Fotos de Komposition | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/komposition es 2026-04-26T03:50:42+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Interior in grey with VICTORY magazine #victorymagazine #interior #composition | hikaru masamiya]]> https://www.cizucu.com/es/photos/eMznX1E9T9llsa1PsicP hikaru masamiya https://www.cizucu.com/es/users/jD2NMQ5APUZbxgwtWOvkWI8JFr83 https://www.cizucu.com/es/photos/eMznX1E9T9llsa1PsicP Thu, 09 Feb 2023 13:55:17 GMT 2024-09-09T15:28:58+09:00 https://cdn.cizucu.com/images/photos/eMznX1E9T9llsa1PsicP.jpg?auto=compress,format <![CDATA["The weight of love" A small life crossing a vast frame-my backyard. #love #goose #shape #photography #composition #mood | CLori]]> https://www.cizucu.com/es/photos/4996ERygxkFAnSuDhwsp CLori https://www.cizucu.com/es/users/htwaD6LJmwRXZz8PbLMBZLoO05v2 https://www.cizucu.com/es/photos/4996ERygxkFAnSuDhwsp Thu, 05 Feb 2026 00:21:36 GMT 2026-02-05T00:21:36+09:00 https://cdn.cizucu.com/images/photos/4996ERygxkFAnSuDhwsp.jpg?auto=compress,format <![CDATA[composition 大分県 | なうち]]> https://www.cizucu.com/es/photos/Mx11U76QU9eplDzIlEHb なうち https://www.cizucu.com/es/users/cJzVdiUn68Sr6ak7ayhkLA8ZHuj1 https://www.cizucu.com/es/photos/Mx11U76QU9eplDzIlEHb Thu, 05 Mar 2026 17:29:52 GMT 2026-03-05T17:29:52+09:00 https://cdn.cizucu.com/images/photos/Mx11U76QU9eplDzIlEHb.jpg?auto=compress,format <![CDATA[Framed in the City #urban #architecture #urbanart #installation #framing #layers #contrast #cityscape #modern #visualstory #composition #street #art #space | dz a.k.a dashan]]> https://www.cizucu.com/es/photos/gCUuOhb4UVarO5TQrouf dz a.k.a dashan https://www.cizucu.com/es/dz https://www.cizucu.com/es/photos/gCUuOhb4UVarO5TQrouf Sun, 22 Mar 2026 18:13:55 GMT 2026-03-22T18:13:55+09:00 https://cdn.cizucu.com/images/photos/gCUuOhb4UVarO5TQrouf.jpg?auto=compress,format <![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]> https://www.cizucu.com/es/photos/nenShS4kXESrtZTORN2U __rohit.uk https://www.cizucu.com/es/users/EkllMyLWYUZnXsclfgSc1GTOYUC3 https://www.cizucu.com/es/photos/nenShS4kXESrtZTORN2U Thu, 26 Mar 2026 07:23:01 GMT 2026-03-26T07:23:01+09:00 https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format <![CDATA[I wanted so showcase the movement of London with a view of an iconic landmark. I didn't want vehicles in the frame I preferred just buildings and people. Framing and composition was important to me and I thought doing a long exposure x motion blur technique on Millennium Bridge facing St Paul's Cathedral would be the best option. I'm delighted with how it came out. | Martin Maticevic]]> https://www.cizucu.com/es/photos/tOp3CtR5AXrxJVn5HUcu Martin Maticevic https://www.cizucu.com/es/users/FuvuxowQ8kgQGAugOk3369C020j1 https://www.cizucu.com/es/photos/tOp3CtR5AXrxJVn5HUcu Sat, 25 Apr 2026 01:34:22 GMT 2026-04-25T01:34:22+09:00 https://cdn.cizucu.com/images/photos/tOp3CtR5AXrxJVn5HUcu.jpg?auto=compress,format <![CDATA[A shoreline moment where proximity and distance coexist. I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame. Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]> https://www.cizucu.com/es/photos/Zj6P1fgkM9oPCMFAGuev Adisatrya Johari https://www.cizucu.com/es/adisatryajohari https://www.cizucu.com/es/photos/Zj6P1fgkM9oPCMFAGuev Mon, 16 Mar 2026 13:12:44 GMT 2026-03-16T13:12:44+09:00 https://cdn.cizucu.com/images/photos/Zj6P1fgkM9oPCMFAGuev.jpg?auto=compress,format <![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory. Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]> https://www.cizucu.com/es/photos/AT0547TetpyjwEl35ryF Franco Volpi https://www.cizucu.com/es/users/koYtNqNSKaZsk6JSlEAEA3jrODf2 https://www.cizucu.com/es/photos/AT0547TetpyjwEl35ryF Tue, 31 Mar 2026 02:52:38 GMT 2026-03-31T02:52:38+09:00 https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format <![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]> https://www.cizucu.com/es/photos/Se3lrtIAXIFRzgSjNDRu poemsbywei https://www.cizucu.com/es/users/jHET1UGt3QWo0XrWIYJG7sq3MUv1 https://www.cizucu.com/es/photos/Se3lrtIAXIFRzgSjNDRu Sun, 22 Mar 2026 22:48:21 GMT 2026-03-22T22:48:21+09:00 https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?auto=compress,format <![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]> https://www.cizucu.com/es/photos/EuqZ40ka5ByBc8BhK5vv Iak Gnix https://www.cizucu.com/es/users/adkl8riKZKWN9WS0SXowSpCLYN92 https://www.cizucu.com/es/photos/EuqZ40ka5ByBc8BhK5vv Mon, 20 Apr 2026 04:42:16 GMT 2026-04-20T04:42:16+09:00 https://cdn.cizucu.com/images/photos/EuqZ40ka5ByBc8BhK5vv.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/es/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/es/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/es/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format <![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]> https://www.cizucu.com/es/photos/MCq2HUqc07Cf0tkiHfQs Nicholas https://www.cizucu.com/es/nickkloo https://www.cizucu.com/es/photos/MCq2HUqc07Cf0tkiHfQs Sat, 17 Jan 2026 23:42:28 GMT 2026-01-17T23:42:28+09:00 https://cdn.cizucu.com/images/photos/MCq2HUqc07Cf0tkiHfQs.jpg?auto=compress,format