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          <title><![CDATA[Piece of cube | yukarin.KagiAke]]></title>
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          <description><![CDATA[Descarga fotos Un pequeño cubo de colores reposando sobre grava en un entorno de parque infantil de alta calidad y gratuitas tomadas por yukarin.KagiAke en cizucu.]]></description>
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          <pubDate>Sun, 18 Jun 2023 20:27:34 GMT</pubDate>
          <atom:updated>2024-09-09T16:50:07+09:00</atom:updated>
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          <title><![CDATA[風圧で揺れる扉の向こうに「ONE PIECE新幹線 せとうちブルー号」  | decomp3104]]></title>
          <link>https://www.cizucu.com/es/photos/U3xNPtKYuw7DS9SqP3dD</link>
          <description><![CDATA[Explora más de las increíbles obras de decomp3104 en cizucu.]]></description>
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          <pubDate>Mon, 12 May 2025 22:08:24 GMT</pubDate>
          <atom:updated>2025-05-12T22:08:24+09:00</atom:updated>
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            <media:title><![CDATA[風圧で揺れる扉の向こうに「ONE PIECE新幹線 せとうちブルー号」  | decomp3104]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de decomp3104 en cizucu.]]></media:description>
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          <title><![CDATA[" piece of cake "  #areyouhungry #pieceofcake | 玉響/ゆらぎ]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de 玉響/ゆらぎ en cizucu.]]></description>
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            <name>玉響/ゆらぎ</name>
            <uri>https://www.cizucu.com/es/tamayura_yuragi</uri>
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          <pubDate>Sat, 27 Jan 2024 13:00:34 GMT</pubDate>
          <atom:updated>2024-11-24T16:47:46+09:00</atom:updated>
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            <media:title><![CDATA[" piece of cake "  #areyouhungry #pieceofcake | 玉響/ゆらぎ]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de 玉響/ゆらぎ en cizucu.]]></media:description>
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          <title><![CDATA[ONE PIECE新幹線 せとうちブルー号  カープ×ジャイアンツ 試合観戦中に📸 手持ちで写真撮りながら動画も撮るようにしてたので失敗しそうでドキドキしながら待ってました😅  観客席アップで | decomp3104]]></title>
          <link>https://www.cizucu.com/es/photos/gx8Kp2k4FEsvWtEOZcmd</link>
          <description><![CDATA[Explora más de las increíbles obras de decomp3104 en cizucu.]]></description>
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            <name>decomp3104</name>
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          <pubDate>Sun, 20 Apr 2025 17:35:18 GMT</pubDate>
          <atom:updated>2025-04-20T17:35:41+09:00</atom:updated>
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            <media:title><![CDATA[ONE PIECE新幹線 せとうちブルー号  カープ×ジャイアンツ 試合観戦中に📸 手持ちで写真撮りながら動画も撮るようにしてたので失敗しそうでドキドキしながら待ってました😅  観客席アップで | decomp3104]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de decomp3104 en cizucu.]]></media:description>
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          <title><![CDATA[ONE PIECE新幹線 せとうちブルー号  カープ×ジャイアンツ 試合観戦中に📸 手持ちで写真撮りながら動画も撮るようにしてたので失敗しそうでドキドキしながら待ってました😅  試合風景入れて引きで | decomp3104]]></title>
          <link>https://www.cizucu.com/es/photos/ALs3JtdGNFMrteDiTiaS</link>
          <description><![CDATA[Explora más de las increíbles obras de decomp3104 en cizucu.]]></description>
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            <name>decomp3104</name>
            <uri>https://www.cizucu.com/es/users/lkDmAViQFXdT22UdWx6zk9WOUqt1</uri>
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          <pubDate>Sun, 20 Apr 2025 17:35:49 GMT</pubDate>
          <atom:updated>2025-04-20T17:36:12+09:00</atom:updated>
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            <media:title><![CDATA[ONE PIECE新幹線 せとうちブルー号  カープ×ジャイアンツ 試合観戦中に📸 手持ちで写真撮りながら動画も撮るようにしてたので失敗しそうでドキドキしながら待ってました😅  試合風景入れて引きで | decomp3104]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de decomp3104 en cizucu.]]></media:description>
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          <title><![CDATA[it did not fall all at once just slowly piece by piece the sky taken away  the city kept building as if nothing had changed  but the wind remembers where the branches used to be  and for a moment you can still see the shape of what was | benjamin]]></title>
          <link>https://www.cizucu.com/es/photos/C1MOnxNw2oJdJ2YOCa0f</link>
          <description><![CDATA[Explora más de las increíbles obras de benjamin en cizucu.]]></description>
