Fotos de Skink | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/skink es 2026-04-20T09:53:30+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Asian skunk cabbage #SONY #Flower #水芭蕉 | daphoto]]> https://www.cizucu.com/es/photos/fUTriRjvnCCtwCzE4DUQ daphoto https://www.cizucu.com/es/users/ii9LFGGPaRZNCqgjpXypHnN3RPn2 https://www.cizucu.com/es/photos/fUTriRjvnCCtwCzE4DUQ Mon, 22 Apr 2024 20:41:53 GMT 2024-04-26T16:30:50+09:00 https://cdn.cizucu.com/images/photos/fUTriRjvnCCtwCzE4DUQ.jpg?auto=compress,format <![CDATA[Tree skin | Djana Wang]]> https://www.cizucu.com/es/photos/HxUIPtMz8utKd1Ph6vvw Djana Wang https://www.cizucu.com/es/users/RLRXgalhUMaVezzXiyoLdXzXopd2 https://www.cizucu.com/es/photos/HxUIPtMz8utKd1Ph6vvw Mon, 23 Mar 2026 07:29:18 GMT 2026-03-23T07:29:18+09:00 https://cdn.cizucu.com/images/photos/HxUIPtMz8utKd1Ph6vvw.jpg?auto=compress,format <![CDATA[Sink, back alley in Prince Edward’s district, Hong Kong | LukyPhotoDiary]]> https://www.cizucu.com/es/photos/uBDTaTIiQgMBwosCXZQH LukyPhotoDiary https://www.cizucu.com/es/users/r5X7P39BeFPRjRyc3j2eqWp8ZjK2 https://www.cizucu.com/es/photos/uBDTaTIiQgMBwosCXZQH Thu, 09 Apr 2026 18:35:49 GMT 2026-04-09T18:35:49+09:00 https://cdn.cizucu.com/images/photos/uBDTaTIiQgMBwosCXZQH.jpg?auto=compress,format <![CDATA[The time when spring’s colors softly sink into everything 春の色が静かに溶け込む時 | chanyeong]]> https://www.cizucu.com/es/photos/7eLlCGZzKRsUBs83Aba9 chanyeong https://www.cizucu.com/es/chanyeong https://www.cizucu.com/es/photos/7eLlCGZzKRsUBs83Aba9 Wed, 08 Apr 2026 09:23:44 GMT 2026-04-08T09:23:44+09:00 https://cdn.cizucu.com/images/photos/7eLlCGZzKRsUBs83Aba9.jpg?auto=compress,format <![CDATA[The Switz alps, shot in Zurich, Switzerland. The sun sets, and you're in a scenic train. The icy cold air brushes your skin, as the warmth from the sun reminds you that life is indeed worth living. | lucion j. orion]]> https://www.cizucu.com/es/photos/2UlMQCydn6yoHyazt2wA lucion j. orion https://www.cizucu.com/es/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2 https://www.cizucu.com/es/photos/2UlMQCydn6yoHyazt2wA Sat, 18 Apr 2026 15:15:18 GMT 2026-04-18T15:15:18+09:00 https://cdn.cizucu.com/images/photos/2UlMQCydn6yoHyazt2wA.jpg?auto=compress,format <![CDATA[『 skin 』 皮を剥かれた桃は、むき出しの肌のよう。 朝日を纏って、かすかに息をしている。 | onu]]> https://www.cizucu.com/es/photos/T3YbmOSinsWvPjlEjP6d onu https://www.cizucu.com/es/users/yNQGV4Yk2Zgw7W7zHYeIkExA22M2 https://www.cizucu.com/es/photos/T3YbmOSinsWvPjlEjP6d Sat, 30 Aug 2025 21:38:50 GMT 2025-08-30T21:38:50+09:00 https://cdn.cizucu.com/images/photos/T3YbmOSinsWvPjlEjP6d.jpg?auto=compress,format <![CDATA[The water halls on my skin 体験したことは身体に降り注ぎ、通り抜けて、 自分の中に僅かに蓄積されていく。 それをただ繰り返していくのが、ぼくたちの表現。 ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ | haru wagnus]]> https://www.cizucu.com/es/photos/vVICRK9yifQbnzIkl3T9 haru wagnus https://www.cizucu.com/es/users/3r4mPvz7UyUxyhhVBUvIMIxjQ392 https://www.cizucu.com/es/photos/vVICRK9yifQbnzIkl3T9 Wed, 23 Jul 2025 17:08:07 GMT 2025-07-23T17:08:07+09:00 https://cdn.cizucu.com/images/photos/vVICRK9yifQbnzIkl3T9.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/es/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/es/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/es/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/es/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/es/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/es/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/es/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/es/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/es/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/es/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/es/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/es/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[When I was young, I would watch a lot of Japanese animated movies. The recurrent presence of the furin bells would evoke a feeling of delicate melancholy, a warm breeze on the skin, a soft smile from a loved person. I was walking in Ueno Park this summer and found myself in the most dreamy location I have ever been to. The lotus flowers, the furins, the warm summery air, the laughs of lovers taking a stroll in the park. Was a little girl from Sicily dreaming of being in one of her beloved Japanese movies? #summer #Ueno #Tokyo #Lotus #Flowers #furin #windchimes #summerafternoon #filmphotography #nikonFE2 #nikonfilmcamera | Giuliana E. Miceli]]> https://www.cizucu.com/es/photos/5Ziz9Ckz3TpGlEq3rcU3 Giuliana E. Miceli https://www.cizucu.com/es/users/X0Uppurh6OXofv9sRiTUGtUb9x73 https://www.cizucu.com/es/photos/5Ziz9Ckz3TpGlEq3rcU3 Sat, 06 Dec 2025 13:50:34 GMT 2025-12-06T13:50:34+09:00 https://cdn.cizucu.com/images/photos/5Ziz9Ckz3TpGlEq3rcU3.jpg?auto=compress,format <![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]> https://www.cizucu.com/es/photos/npfZSamp3sezVDiZMAJb Corinne Vallienne https://www.cizucu.com/es/japantokyodaybyday https://www.cizucu.com/es/photos/npfZSamp3sezVDiZMAJb Mon, 09 Mar 2026 11:10:42 GMT 2026-03-09T11:10:42+09:00 https://cdn.cizucu.com/images/photos/npfZSamp3sezVDiZMAJb.jpg?auto=compress,format <![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five. They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day. We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself. This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]> https://www.cizucu.com/es/photos/1IuVoF2K24vT83YiYK40 熊寶 https://www.cizucu.com/es/users/zdddXarNsJdBtAS3ArljH0VHCDA2 https://www.cizucu.com/es/photos/1IuVoF2K24vT83YiYK40 Tue, 14 Apr 2026 12:44:16 GMT 2026-04-14T12:44:16+09:00 https://cdn.cizucu.com/images/photos/1IuVoF2K24vT83YiYK40.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/es/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/es/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/es/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format