Fotos de Priests | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/priests es 2026-04-22T18:56:35+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Niño escalando un tobogán usando presas verdes en un parque | ぽりんクス]]> https://www.cizucu.com/es/photos/SYpJ1y2e41nya14swsmR ぽりんクス https://www.cizucu.com/es/users/C5FLnGpepIcvwJRzKHt1vJSXdAw1 https://www.cizucu.com/es/photos/SYpJ1y2e41nya14swsmR Fri, 29 Mar 2024 16:51:50 GMT 2024-11-20T00:46:29+09:00 https://cdn.cizucu.com/images/photos/SYpJ1y2e41nya14swsmR.jpg?auto=compress,format <![CDATA[Una vista escénica de un arroyo con presas de piedra y agua fluyendo | かざまつり]]> https://www.cizucu.com/es/photos/Zi2A2nFk5n0iHg26G7Wg かざまつり https://www.cizucu.com/es/kazamaturi https://www.cizucu.com/es/photos/Zi2A2nFk5n0iHg26G7Wg Wed, 22 May 2024 17:11:42 GMT 2024-05-22T17:11:42+09:00 https://cdn.cizucu.com/images/photos/Zi2A2nFk5n0iHg26G7Wg.jpg?auto=compress,format <![CDATA[Niño escalando una pared de escalada de madera con presas de colores | ぽりんクス]]> https://www.cizucu.com/es/photos/6a3BMceyrS4bR8eH0ao3 ぽりんクス https://www.cizucu.com/es/users/C5FLnGpepIcvwJRzKHt1vJSXdAw1 https://www.cizucu.com/es/photos/6a3BMceyrS4bR8eH0ao3 Fri, 29 Mar 2024 16:50:33 GMT 2024-11-20T00:53:45+09:00 https://cdn.cizucu.com/images/photos/6a3BMceyrS4bR8eH0ao3.jpg?auto=compress,format <![CDATA[Where time rests #retro | sora.days]]> https://www.cizucu.com/es/photos/S9cjTzMBk2BGaIqufsWb sora.days https://www.cizucu.com/es/users/W49ZqUN36RO1BD3xoMrTFLnxfIC3 https://www.cizucu.com/es/photos/S9cjTzMBk2BGaIqufsWb Mon, 30 Mar 2026 08:50:19 GMT 2026-03-30T08:50:19+09:00 https://cdn.cizucu.com/images/photos/S9cjTzMBk2BGaIqufsWb.jpg?auto=compress,format <![CDATA[fraaaaags (camera) #mamiya press standard 23 (tags) #filmphotography #film #brownie | Naruki]]> https://www.cizucu.com/es/photos/euLaGVIirONnl5de4kc0 Naruki https://www.cizucu.com/es/naru1439 https://www.cizucu.com/es/photos/euLaGVIirONnl5de4kc0 Sat, 29 Nov 2025 00:47:58 GMT 2025-11-29T00:47:58+09:00 https://cdn.cizucu.com/images/photos/euLaGVIirONnl5de4kc0.jpg?auto=compress,format <![CDATA[eggs (camera) #mamiya press standard 23 (tags) #filmphotograpy #brownie #lomography | Naruki]]> https://www.cizucu.com/es/photos/YhR56uFzC2I06V2jPIQQ Naruki https://www.cizucu.com/es/naru1439 https://www.cizucu.com/es/photos/YhR56uFzC2I06V2jPIQQ Sat, 29 Nov 2025 00:33:19 GMT 2025-11-29T00:33:19+09:00 https://cdn.cizucu.com/images/photos/YhR56uFzC2I06V2jPIQQ.jpg?auto=compress,format <![CDATA[eclipse (camera) #mamiya press standard 23 (tags) #film #brownie #fillphotography | Naruki]]> https://www.cizucu.com/es/photos/JRnCA9LKMRH4yTBBFJF1 Naruki https://www.cizucu.com/es/naru1439 https://www.cizucu.com/es/photos/JRnCA9LKMRH4yTBBFJF1 Thu, 04 Dec 2025 03:04:58 GMT 2025-12-04T03:04:58+09:00 https://cdn.cizucu.com/images/photos/JRnCA9LKMRH4yTBBFJF1.jpg?auto=compress,format <![CDATA[non-title (camera) #mamiya press standard 23 (tags) #filmphotography #brownie #lomigraphy | Naruki]]> https://www.cizucu.com/es/photos/DD0oqh2Zv6zTJr5CWNOl Naruki https://www.cizucu.com/es/naru1439 https://www.cizucu.com/es/photos/DD0oqh2Zv6zTJr5CWNOl Sat, 29 Nov 2025 00:29:03 GMT 2025-11-29T00:29:03+09:00 https://cdn.cizucu.com/images/photos/DD0oqh2Zv6zTJr5CWNOl.jpg?auto=compress,format <![CDATA[non-title (camera) #mamiya press standard 23 (tags) #filmphotography #brownie #lomography | Naruki]]> https://www.cizucu.com/es/photos/2Ng4rCeasVZPNkHbBKyV Naruki https://www.cizucu.com/es/naru1439 https://www.cizucu.com/es/photos/2Ng4rCeasVZPNkHbBKyV Sat, 29 Nov 2025 00:27:02 GMT 2025-11-29T00:27:02+09:00 https://cdn.cizucu.com/images/photos/2Ng4rCeasVZPNkHbBKyV.jpg?auto=compress,format <![CDATA['Shared Air' A lion rests in the foreground as human structures rise in the distance. Two worlds share the same air — one wild, one built — each shaping the space the other must now navigate. