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          <title><![CDATA[padre o madre sosteniendo a un bebé en la cama, rostro sereno dormido | kuu2028]]></title>
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          <pubDate>Tue, 25 Mar 2025 21:53:47 GMT</pubDate>
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          <title><![CDATA[#モノクロ　#時計 | 雷道輝一]]></title>
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          <pubDate>Sun, 26 May 2024 15:05:53 GMT</pubDate>
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          <title><![CDATA[mono sentado en una barandilla | calm...]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de mono sentado en una barandilla tomada por calm....]]></description>
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          <title><![CDATA[bebé dormido en un sofá, manos apoyadas | みゆきち]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de bebé dormido en un sofá, manos apoyadas tomada por みゆきち.]]></description>
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          <pubDate>Sun, 12 Jan 2025 23:07:54 GMT</pubDate>
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          <title><![CDATA[Escena interior en blanco y negro: una persona sentada en una cama con el rostro oculto | Stoneriver]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Escena interior en blanco y negro: una persona sentada en una cama con el rostro oculto tomada por Stoneriver.]]></description>
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          <title><![CDATA[mujer acostada sobre ropa de cama blanca, manos cerca del rostro | ぎずもの]]></title>
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          <title><![CDATA[Primer plano de un reloj analógico montado en la pared de un edificio | 017]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de 017 en cizucu.]]></description>
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          <title><![CDATA[Some moments don’t need colour to scream.  Unusually stripped off colours that the festival's messy joy brings, with colour smeared hands slathering paste on the boy's face amid the frenzy, his wide-open mouth echoing the burn of chemical dyes. | Rushabh Javeri]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Rushabh Javeri en cizucu.]]></description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Arthur Liew en cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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