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          <title><![CDATA[Juguetes de peluche Stitch y Winnie the Pooh en el salpicadero de un coche | Direct86]]></title>
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          <pubDate>Mon, 23 Mar 2026 15:12:57 GMT</pubDate>
          <atom:updated>2026-03-23T15:12:57+09:00</atom:updated>
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          <title><![CDATA[Personas mirando un anuncio de Swatch en una esquina de la calle | @nickydaphotography]]></title>
          <link>https://www.cizucu.com/es/photos/GdTcH326MT8kpPdS1zDm</link>
          <description><![CDATA[Explora más de las increíbles obras de @nickydaphotography en cizucu.]]></description>
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          <pubDate>Mon, 23 Mar 2026 15:10:06 GMT</pubDate>
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          <title><![CDATA[Was trying and learning to use the CPL filter which I got a few months ago. While I was practicing, I notice there this nice stretch of light. Give it a try, with some post processing, the stretch became more prominent and well I like it. | ThomasYeo]]></title>
          <link>https://www.cizucu.com/es/photos/lq3caZu1MgnKGUiM3Wd8</link>
          <description><![CDATA[Explora más de las increíbles obras de ThomasYeo en cizucu.]]></description>
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            <name>ThomasYeo</name>
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          <pubDate>Fri, 03 Apr 2026 22:49:13 GMT</pubDate>
          <atom:updated>2026-04-03T22:49:13+09:00</atom:updated>
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            <media:title><![CDATA[Was trying and learning to use the CPL filter which I got a few months ago. While I was practicing, I notice there this nice stretch of light. Give it a try, with some post processing, the stretch became more prominent and well I like it. | ThomasYeo]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de ThomasYeo en cizucu.]]></media:description>
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          <title><![CDATA[On my first trip to Canada, I finally saw a wild animal. Afraid to miss the shot, I ran to switch lenses. In a foreign country, I locked my keys in the trunk. First wildlife. First roadside assistance. | Hsu-Tai, Yeh]]></title>
          <link>https://www.cizucu.com/es/photos/qz36N9ABWLiHHbJ7pbgT</link>
          <description><![CDATA[Explora más de las increíbles obras de Hsu-Tai, Yeh en cizucu.]]></description>
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            <name>Hsu-Tai, Yeh</name>
            <uri>https://www.cizucu.com/es/tai17</uri>
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          <pubDate>Thu, 26 Feb 2026 12:03:21 GMT</pubDate>
          <atom:updated>2026-02-26T12:03:21+09:00</atom:updated>
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            <media:title><![CDATA[On my first trip to Canada, I finally saw a wild animal. Afraid to miss the shot, I ran to switch lenses. In a foreign country, I locked my keys in the trunk. First wildlife. First roadside assistance. | Hsu-Tai, Yeh]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Hsu-Tai, Yeh en cizucu.]]></media:description>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/es/photos/J6oW6BgNDWFx3cYDNu8e</link>
          <description><![CDATA[Explora más de las increíbles obras de Felicity Gan en cizucu.]]></description>
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            <name>Felicity Gan</name>
            <uri>https://www.cizucu.com/es/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2</uri>
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          <pubDate>Sat, 04 Apr 2026 23:27:00 GMT</pubDate>
          <atom:updated>2026-04-04T23:27:00+09:00</atom:updated>
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            <media:title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Felicity Gan en cizucu.]]></media:description>
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          <title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></title>
          <link>https://www.cizucu.com/es/photos/JpBL1xNfUyJEXEAjQECk</link>
          <description><![CDATA[Explora más de las increíbles obras de Petratheactionsuperstar en cizucu.]]></description>
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            <name>Petratheactionsuperstar</name>
            <uri>https://www.cizucu.com/es/users/cGhdI6z90hf12ObxDv2NMx2pUms2</uri>
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          <pubDate>Wed, 18 Mar 2026 04:11:12 GMT</pubDate>
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            <media:title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Petratheactionsuperstar en cizucu.]]></media:description>
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          <title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></title>
          <link>https://www.cizucu.com/es/photos/NUec0OXvq7COMIl2TDDZ</link>
          <description><![CDATA[Explora más de las increíbles obras de R.J. Savoie en cizucu.]]></description>
          <author>
            <name>R.J. Savoie</name>
            <uri>https://www.cizucu.com/es/users/j6yiLuwhPhQc3xCu9wY1qJq54dH2</uri>
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          <pubDate>Fri, 13 Feb 2026 17:09:43 GMT</pubDate>
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            <media:title><![CDATA[Three shadows stretch long across the warm gravel road, the late-summer sun turning a simple walk into something timeless. It was a day at the lake with Princess Ivy — the air soft, the trees standing tall, and love quietly holding our hands together. We were in that effortless space where happiness feels natural, where being in love blends seamlessly with the joy of being around a laughing child. Suspended between light and earth, our silhouettes tell the story: not of faces, but of feeling — a family moment carried gently by the golden hour. | R.J. Savoie]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/NUec0OXvq7COMIl2TDDZ.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de R.J. Savoie en cizucu.]]></media:description>
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          <title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></title>
          <link>https://www.cizucu.com/es/photos/Cnx1Icbp0otPJg2yjyDm</link>
          <description><![CDATA[Explora más de las increíbles obras de Trishita Bhattacharya en cizucu.]]></description>
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            <name>Trishita Bhattacharya</name>
            <uri>https://www.cizucu.com/es/users/OuzxF4GGQ7ebp6bu41IVc9KRYQP2</uri>
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          <pubDate>Mon, 16 Mar 2026 00:57:12 GMT</pubDate>
          <atom:updated>2026-03-16T00:57:12+09:00</atom:updated>
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            <media:title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Trishita Bhattacharya en cizucu.]]></media:description>
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          <title><![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。  "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime.  In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place.  Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]></title>
          <link>https://www.cizucu.com/es/photos/Y92zTpTXKNuBE4FSbUut</link>
          <description><![CDATA[Explora más de las increíbles obras de 侯良和 en cizucu.]]></description>
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            <name>侯良和</name>
            <uri>https://www.cizucu.com/es/users/s1VdhOBjrFVvvUDStv3Pb3fEVRf1</uri>
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          <pubDate>Sat, 04 Apr 2026 22:27:55 GMT</pubDate>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
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            <media:title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></media:title>
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