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          <title><![CDATA[特設スケートリンク  #midtown #skete #AKS #MNT #TOKYO #AKS9 #cityscape #reflection  | つばさ製作所]]></title>
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          <title><![CDATA[Skater realizando un truco sobre un suelo colorido bajo una estructura arquitectónica moderna | ちゅらりんこ]]></title>
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          <title><![CDATA[都市風景が映り込む巨大なガラス窓   #glass #window #cityscape #midtown #skete #winter #ASK #reflection #tokyo | つばさ製作所]]></title>
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          <description><![CDATA[Descarga fotos Imagen que captura el reflejo de un edificio moderno con fachada de vidrio de alta calidad y gratuitas tomadas por つばさ製作所 en cizucu.]]></description>
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          <pubDate>Fri, 31 Jan 2025 11:34:25 GMT</pubDate>
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          <title><![CDATA[山とSkater | Masato Kawabata]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Masato Kawabata en cizucu.]]></description>
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          <pubDate>Tue, 10 Jun 2025 07:17:52 GMT</pubDate>
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          <title><![CDATA[Una caja de regalo para bebé envuelta en cintas rojas y blancas con un pato amarillo y un oso de peluche blanco | fkyh]]></title>
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          <title><![CDATA[skateboard | Awakari]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Awakari en cizucu.]]></description>
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          <pubDate>Fri, 23 May 2025 22:15:34 GMT</pubDate>
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          <title><![CDATA[「Shower of light」　#京都府立植物園 | kahoru]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de kahoru en cizucu.]]></description>
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          <description><![CDATA[Descarga fotos Una hermosa garza blanca volando sobre la superficie del agua de alta calidad y gratuitas tomadas por RYUURI en cizucu.]]></description>
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          <title><![CDATA[Florence Italy. First time travelling alone for an extended period of time. Very much miss the slower pace of living. | Marco Seah]]></title>
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            <media:title><![CDATA[Florence Italy. First time travelling alone for an extended period of time. Very much miss the slower pace of living. | Marco Seah]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1qKcYxQ06jLAxnxyq3ku.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Marco Seah en cizucu.]]></media:description>
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          <title><![CDATA["Bubble In Wonderland"   "Bubble In Wonderland" explores the fragile harmony between precision and poetry. Created entirely through physical elements—liquid, tension, and light—it invites the viewer into a surreal space where science dissolves into magic.  #マクロ #パステルカラー #泡 | takuma]]></title>
          <link>https://www.cizucu.com/es/photos/uhkg1U3j0ae4KMlSCSMv</link>
          <description><![CDATA[Explora más de las increíbles obras de takuma en cizucu.]]></description>
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            <name>takuma</name>
            <uri>https://www.cizucu.com/es/users/rn71bwN3L2WFlwhnKvoE95JhNcp1</uri>
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          <pubDate>Wed, 24 Sep 2025 12:30:38 GMT</pubDate>
          <atom:updated>2025-09-24T12:30:38+09:00</atom:updated>
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            <media:title><![CDATA["Bubble In Wonderland"   "Bubble In Wonderland" explores the fragile harmony between precision and poetry. Created entirely through physical elements—liquid, tension, and light—it invites the viewer into a surreal space where science dissolves into magic.  #マクロ #パステルカラー #泡 | takuma]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/uhkg1U3j0ae4KMlSCSMv.jpg?fm=jpg" type="image/jpeg" width="4992" height="3328" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uhkg1U3j0ae4KMlSCSMv.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uhkg1U3j0ae4KMlSCSMv.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de takuma en cizucu.]]></media:description>
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          <title><![CDATA[Unlike most images that guide the eye to a single focal point, this scene resists hierarchy. Light, water, architecture, and movement compete gently for attention, inviting the viewer to wander rather than arrive. Its beauty lies in this quiet abundance, where nothing demands to be seen, yet everything is worth noticing. | Felicia Endellion Fernandez]]></title>
          <link>https://www.cizucu.com/es/photos/OmZRFThWg5DEJ1mEFKfr</link>
          <description><![CDATA[Explora más de las increíbles obras de Felicia Endellion Fernandez en cizucu.]]></description>
          <author>
            <name>Felicia Endellion Fernandez</name>
            <uri>https://www.cizucu.com/es/users/fpNqm4uC7hdDEukZ0CMUigkt5C42</uri>
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          <pubDate>Sun, 22 Mar 2026 03:14:19 GMT</pubDate>
          <atom:updated>2026-03-22T03:14:19+09:00</atom:updated>
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            <media:title><![CDATA[Unlike most images that guide the eye to a single focal point, this scene resists hierarchy. Light, water, architecture, and movement compete gently for attention, inviting the viewer to wander rather than arrive. Its beauty lies in this quiet abundance, where nothing demands to be seen, yet everything is worth noticing. | Felicia Endellion Fernandez]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/OmZRFThWg5DEJ1mEFKfr.jpg?fm=jpg" type="image/jpeg" width="4417" height="6625" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OmZRFThWg5DEJ1mEFKfr.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OmZRFThWg5DEJ1mEFKfr.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/OmZRFThWg5DEJ1mEFKfr.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Felicia Endellion Fernandez en cizucu.]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/es/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[Explora más de las increíbles obras de Shawn Lim en cizucu.]]></description>
          <author>
            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/es/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T02:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?fm=jpg" type="image/jpeg" width="4492" height="6774" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Shawn Lim en cizucu.]]></media:description>
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        <item>
