입니다. This is probably the autumn scenery we’ll soon encounter. I didn’t particularly like autumn, but as I’ve accumulated memories of enjoying the scenery and spending time with people I cherish, I’ve grown to love it. I took this photo when I traveled alone to Hokkaido, and I felt a sense of "An Enchanted Realm," which inspired me to name it "Holgyeong (惚境)." I had quite a hard time dealing with a pesky insect called "Yukimushi," and since the scene wasn’t perfectly set up for the shoot, it might seem a bit chaotic. However, I believe it captures the stirring emotions I felt at the time, which is why I like this photo. | JIYEJI]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?fm=jpg" type="image/jpeg" width="4724" height="7087" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0YqcAFIGmAt7Dv5EtyZy.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de JIYEJI en cizucu.]]></media:description>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/es/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/es/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/wabEk4UMRZfjPjeVSzPy</guid>
          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
          <atom:updated>2026-01-20T22:11:12+09:00</atom:updated>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?fm=jpg" type="image/jpeg" width="1170" height="2080" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wabEk4UMRZfjPjeVSzPy.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/es/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[Explora más de las increíbles obras de John Hupa en cizucu.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/es/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/es/photos/sVh1uqHQzy9Jq3sPjFco</guid>
          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
          <atom:updated>2026-02-11T12:29:25+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?fm=jpg" type="image/jpeg" width="2362" height="4200" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de John Hupa en cizucu.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/es/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[Explora más de las increíbles obras de John Hupa en cizucu.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/es/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
          <atom:updated>2026-02-11T12:30:12+09:00</atom:updated>
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            <media:description><![CDATA[Explora más de las increíbles obras de John Hupa en cizucu.]]></media:description>
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