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      <description><![CDATA[Encuentra las mejores 11 fotos Pagayer en alta resolución en cizucu. Todas son libres de derechos, gratuitas para descargar y perfectas para cualquier proyecto, sin necesidad de atribución.]]></description>
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          <title><![CDATA[Cerca de madera con plantas coloridas en un jardín | ookinate23]]></title>
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          <pubDate>Thu, 18 Jan 2024 17:29:31 GMT</pubDate>
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          <title><![CDATA[「Deep prayer」 in Taipei | Takao@]]></title>
          <link>https://www.cizucu.com/es/photos/SL3rPXOod9NGCjil6ZtN</link>
          <description><![CDATA[Explora más de las increíbles obras de Takao@ en cizucu.]]></description>
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          <pubDate>Sun, 01 Feb 2026 09:58:48 GMT</pubDate>
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            <media:description><![CDATA[Explora más de las increíbles obras de Takao@ en cizucu.]]></media:description>
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          <title><![CDATA[night of prayer 三篠神社 | なうち]]></title>
          <link>https://www.cizucu.com/es/photos/cI68TdlxB28bTFqbd71Q</link>
          <description><![CDATA[Explora más de las increíbles obras de なうち en cizucu.]]></description>
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          <pubDate>Tue, 17 Mar 2026 21:31:06 GMT</pubDate>
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            <media:title><![CDATA[night of prayer 三篠神社 | なうち]]></media:title>
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          <title><![CDATA[A prayer answered. Shot in Punjab, Anandpur sahib. | Nirvair Singh]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Nirvair Singh en cizucu.]]></description>
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            <name>Nirvair Singh</name>
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          <pubDate>Wed, 11 Mar 2026 21:27:25 GMT</pubDate>
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            <media:title><![CDATA[A prayer answered. Shot in Punjab, Anandpur sahib. | Nirvair Singh]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Nirvair Singh en cizucu.]]></media:description>
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          <title><![CDATA[Like Father, Like Daughter  Just before prayer, a father sat beside his daughter as she played and imitated prayer in the quiet mosque. Watching her brought back memories of my own childhood visits, when the mosque was a place of comfort, safety, and familiarity. In that moment, far from home in Albania, the call to prayer brought those memories rushing back. | capturedbytashh]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de capturedbytashh en cizucu.]]></description>
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          <pubDate>Sun, 05 Apr 2026 07:31:25 GMT</pubDate>
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            <media:title><![CDATA[Like Father, Like Daughter  Just before prayer, a father sat beside his daughter as she played and imitated prayer in the quiet mosque. Watching her brought back memories of my own childhood visits, when the mosque was a place of comfort, safety, and familiarity. In that moment, far from home in Albania, the call to prayer brought those memories rushing back. | capturedbytashh]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de capturedbytashh en cizucu.]]></media:description>
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          <title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Anamika en cizucu.]]></description>
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            <name>Anamika</name>
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          <pubDate>Wed, 18 Feb 2026 11:16:35 GMT</pubDate>
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            <media:title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Anamika en cizucu.]]></media:description>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Ek Cheeze Dikhau en cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 05 Mar 2026 03:55:29 GMT</pubDate>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
          <link>https://www.cizucu.com/es/photos/Jnx8ZtJKhekws72e8Vrq</link>
          <description><![CDATA[Explora más de las increíbles obras de Ek Cheeze Dikhau en cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
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            <media:title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></media:title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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