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            <name>benjamin</name>
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          <pubDate>Mon, 20 Apr 2026 21:00:27 GMT</pubDate>
          <atom:updated>2026-04-20T21:00:27+09:00</atom:updated>
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            <media:title><![CDATA[it did not fall all at once just slowly piece by piece the sky taken away  the city kept building as if nothing had changed  but the wind remembers where the branches used to be  and for a moment you can still see the shape of what was | benjamin]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de benjamin en cizucu.]]></media:description>
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          <title><![CDATA[ビル・エヴァンスの名曲 「peace piece」の名を冠するカクテル 非常においしい  #shibuya | Jang Kumi]]></title>
          <link>https://www.cizucu.com/es/photos/6wP2ExgNLWkuz9WrEgcS</link>
          <description><![CDATA[Explora más de las increíbles obras de Jang Kumi en cizucu.]]></description>
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            <name>Jang Kumi</name>
            <uri>https://www.cizucu.com/es/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3</uri>
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          <pubDate>Fri, 08 Mar 2024 01:35:25 GMT</pubDate>
          <atom:updated>2024-11-21T16:55:57+09:00</atom:updated>
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            <media:title><![CDATA[ビル・エヴァンスの名曲 「peace piece」の名を冠するカクテル 非常においしい  #shibuya | Jang Kumi]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Jang Kumi en cizucu.]]></media:description>
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          <title><![CDATA[This shot was taken in December 2019 at one of my favourite place in Taiwan, Gaomei Wetlands. It is also one of my favourite shot taken from the trip.  It was my first trip bringing my first camera, the Sony A7iii overseas.  The sunset was beautiful and colour contrast was amazing.  Hope everyone like this piece from me :) | Loh Jia Qi]]></title>
          <link>https://www.cizucu.com/es/photos/gbQhiYAIs0V0JuX5aJaT</link>
          <description><![CDATA[Explora más de las increíbles obras de Loh Jia Qi en cizucu.]]></description>
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            <name>Loh Jia Qi</name>
            <uri>https://www.cizucu.com/es/users/osPUPpShEQbnmqPEbi6DtFbdwaG2</uri>
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          <pubDate>Sat, 17 Jan 2026 02:24:48 GMT</pubDate>
          <atom:updated>2026-01-17T02:24:48+09:00</atom:updated>
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            <media:title><![CDATA[This shot was taken in December 2019 at one of my favourite place in Taiwan, Gaomei Wetlands. It is also one of my favourite shot taken from the trip.  It was my first trip bringing my first camera, the Sony A7iii overseas.  The sunset was beautiful and colour contrast was amazing.  Hope everyone like this piece from me :) | Loh Jia Qi]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Loh Jia Qi en cizucu.]]></media:description>
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          <title><![CDATA[One of the most unique and dearest photo that I have taken for my best friend who got married.  It was the first time I was asked to help take photos for an important moment in life.  It was the first time my photo was shared by Sony Singapore Instagram.  Hope everyone like this special piece from me :) | Loh Jia Qi]]></title>
          <link>https://www.cizucu.com/es/photos/aJ26GaRiGUkX2qF0ZIHm</link>
          <description><![CDATA[Explora más de las increíbles obras de Loh Jia Qi en cizucu.]]></description>
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            <name>Loh Jia Qi</name>
            <uri>https://www.cizucu.com/es/users/osPUPpShEQbnmqPEbi6DtFbdwaG2</uri>
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          <pubDate>Thu, 19 Feb 2026 08:58:36 GMT</pubDate>
          <atom:updated>2026-02-19T08:58:36+09:00</atom:updated>
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            <media:title><![CDATA[One of the most unique and dearest photo that I have taken for my best friend who got married.  It was the first time I was asked to help take photos for an important moment in life.  It was the first time my photo was shared by Sony Singapore Instagram.  Hope everyone like this special piece from me :) | Loh Jia Qi]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aJ26GaRiGUkX2qF0ZIHm.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aJ26GaRiGUkX2qF0ZIHm.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aJ26GaRiGUkX2qF0ZIHm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Loh Jia Qi en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[I shot this image during one of the National Day rehearsals with the concept of freezing the right moment of a well blown and positioned firework. My plan was to not edit much for this piece as I wanted to retain the rawness and minimalism of the shot with a pop of colour touch to make it my style. | JJ]]></title>
