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          <title><![CDATA[#府中郷土の森博物館 | 季]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Interior de una sala de exposición con suelo de madera y grandes ventanales en el Museo de Historia Local y Bosque de Fuchu tomada por 季.]]></description>
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          <title><![CDATA[#フォント  #島崎藤村 書 #大磯町郷土資料館 | tamu1500]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de pared de exposición con paneles que muestran a Shimazaki Toson y « Tsukiakari » tomada por tamu1500.]]></description>
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          <title><![CDATA[cartel con un mapa ilustrado del pueblo | つばさ製作所]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de cartel con un mapa ilustrado del pueblo tomada por つばさ製作所.]]></description>
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          <pubDate>Mon, 29 Jan 2024 14:26:36 GMT</pubDate>
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          <title><![CDATA[Antigua casa de bombas en el agua con humedal circundante | spaceman]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Antigua casa de bombas en el agua con humedal circundante tomada por spaceman.]]></description>
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          <title><![CDATA[#彼岸花 #曼珠沙華 #府中郷土の森公園 | 季]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Lirios rojos de araña (彼岸花) floreciendo hacia el cielo en el parque Fuchu Local History Forest tomada por 季.]]></description>
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          <title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de shantanu sarwade en cizucu.]]></description>
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          <pubDate>Fri, 13 Mar 2026 01:38:35 GMT</pubDate>
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            <media:title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></media:title>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Lucho Dávila en cizucu.]]></description>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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