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          <description><![CDATA[Explora más de las increíbles obras de littlekiss photography en cizucu.]]></description>
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          <title><![CDATA[nightscape  #restaurant #dinner #Akasaka #tokyo #cityscape | つばさ製作所]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de つばさ製作所 en cizucu.]]></description>
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          <title><![CDATA[A quiet peace hidden in the hardness of stone: silence, refuge, and inner stillness. This image reflects both the majesty and the calm spirit of Mt. Nokogiri, a serenity concealed in the heart of the rocks against the noise of the outside world. | suleler]]></title>
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          <title><![CDATA["Say Hi"   A child who has just finished school is walking home along his usual route with a parent. Because it is afternoon, the sun shines from behind him, allowing the child to see his own shadow. He waves to the shadow as if greeting it—a moment of pure, simple, and sincere childlike innocence.  #Sun #Kage #kid #Shadow | CLori]]></title>
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            <media:title><![CDATA["Say Hi"   A child who has just finished school is walking home along his usual route with a parent. Because it is afternoon, the sun shines from behind him, allowing the child to see his own shadow. He waves to the shadow as if greeting it—a moment of pure, simple, and sincere childlike innocence.  #Sun #Kage #kid #Shadow | CLori]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l6stUzbImn0LzQ8Rbpk6.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l6stUzbImn0LzQ8Rbpk6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l6stUzbImn0LzQ8Rbpk6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de CLori en cizucu.]]></media:description>
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          <title><![CDATA[Opposite to my hometown in Vietnam, Beppu’s peace and slow pace of life is so hard to get used to. But in that peace, people’s inner selves seem to stand out more instead of getting drowned by the chaotic noises and the bustling streets, and it’s really easy to spot too. Over the 3 years I spent here, Beppu gave me the chance to observe not only people but also myself, to understand my thoughts better.  I point my lens outward to the world, to have a peek into my own.  | vemuon]]></title>
          <link>https://www.cizucu.com/es/photos/3pap5Q8kJc7BiyDWPBo7</link>
          <description><![CDATA[Explora más de las increíbles obras de vemuon en cizucu.]]></description>
          <author>
            <name>vemuon</name>
            <uri>https://www.cizucu.com/es/vemuon</uri>
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          <pubDate>Tue, 20 Jan 2026 00:22:24 GMT</pubDate>
          <atom:updated>2026-01-20T00:22:24+09:00</atom:updated>
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            <media:title><![CDATA[Opposite to my hometown in Vietnam, Beppu’s peace and slow pace of life is so hard to get used to. But in that peace, people’s inner selves seem to stand out more instead of getting drowned by the chaotic noises and the bustling streets, and it’s really easy to spot too. Over the 3 years I spent here, Beppu gave me the chance to observe not only people but also myself, to understand my thoughts better.  I point my lens outward to the world, to have a peek into my own.  | vemuon]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?fm=jpg" type="image/jpeg" width="3555" height="3511" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de vemuon en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Most days blur into one another ordinary walks, familiar streets, nothing that feels remarkable. But sometimes, without warning, a moment breaks through the routine. A sudden beam of light, a solitary figure passing through it, and the ordinary transforms into something quietly unforgettable.  This is why it becomes that day—not because something grand happened, but because for a brief second, the world aligned in a way that made the moment impossible to ignore. | suleler]]></title>
          <link>https://www.cizucu.com/es/photos/FDxZwCtZlx5CsXn4DCZP</link>
          <description><![CDATA[Explora más de las increíbles obras de suleler en cizucu.]]></description>
          <author>
            <name>suleler</name>
            <uri>https://www.cizucu.com/es/users/nULyQxGLgJZeLFAru8Ybwfq4x4x2</uri>
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          <pubDate>Tue, 10 Mar 2026 00:03:03 GMT</pubDate>
          <atom:updated>2026-03-10T00:03:03+09:00</atom:updated>
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            <media:title><![CDATA[Most days blur into one another ordinary walks, familiar streets, nothing that feels remarkable. But sometimes, without warning, a moment breaks through the routine. A sudden beam of light, a solitary figure passing through it, and the ordinary transforms into something quietly unforgettable.  This is why it becomes that day—not because something grand happened, but because for a brief second, the world aligned in a way that made the moment impossible to ignore. | suleler]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/FDxZwCtZlx5CsXn4DCZP.jpg?fm=jpg" type="image/jpeg" width="2071" height="2761" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FDxZwCtZlx5CsXn4DCZP.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FDxZwCtZlx5CsXn4DCZP.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FDxZwCtZlx5CsXn4DCZP.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de suleler en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/es/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[Explora más de las increíbles obras de Urasha en cizucu.]]></description>
