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          <title><![CDATA[ชื่อภาพ : Memmory Holder   ผลงานชิ้นนี้ต้องการชี้เห็นเห็นถึง "ภาพ" ที่ค่อย ๆ เลอะเลือนหายไปจากความทรงจำ คุณค่าที่มีของรูปภาพและความรู้สึก ณ ช่วงเวลานั้น ๆ ต่างเป็นสิ่งที่ผมตั้งใจอยากจะเก็บมันไว้ทุกครั้งที่กดชัตเตอร์ เพราะเราไม่รู้เลย ว่าความรู้สึกและความทรงจำนั้น จะหายไปเมื่อไหร่ เพียงหวังในใจว่าถ้าได้เห็นภาพ ก็คงจะมีความทรงจำที่หลงเหลืออยู่คืนกลับมา.. | Mmomouss]]></title>
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          <title><![CDATA[Walking through Kiyomizu-dera found the Yazaka Pagoda famous for its beautiful architecture and rich history. With the amount of traffic still present during nighttime, this work brings the energy of the moment with a historical structure as its background. The warm lights complimenting the colder hues brings contrast in color and highlights the subject in the work. In addition, the low exposure adds motion trails to indicate the movement of all the people present in the area. | d5hashin]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de hira_toshi en cizucu.]]></description>
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            <media:description><![CDATA[Explora más de las increíbles obras de hira_toshi en cizucu.]]></media:description>
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          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/es/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[Explora más de las increíbles obras de Gautami Golani en cizucu.]]></description>
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            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/es/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
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          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:58+09:00</atom:updated>
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            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Gautami Golani en cizucu.]]></media:description>
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          <title><![CDATA[2025.8.3 FORMULA DRIFT JAPAN 3  FDJ撮りに行ってきましたが暑すぎて最後まではいられず。。。 今までKANI FilterのPLフィルターつけていたと思ったけど実際はUVカットのを付けてたという。。。 改めてPLフィルターに変更して撮影するとしっかりコントラストが乗って良い感じです。  改めて設定を探し出さないといけなくなりましたw まぁ、頑張っていきます。。。  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/500sec f/4.0 ISO 100 Edit : Lrレタッチ →Ps現像  #s15 #kpgc110  #kpgc10  #nissan #silvia #skyline #s15silvia #kpgc #sr20 #ドリフト #drift #drifting  #日産 #s15シルビア  #ハコスカ #ドリフト好きな人と繋がりたい  #canon  #eos  #eos1dx  #eos1dxmarkiii  #ef600mmf4lisiiusm  #kanifilter  #一眼レフ  #カメラ好きな人と繋がりたい  #cizucu_photo  #purpleline | hira_toshi]]></title>
          <link>https://www.cizucu.com/es/photos/uQxOU1bNbUUGv45egQpO</link>
          <description><![CDATA[Explora más de las increíbles obras de hira_toshi en cizucu.]]></description>
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            <name>hira_toshi</name>
            <uri>https://www.cizucu.com/es/users/MmMek3rz9FMTdsnGiIEvd0bN8v43</uri>
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          <pubDate>Mon, 04 Aug 2025 23:41:31 GMT</pubDate>
          <atom:updated>2025-08-04T23:41:31+09:00</atom:updated>
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            <media:title><![CDATA[2025.8.3 FORMULA DRIFT JAPAN 3  FDJ撮りに行ってきましたが暑すぎて最後まではいられず。。。 今までKANI FilterのPLフィルターつけていたと思ったけど実際はUVカットのを付けてたという。。。 改めてPLフィルターに変更して撮影するとしっかりコントラストが乗って良い感じです。  改めて設定を探し出さないといけなくなりましたw まぁ、頑張っていきます。。。  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/500sec f/4.0 ISO 100 Edit : Lrレタッチ →Ps現像  #s15 #kpgc110  #kpgc10  #nissan #silvia #skyline #s15silvia #kpgc #sr20 #ドリフト #drift #drifting  #日産 #s15シルビア  #ハコスカ #ドリフト好きな人と繋がりたい  #canon  #eos  #eos1dx  #eos1dxmarkiii  #ef600mmf4lisiiusm  #kanifilter  #一眼レフ  #カメラ好きな人と繋がりたい  #cizucu_photo  #purpleline | hira_toshi]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de hira_toshi en cizucu.]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/es/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[Explora más de las increíbles obras de Tristan Tan en cizucu.]]></description>
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            <name>Tristan Tan</name>
            <uri>https://www.cizucu.com/es/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2</uri>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Tristan Tan en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/es/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/es/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
          <atom:updated>2026-01-20T21:49:17+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/es/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></description>
          <author>
            <name>熊寶</name>
            <uri>https://www.cizucu.com/es/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
          <atom:updated>2026-04-14T12:44:16+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></media:description>
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