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      <description><![CDATA[Encuentra las mejores 10 fotos Needles en alta resolución en cizucu. Todas son libres de derechos, gratuitas para descargar y perfectas para cualquier proyecto, sin necesidad de atribución.]]></description>
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          <title><![CDATA[Espectáculo de fuegos artificiales coloridos iluminando el cielo nocturno con la Space Needle de Seattle al fondo | 20RyanKino24]]></title>
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          <description><![CDATA[Descarga fotos Espectáculo de fuegos artificiales coloridos iluminando el cielo nocturno con la Space Needle de Seattle al fondo de alta calidad y gratuitas tomadas por 20RyanKino24 en cizucu.]]></description>
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          <pubDate>Tue, 26 Mar 2024 17:56:50 GMT</pubDate>
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          <title><![CDATA[La Space Needle de Seattle se levanta bajo un cielo azul claro | Milky]]></title>
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          <description><![CDATA[Descarga fotos La Space Needle de Seattle se levanta bajo un cielo azul claro de alta calidad y gratuitas tomadas por Milky en cizucu.]]></description>
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          <pubDate>Wed, 14 Feb 2024 10:44:26 GMT</pubDate>
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          <title><![CDATA[Imagen de una mano sosteniendo un paquete de Cup Noodles | きりーな]]></title>
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          <description><![CDATA[Descarga fotos Imagen de una mano sosteniendo un paquete de Cup Noodles de alta calidad y gratuitas tomadas por きりーな en cizucu.]]></description>
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          <pubDate>Tue, 20 Feb 2024 22:24:13 GMT</pubDate>
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          <title><![CDATA[Through the flowers, the world feels a little quieter. Not everything needs to be seen clearly to be felt.  | benjamin]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de benjamin en cizucu.]]></description>
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          <pubDate>Mon, 23 Mar 2026 20:51:21 GMT</pubDate>
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            <media:title><![CDATA[Through the flowers, the world feels a little quieter. Not everything needs to be seen clearly to be felt.  | benjamin]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de benjamin en cizucu.]]></media:description>
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          <title><![CDATA[This was one of those evenings where I had no plan. I'd been moving through Tokyo all day and finally let myself sit down. The light started softening outside, Tokyo Tower caught the last of the sun, and the whole room fell into this gentle hush. I love that the chairs are empty here. It felt like the city was offering me a pause, and I just needed to notice it. One frame, handheld, no setup. A quiet memory I get to keep. | Mikie Lee]]></title>
          <link>https://www.cizucu.com/es/photos/40kaTXIJ0fSF1uqlmHYH</link>
          <description><![CDATA[Explora más de las increíbles obras de Mikie Lee en cizucu.]]></description>
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            <name>Mikie Lee</name>
            <uri>https://www.cizucu.com/es/users/TA9p4dMEYjVF4CxE8raQqHnPemH3</uri>
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          <pubDate>Sun, 19 Apr 2026 20:44:09 GMT</pubDate>
          <atom:updated>2026-04-19T20:44:09+09:00</atom:updated>
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            <media:title><![CDATA[This was one of those evenings where I had no plan. I'd been moving through Tokyo all day and finally let myself sit down. The light started softening outside, Tokyo Tower caught the last of the sun, and the whole room fell into this gentle hush. I love that the chairs are empty here. It felt like the city was offering me a pause, and I just needed to notice it. One frame, handheld, no setup. A quiet memory I get to keep. | Mikie Lee]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Mikie Lee en cizucu.]]></media:description>
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          <title><![CDATA[My wife and I chose our condo because of this view.  Some days we sit together and just gaze at the skyline with the Big Buddha providing a sense of peace within the chaos of Bangkok.  I admit however, my passion for lightning photography was a big motivation to move in.  Capturing this moment of divine power is something I have dreamt of since my first day here.  This dichotomy of chaos and serenity perfectly exemplifies how I feel about this city, a city that has brought great transformation in my life when I needed it the most. | Alexander Strandlien]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Alexander Strandlien en cizucu.]]></description>
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            <name>Alexander Strandlien</name>
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          <pubDate>Mon, 13 Apr 2026 01:24:05 GMT</pubDate>
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            <media:title><![CDATA[My wife and I chose our condo because of this view.  Some days we sit together and just gaze at the skyline with the Big Buddha providing a sense of peace within the chaos of Bangkok.  I admit however, my passion for lightning photography was a big motivation to move in.  Capturing this moment of divine power is something I have dreamt of since my first day here.  This dichotomy of chaos and serenity perfectly exemplifies how I feel about this city, a city that has brought great transformation in my life when I needed it the most. | Alexander Strandlien]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Alexander Strandlien en cizucu.]]></media:description>
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          <title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></title>
          <link>https://www.cizucu.com/es/photos/O797H3ePbKxuqGDdvLjo</link>
          <description><![CDATA[Explora más de las increíbles obras de Anamika en cizucu.]]></description>
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            <name>Anamika</name>
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          <pubDate>Wed, 18 Feb 2026 11:16:35 GMT</pubDate>
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            <media:title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Anamika en cizucu.]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/es/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[Explora más de las increíbles obras de analogbysissi en cizucu.]]></description>
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            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/es/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
          <atom:updated>2026-03-25T15:24:24+09:00</atom:updated>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Jun Ciao 雋喬 en cizucu.]]></description>
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            <name>Jun Ciao 雋喬</name>
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          <pubDate>Tue, 10 Mar 2026 22:58:34 GMT</pubDate>
          <atom:updated>2026-03-10T22:58:34+09:00</atom:updated>
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            <media:title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></media:title>
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          <title><![CDATA[等待 Waiting   月台，象徵著「離開」與「抵達」之間的閾限空間。在這段交界裡，等待並非一段需要被填補的真空，而是一種深邃的靜止狀態。  一種對「當下」刻意且純粹的存在。它是過去的陰影與未來的光亮交匯的邊界，讓我們在兩者之間的間隙裡，僅僅是如實地存在著。  A platform is a liminal space between departure and arrival. Within this threshold, waiting is not an emptiness that needs to be filled, but a profound state of stillness.  It is a deliberate presence in the here and now. At this intersection—where the shadow of the past meets the light of the future—we remain in the narrow interval between the two, simply being. | Jun Ciao 雋喬]]></title>
          <link>https://www.cizucu.com/es/photos/Q6N2AqNBGEyjTU9oR1AT</link>
          <description><![CDATA[Explora más de las increíbles obras de Jun Ciao 雋喬 en cizucu.]]></description>
          <author>
            <name>Jun Ciao 雋喬</name>
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          <pubDate>Tue, 10 Mar 2026 22:26:03 GMT</pubDate>
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