          <link>https://www.cizucu.com/es/photos/Cb5XYa08n4YTF2V7GnRK</link>
          <description><![CDATA[Explora más de las increíbles obras de JJ en cizucu.]]></description>
          <author>
            <name>JJ</name>
            <uri>https://www.cizucu.com/es/users/YHkwR0u57UQzzVJ30jN8BEfAafr1</uri>
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          <pubDate>Mon, 16 Mar 2026 20:57:02 GMT</pubDate>
          <atom:updated>2026-03-16T20:57:02+09:00</atom:updated>
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            <media:title><![CDATA[I shot this image during one of the National Day rehearsals with the concept of freezing the right moment of a well blown and positioned firework. My plan was to not edit much for this piece as I wanted to retain the rawness and minimalism of the shot with a pop of colour touch to make it my style. | JJ]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Cb5XYa08n4YTF2V7GnRK.jpg?fm=jpg" type="image/jpeg" width="2447" height="3059" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Cb5XYa08n4YTF2V7GnRK.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Cb5XYa08n4YTF2V7GnRK.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Cb5XYa08n4YTF2V7GnRK.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de JJ en cizucu.]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[I shot this image during one of the National Day rehearsals with the concept of freezing the right moment of a well blown and positioned firework. My plan was to not edit much for this piece as I wanted to retain the rawness and minimalism of the shot with a pop of colour touch to make it my style. | JJ]]></title>
          <link>https://www.cizucu.com/es/photos/CNvgp3FdLQXiaHPJdYdM</link>
          <description><![CDATA[Explora más de las increíbles obras de JJ en cizucu.]]></description>
          <author>
            <name>JJ</name>
            <uri>https://www.cizucu.com/es/users/YHkwR0u57UQzzVJ30jN8BEfAafr1</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/es/photos/CNvgp3FdLQXiaHPJdYdM</guid>
          <pubDate>Mon, 16 Mar 2026 20:54:06 GMT</pubDate>
          <atom:updated>2026-03-16T20:54:06+09:00</atom:updated>
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            <media:title><![CDATA[I shot this image during one of the National Day rehearsals with the concept of freezing the right moment of a well blown and positioned firework. My plan was to not edit much for this piece as I wanted to retain the rawness and minimalism of the shot with a pop of colour touch to make it my style. | JJ]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/CNvgp3FdLQXiaHPJdYdM.jpg?fm=jpg" type="image/jpeg" width="2447" height="3059" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/CNvgp3FdLQXiaHPJdYdM.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/CNvgp3FdLQXiaHPJdYdM.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/CNvgp3FdLQXiaHPJdYdM.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de JJ en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[To me, love is a feeling.  When I visited Seoul for the first time, I saw an elderly couple walking slowly, side by side, holding hands as they walked past me.  In that moment, everything felt gentle and warm, the autumn leaves, the glow of the setting sun, and the quiet moment they share between them. It was such a simple moment, yet I felt so much.  I hurried to take my camera out and captured this moment because I want to freeze this moment that I'm feeling.   It's been a year since I took this picture, and it's still one of my favourite piece.   I love love.   & I hope through this picture you would feel the love too. :) | Miki]]></title>
          <link>https://www.cizucu.com/es/photos/1yPzGE56AKoUzQtvyhS2</link>
          <description><![CDATA[Explora más de las increíbles obras de Miki en cizucu.]]></description>
          <author>
            <name>Miki</name>
            <uri>https://www.cizucu.com/es/mikiarchives</uri>
          </author>
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          <pubDate>Mon, 19 Jan 2026 00:48:39 GMT</pubDate>
          <atom:updated>2026-01-19T00:48:39+09:00</atom:updated>
