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          <title><![CDATA[Red Boots  #streetphotography #streetsnap #street | Yukihiro]]></title>
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          <title><![CDATA[Paisaje marino bajo un cielo nublado con un pequeño barco | touch91]]></title>
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          <title><![CDATA[Mar azul con playa de arena blanca que presenta botes y palmeras | AK]]></title>
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            <media:description><![CDATA[Descarga fotos Mar azul con playa de arena blanca que presenta botes y palmeras de alta calidad y gratuitas tomadas por AK en cizucu.]]></media:description>
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          <title><![CDATA[Miembros de la tripulación en el costado de un submarino con banderas | 鉄観音重工]]></title>
          <link>https://www.cizucu.com/es/photos/sqM9EqJ2T0awsNWoeNCq</link>
          <description><![CDATA[Descarga fotos Miembros de la tripulación en el costado de un submarino con banderas de alta calidad y gratuitas tomadas por 鉄観音重工 en cizucu.]]></description>
          <author>
            <name>鉄観音重工</name>
            <uri>https://www.cizucu.com/es/users/ucjl0dwaTAd8diaQY8iBCtALv5E2</uri>
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          <pubDate>Wed, 06 Dec 2023 12:43:01 GMT</pubDate>
          <atom:updated>2024-11-26T08:37:33+09:00</atom:updated>
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            <media:description><![CDATA[Descarga fotos Miembros de la tripulación en el costado de un submarino con banderas de alta calidad y gratuitas tomadas por 鉄観音重工 en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[#羽田空港 | boulogne2]]></title>
          <link>https://www.cizucu.com/es/photos/rwM96HlbvoboUtoCNIZJ</link>
          <description><![CDATA[Descarga fotos Imagen borrosa de un tiburón y la sombra de un bote bajo el agua de alta calidad y gratuitas tomadas por boulogne2 en cizucu.]]></description>
          <author>
            <name>boulogne2</name>
            <uri>https://www.cizucu.com/es/users/W53tikjx3ieMFTothCFRdzsx9a72</uri>
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          <pubDate>Sat, 22 Feb 2025 17:25:53 GMT</pubDate>
          <atom:updated>2025-02-26T10:38:50+09:00</atom:updated>
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            <media:title><![CDATA[#羽田空港 | boulogne2]]></media:title>
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            <media:description><![CDATA[Descarga fotos Imagen borrosa de un tiburón y la sombra de un bote bajo el agua de alta calidad y gratuitas tomadas por boulogne2 en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Tree roots in the park | mjh-k]]></title>
          <link>https://www.cizucu.com/es/photos/YVw9Vr0iIdoj92Au1yCy</link>
          <description><![CDATA[Explora más de las increíbles obras de mjh-k en cizucu.]]></description>
          <author>
            <name>mjh-k</name>
            <uri>https://www.cizucu.com/es/users/yB1RHHg7pPdVT9q3lhs1jOoc6x42</uri>
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          <pubDate>Thu, 06 Nov 2025 20:50:51 GMT</pubDate>
          <atom:updated>2025-11-06T20:50:51+09:00</atom:updated>
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            <media:title><![CDATA[Tree roots in the park | mjh-k]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de mjh-k en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[【シュミラクラ】  #FUJI機愛好会 #海王丸パーク #射水市を流離う #SNAP #フィルムシュミレーション #PRO Neg.Hi | RYUURI]]></title>
          <link>https://www.cizucu.com/es/photos/Iwc02ebaDGZPIZgZaI3a</link>
          <description><![CDATA[Descarga fotos Detalle de accesorios grises y cuerdas en la parte delantera de un bote blanco de alta calidad y gratuitas tomadas por RYUURI en cizucu.]]></description>
          <author>
            <name>RYUURI</name>
            <uri>https://www.cizucu.com/es/users/Lbdd5bsfAbQYMFztyyA8VXgGKHk1</uri>
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          <pubDate>Tue, 16 Jul 2024 23:08:41 GMT</pubDate>
          <atom:updated>2024-07-17T18:12:35+09:00</atom:updated>
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            <media:title><![CDATA[【シュミラクラ】  #FUJI機愛好会 #海王丸パーク #射水市を流離う #SNAP #フィルムシュミレーション #PRO Neg.Hi | RYUURI]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Iwc02ebaDGZPIZgZaI3a.jpg?fm=jpg" type="image/jpeg" width="2138" height="1425" />