          <author>
            <name>Urasha</name>
            <uri>https://www.cizucu.com/es/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/c4l8EClWI13vYtOt0C54</guid>
          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Urasha en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]></title>
          <link>https://www.cizucu.com/es/photos/ZnyO3IOFX2BuEHliyvOr</link>
          <description><![CDATA[Explora más de las increíbles obras de Daniel en cizucu.]]></description>
          <author>
            <name>Daniel</name>
            <uri>https://www.cizucu.com/es/users/ZaW40P2crvZXPdx6NEX1YL6WGrp1</uri>
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          <pubDate>Sun, 05 Apr 2026 19:57:46 GMT</pubDate>
          <atom:updated>2026-04-05T19:57:46+09:00</atom:updated>
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            <media:title><![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?fm=jpg" type="image/jpeg" width="2251" height="1180" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Daniel en cizucu.]]></media:description>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/es/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[Explora más de las increíbles obras de Liza Medvedeva en cizucu.]]></description>
          <author>
            <name>Liza Medvedeva</name>
            <uri>https://www.cizucu.com/es/users/izN8mAH1xrflfRBeXFE1dCE6BIw1</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/l7VzRAizhwBNTQosF4N3</guid>
          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?fm=jpg" type="image/jpeg" width="3705" height="5558" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Liza Medvedeva en cizucu.]]></media:description>
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          <title><![CDATA[Mother and Me These are the hands of my mother and mine. The bond between us has always been complex— filled with so much love. Sometimes it feels warm, and sometimes it feels like a kind of restraint. But no matter what, it comes from a heart that is sincere and deeply passionate.  母親與我 這是我和母親的手。 我們之間的情感總是複雜—— 有很多的愛， 有時是溫暖，有時也像一種限制。 但無論如何， 那始終是一顆真切而炙熱的心。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/es/photos/oQZh62u7bm1FGPw62ST6</link>
          <description><![CDATA[Explora más de las increíbles obras de JoJo Tsai  蔡易蓁 en cizucu.]]></description>
          <author>
            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/es/jojotsai</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/oQZh62u7bm1FGPw62ST6</guid>
          <pubDate>Thu, 19 Feb 2026 04:04:55 GMT</pubDate>
          <atom:updated>2026-02-19T04:04:55+09:00</atom:updated>
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            <media:title><![CDATA[Mother and Me These are the hands of my mother and mine. The bond between us has always been complex— filled with so much love. Sometimes it feels warm, and sometimes it feels like a kind of restraint. But no matter what, it comes from a heart that is sincere and deeply passionate.  母親與我 這是我和母親的手。 我們之間的情感總是複雜—— 有很多的愛， 有時是溫暖，有時也像一種限制。 但無論如何， 那始終是一顆真切而炙熱的心。 | JoJo Tsai  蔡易蓁]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/oQZh62u7bm1FGPw62ST6.jpg?fm=jpg" type="image/jpeg" width="7196" height="10794" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/oQZh62u7bm1FGPw62ST6.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/oQZh62u7bm1FGPw62ST6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/oQZh62u7bm1FGPw62ST6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de JoJo Tsai  蔡易蓁 en cizucu.]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/es/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[Explora más de las increíbles obras de Victor Tan KH en cizucu.]]></description>
          <author>
            <name>Victor Tan KH</name>
            <uri>https://www.cizucu.com/es/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/5rLps4AdmWu1rEHn4sQW</guid>
          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:43:45+09:00</atom:updated>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?fm=jpg" type="image/jpeg" width="2557" height="3835" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Victor Tan KH en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/es/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/es/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></media:title>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/es/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[Explora más de las increíbles obras de W Mick en cizucu.]]></description>
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            <name>W Mick</name>
            <uri>https://www.cizucu.com/es/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de W Mick en cizucu.]]></media:description>
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