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            <media:title><![CDATA[To me, love is a feeling.  When I visited Seoul for the first time, I saw an elderly couple walking slowly, side by side, holding hands as they walked past me.  In that moment, everything felt gentle and warm, the autumn leaves, the glow of the setting sun, and the quiet moment they share between them. It was such a simple moment, yet I felt so much.  I hurried to take my camera out and captured this moment because I want to freeze this moment that I'm feeling.   It's been a year since I took this picture, and it's still one of my favourite piece.   I love love.   & I hope through this picture you would feel the love too. :) | Miki]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?fm=jpg" type="image/jpeg" width="3721" height="5581" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1yPzGE56AKoUzQtvyhS2.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Miki en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/es/photos/ONcdjCaE4a7tXO0fGQKO</link>
          <description><![CDATA[Explora más de las increíbles obras de Giuliana E. Miceli en cizucu.]]></description>
          <author>
            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/es/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/ONcdjCaE4a7tXO0fGQKO</guid>
          <pubDate>Sat, 06 Dec 2025 13:27:26 GMT</pubDate>
          <atom:updated>2025-12-06T13:27:26+09:00</atom:updated>
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            <media:title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?fm=jpg" type="image/jpeg" width="1545" height="1024" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Giuliana E. Miceli en cizucu.]]></media:description>
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          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/es/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[Explora más de las increíbles obras de Kentledger en cizucu.]]></description>
          <author>
            <name>Kentledger</name>
            <uri>https://www.cizucu.com/es/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/es/photos/PX9Bj4iUmBnjDhCqkLVD</guid>
          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/PX9Bj4iUmBnjDhCqkLVD.jpg?fm=jpg" type="image/jpeg" width="2000" height="2000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PX9Bj4iUmBnjDhCqkLVD.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PX9Bj4iUmBnjDhCqkLVD.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/PX9Bj4iUmBnjDhCqkLVD.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Kentledger en cizucu.]]></media:description>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
          <link>https://www.cizucu.com/es/photos/HaRlbV8HZph6qTP7CEe0</link>
          <description><![CDATA[Explora más de las increíbles obras de Victor Zhuo en cizucu.]]></description>
          <author>
            <name>Victor Zhuo</name>
            <uri>https://www.cizucu.com/es/users/4QDNraPSayPI6l1z44LmNKePpYg2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/HaRlbV8HZph6qTP7CEe0</guid>
          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
          <atom:updated>2026-01-06T15:31:12+09:00</atom:updated>
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            <media:title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?fm=jpg" type="image/jpeg" width="7440" height="10524" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/HaRlbV8HZph6qTP7CEe0.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Victor Zhuo en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/es/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[Explora más de las increíbles obras de W Mick en cizucu.]]></description>
          <author>
            <name>W Mick</name>
            <uri>https://www.cizucu.com/es/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de W Mick en cizucu.]]></media:description>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de shotbyje9_3 en cizucu.]]></description>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
          <atom:updated>2025-10-02T13:37:24+09:00</atom:updated>
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            <media:title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></media:title>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></description>
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            <name>熊寶</name>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
          <atom:updated>2026-04-14T12:44:16+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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