          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/es/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/es/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-03-16T19:26:03+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></media:description>
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          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/es/photos/1eyhxZQn4uTXWO7fHhv6</link>
          <description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/es/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Sat, 24 Jan 2026 20:08:23 GMT</pubDate>
          <atom:updated>2026-01-24T20:08:23+09:00</atom:updated>
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            <media:title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?fm=jpg" type="image/jpeg" width="1536" height="2048" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></media:description>
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          <title><![CDATA[This photograph captures a quiet moment of solitude. A young boy sits beneath a tree, absorbed in his own small world while the surrounding environment fades into shadow. The image explores the contrast between stillness and the larger world around him, highlighting how simple moments can carry deep meaning.  The photograph was created using natural light to emphasise the mood and intimacy of the scene. By using black and white, the focus shifts from colour to emotion, allowing the viewer to reflect on the subject’s quiet concentration and the calm atmosphere of the setting.  Through this work, I aim to present an honest and timeless moment of everyday life. It invites viewers to pause and reflect on the quiet spaces that exist within our busy world. | Akshob Ram Kumar]]></title>
          <link>https://www.cizucu.com/es/photos/TEzS1WccQibnKLVjPtrC</link>
          <description><![CDATA[Explora más de las increíbles obras de Akshob Ram Kumar en cizucu.]]></description>
          <author>
            <name>Akshob Ram Kumar</name>
            <uri>https://www.cizucu.com/es/akvisuals04</uri>
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          <pubDate>Sat, 14 Mar 2026 10:47:05 GMT</pubDate>
          <atom:updated>2026-03-14T10:47:05+09:00</atom:updated>
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            <media:title><![CDATA[This photograph captures a quiet moment of solitude. A young boy sits beneath a tree, absorbed in his own small world while the surrounding environment fades into shadow. The image explores the contrast between stillness and the larger world around him, highlighting how simple moments can carry deep meaning.  The photograph was created using natural light to emphasise the mood and intimacy of the scene. By using black and white, the focus shifts from colour to emotion, allowing the viewer to reflect on the subject’s quiet concentration and the calm atmosphere of the setting.  Through this work, I aim to present an honest and timeless moment of everyday life. It invites viewers to pause and reflect on the quiet spaces that exist within our busy world. | Akshob Ram Kumar]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Akshob Ram Kumar en cizucu.]]></media:description>
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          <title><![CDATA[I chose this photograph for exhibition because it stands apart from the kind of work I usually create. I was in the middle of photographing a model for a fashion shoot when I noticed a man standing nearby, looking back for just a brief moment. Instinctively, I captured the frame and immediately returned to the shoot. That is what I love most about photography — sometimes you simply find yourself in the right place, at the right time, with the right equipment, and a fleeting moment turns into an image that stays. What makes this photograph special to me is its universality. Although it was taken in the port area of Abu Dhabi, the scene feels unbound by geography. It could exist anywhere in the world, allowing the viewer to project their own place, story, and emotion onto the image. | Sahil Behal]]></title>
          <link>https://www.cizucu.com/es/photos/rjer55thHVMbtuBogoMH</link>
          <description><![CDATA[Explora más de las increíbles obras de Sahil Behal en cizucu.]]></description>
          <author>
            <name>Sahil Behal</name>
            <uri>https://www.cizucu.com/es/users/XeckC7xNCDYufqsqfsUSbhiyJX82</uri>
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          <pubDate>Mon, 02 Mar 2026 22:08:35 GMT</pubDate>
          <atom:updated>2026-03-02T22:08:35+09:00</atom:updated>
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            <media:title><![CDATA[I chose this photograph for exhibition because it stands apart from the kind of work I usually create. I was in the middle of photographing a model for a fashion shoot when I noticed a man standing nearby, looking back for just a brief moment. Instinctively, I captured the frame and immediately returned to the shoot. That is what I love most about photography — sometimes you simply find yourself in the right place, at the right time, with the right equipment, and a fleeting moment turns into an image that stays. What makes this photograph special to me is its universality. Although it was taken in the port area of Abu Dhabi, the scene feels unbound by geography. It could exist anywhere in the world, allowing the viewer to project their own place, story, and emotion onto the image. | Sahil Behal]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/rjer55thHVMbtuBogoMH.jpg?fm=jpg" type="image/jpeg" width="4422" height="6633" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/rjer55thHVMbtuBogoMH.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/rjer55thHVMbtuBogoMH.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/rjer55thHVMbtuBogoMH.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Sahil Behal en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/es/photos/FGecy4iXa0FxyLmFPs1x</link>
          <description><![CDATA[Explora más de las increíbles obras de Serene Teo en cizucu.]]></description>
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            <name>Serene Teo</name>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Serene Teo en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Serene Teo en cizucu.]]></description>
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            <name>Serene Teo</name>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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          <title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de thebirdingdude en cizucu.]]></description>
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          <pubDate>Thu, 12 Mar 2026 22:48:04 GMT</pubDate>
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            <media:title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de thebirdingdude en cizucu.]]></media:description>
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