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            <media:description><![CDATA[Descarga fotos Detalle de accesorios grises y cuerdas en la parte delantera de un bote blanco de alta calidad y gratuitas tomadas por RYUURI en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Vista escénica del océano y la playa con la estela de un bote | きりーな]]></title>
          <link>https://www.cizucu.com/es/photos/hnU7ujt71hkOyODgsT9r</link>
          <description><![CDATA[Descarga fotos Vista escénica del océano y la playa con la estela de un bote de alta calidad y gratuitas tomadas por きりーな en cizucu.]]></description>
          <author>
            <name>きりーな</name>
            <uri>https://www.cizucu.com/es/users/nUui6CNkxnTGpCrL1QzVh3D9lWs2</uri>
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          <pubDate>Mon, 19 Feb 2024 14:43:54 GMT</pubDate>
          <atom:updated>2024-11-22T17:54:12+09:00</atom:updated>
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            <media:title><![CDATA[Vista escénica del océano y la playa con la estela de un bote | きりーな]]></media:title>
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            <media:description><![CDATA[Descarga fotos Vista escénica del océano y la playa con la estela de un bote de alta calidad y gratuitas tomadas por きりーな en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[it stood there for years holding the sky without asking  one day the ground changed its mind  steel arrived machines spoke in noise and time moved faster than roots could follow  still for a brief moment it was just a tree and the light was still gentle | benjamin]]></title>
          <link>https://www.cizucu.com/es/photos/xPGuT6cdUmJxbXHRRNdl</link>
          <description><![CDATA[Explora más de las increíbles obras de benjamin en cizucu.]]></description>
          <author>
            <name>benjamin</name>
            <uri>https://www.cizucu.com/es/benjamin</uri>
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          <pubDate>Mon, 20 Apr 2026 20:59:00 GMT</pubDate>
          <atom:updated>2026-04-20T20:59:00+09:00</atom:updated>
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            <media:title><![CDATA[it stood there for years holding the sky without asking  one day the ground changed its mind  steel arrived machines spoke in noise and time moved faster than roots could follow  still for a brief moment it was just a tree and the light was still gentle | benjamin]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/xPGuT6cdUmJxbXHRRNdl.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/xPGuT6cdUmJxbXHRRNdl.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de benjamin en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]></title>
          <link>https://www.cizucu.com/es/photos/pIDW724HfD5EDuCOIaUm</link>
          <description><![CDATA[Explora más de las increíbles obras de hichubbypotato en cizucu.]]></description>
          <author>
            <name>hichubbypotato</name>
            <uri>https://www.cizucu.com/es/users/gZWO4xQetegER2Nxn1ToiXNuzrd2</uri>
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          <pubDate>Sun, 05 Apr 2026 10:17:07 GMT</pubDate>
          <atom:updated>2026-04-05T10:17:07+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?fm=jpg" type="image/jpeg" width="4500" height="6364" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pIDW724HfD5EDuCOIaUm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de hichubbypotato en cizucu.]]></media:description>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
          <link>https://www.cizucu.com/es/photos/LcfITjpuir5fca1v6H39</link>
          <description><![CDATA[Explora más de las increíbles obras de Leonie Freeman en cizucu.]]></description>
          <author>
            <name>Leonie Freeman</name>
            <uri>https://www.cizucu.com/es/users/Z3nyxOavExSZa5rmcDPnnZRo9P03</uri>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
          <atom:updated>2026-04-07T23:00:52+09:00</atom:updated>
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            <media:title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?fm=jpg" type="image/jpeg" width="3383" height="4632" />
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            <media:description><![CDATA[Explora más de las increíbles obras de Leonie Freeman en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></description>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></media:description>
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