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/es/photos/02wXUGQpMStRTkvv95MV Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/es/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/es/photos/02wXUGQpMStRTkvv95MV Mon, 06 Apr 2026 08:52:14 GMT 2026-04-06T08:52:14+09:00 https://cdn.cizucu.com/images/photos/02wXUGQpMStRTkvv95MV.jpg?auto=compress,format <![CDATA[ルールの上に立つもの / Standing Above the Rules 止まるべき場所で、 止まらないものがいる。 Something that never stops, rests where it shouldn’t. #キリトリセカイ #スナップ写真 #ファインダー越しの私の世界 #street | dz a.k.a dashan]]> https://www.cizucu.com/es/photos/a1cPKcRRPodYyEhfWqFH dz a.k.a dashan https://www.cizucu.com/es/dz https://www.cizucu.com/es/photos/a1cPKcRRPodYyEhfWqFH Sun, 19 Apr 2026 10:09:50 GMT 2026-04-19T10:09:50+09:00 https://cdn.cizucu.com/images/photos/a1cPKcRRPodYyEhfWqFH.jpg?auto=compress,format <![CDATA[Under the star-filled sky of Mersing, Johor, a lone fishing boat rests in silence. Shaped by long exposure and guided learning, this image reflects years of aspiration, patience, and discovery—where time slows, light settles, and the night reveals itself. | haziqtahir]]> https://www.cizucu.com/es/photos/Km3yupoF7TEqg3xqlCJN haziqtahir https://www.cizucu.com/es/users/tbB7RO9y0Qcu6l60Vn5LaMCWDbo2 https://www.cizucu.com/es/photos/Km3yupoF7TEqg3xqlCJN Fri, 09 Jan 2026 08:56:10 GMT 2026-01-09T08:56:10+09:00 https://cdn.cizucu.com/images/photos/Km3yupoF7TEqg3xqlCJN.jpg?auto=compress,format <![CDATA[Pause Between Cups At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands. Behind them, the skyline rises with ambition; before them, the sea rests in silence. For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. | i_amrizzahmed]]> https://www.cizucu.com/es/photos/CwlbS9AfvF57kyKviC5T i_amrizzahmed https://www.cizucu.com/es/users/0pNSWxiJhfc5SrKpHhbRbS2ScFR2 https://www.cizucu.com/es/photos/CwlbS9AfvF57kyKviC5T Fri, 13 Mar 2026 17:17:06 GMT 2026-03-13T17:17:06+09:00 https://cdn.cizucu.com/images/photos/CwlbS9AfvF57kyKviC5T.jpg?auto=compress,format <![CDATA[Pause Between Cups At the edge of Marine Drive, two tea sellers pause after a long day of serving the city. The same cups they pour for strangers now warm their own hands. Behind them, the skyline rises with ambition; before them, the sea rests in silence. For a brief moment, the sellers sit still—watching the city they quietly keep running, one cup of tea at a time. ☕🌊 | i_amrizzahmed]]> https://www.cizucu.com/es/photos/4gQp3X6E17zX4cszyRKv i_amrizzahmed https://www.cizucu.com/es/users/0pNSWxiJhfc5SrKpHhbRbS2ScFR2 https://www.cizucu.com/es/photos/4gQp3X6E17zX4cszyRKv Fri, 13 Mar 2026 17:18:27 GMT 2026-03-13T17:18:27+09:00 https://cdn.cizucu.com/images/photos/4gQp3X6E17zX4cszyRKv.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/es/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/es/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/es/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format <![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge. At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]> https://www.cizucu.com/es/photos/c6X5QFypeVexSKsL3yma INKAN https://www.cizucu.com/es/users/394o0WNHj6P0jZeascrsAkgBWDx1 https://www.cizucu.com/es/photos/c6X5QFypeVexSKsL3yma Sat, 14 Mar 2026 02:33:47 GMT 2026-03-14T02:33:47+09:00 https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/es/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/es/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/es/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format <![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic. In this realm, nothing is settled with certainty. Is this sleep, surrender, or aftermath? ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]> https://www.cizucu.com/es/photos/A3CNYO4rLwcO7jbJhpI6 Yamedre https://www.cizucu.com/es/users/nPYRwjPDAzQvkj5YCdt2W5y5Xc62 https://www.cizucu.com/es/photos/A3CNYO4rLwcO7jbJhpI6 Sun, 21 Dec 2025 12:23:35 GMT 2025-12-21T12:23:35+09:00 https://cdn.cizucu.com/images/photos/A3CNYO4rLwcO7jbJhpI6.jpg?auto=compress,format