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          <title><![CDATA[#spring #pink #blooming | kotalun]]></title>
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          <title><![CDATA[Roses blooming in the dark  #花 #薔薇 #flower | だいひょう]]></title>
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          <description><![CDATA[Descarga fotos Una rosa amarilla impactante contra un fondo oscuro de alta calidad y gratuitas tomadas por だいひょう en cizucu.]]></description>
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          <title><![CDATA[Afeitadora eléctrica dorada y negra colocada sobre una superficie de azulejos | yslab]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de yslab en cizucu.]]></description>
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          <title><![CDATA[Blooming girls | 何佶霖]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de 何佶霖 en cizucu.]]></description>
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          <pubDate>Sat, 20 Dec 2025 22:15:30 GMT</pubDate>
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          <description><![CDATA[Explora más de las increíbles obras de urapon / Ryoga Urata en cizucu.]]></description>
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          <title><![CDATA[Autumn is growing day by day  sony a7siii  Tamron 35-150 2-2.8 | k.2SSD]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de k.2SSD en cizucu.]]></description>
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          <pubDate>Tue, 14 Oct 2025 08:35:04 GMT</pubDate>
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          <title><![CDATA[『Flowers blooming in the night sky』  Nikon Z6Ⅲ NIKKOR Z 24-120mm f4 S | かいと]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de かいと en cizucu.]]></description>
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          <title><![CDATA[Title: Sea of Flowers Beneath The Lenticular Cloud  Beneath a sky draped in soft hues and crowned by a rare lenticular cloud, Mount Fuji rises with quiet majesty above a vast sea of blooming flowers— a symbol of permanence amidst fleeting beauty.  柔らかな色合いに覆われ、珍しいレンズ雲を冠した空の下、広大な花の海の上に静かな威厳をもってそびえる富士山は、はかない美しさの中にある永続性の象徴です。 | Raku satsu]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Raku satsu en cizucu.]]></description>
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            <media:description><![CDATA[Explora más de las increíbles obras de Raku satsu en cizucu.]]></media:description>
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          <title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></title>
          <link>https://www.cizucu.com/es/photos/ChiMNFFJvPO2199Rv4U0</link>
          <description><![CDATA[Explora más de las increíbles obras de umani en cizucu.]]></description>
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            <name>umani</name>
            <uri>https://www.cizucu.com/es/users/kBz7T7zF1ORMKMkyf0Iqik5Tzqc2</uri>
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          <pubDate>Sun, 17 Aug 2025 21:47:14 GMT</pubDate>
          <atom:updated>2025-08-17T21:47:14+09:00</atom:updated>
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            <media:title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de umani en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/es/photos/ztgEOwf07vQcHPzE3Kka</link>
          <description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></description>
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            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/es/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
          <atom:updated>2026-01-20T21:49:17+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Chan Jian Liang en cizucu.]]></media:description>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/es/photos/v0tznKhGxq4p8f6QJS7I</link>
          <description><![CDATA[Explora más de las increíbles obras de JoJo Tsai  蔡易蓁 en cizucu.]]></description>
          <author>
            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/es/jojotsai</uri>
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          <pubDate>Thu, 19 Feb 2026 04:15:08 GMT</pubDate>
          <atom:updated>2026-02-19T04:15:08+09:00</atom:updated>
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            <media:title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de JoJo Tsai  蔡易蓁 en cizucu.]]></media:description>
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          <title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></title>
          <link>https://www.cizucu.com/es/photos/M1X8wUZ1MnOhWKaCnonb</link>
          <description><![CDATA[Explora más de las increíbles obras de JoJo Tsai  蔡易蓁 en cizucu.]]></description>
          <author>
            <name>JoJo Tsai  蔡易蓁</name>
            <uri>https://www.cizucu.com/es/jojotsai</uri>
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          <pubDate>Thu, 19 Feb 2026 04:18:22 GMT</pubDate>
          <atom:updated>2026-02-19T04:18:22+09:00</atom:updated>
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            <media:title><![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly. Growing up in poverty, she had to help with farming from a very young age. Years of hard labor and heavy housework have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for— the hands that held me and protected me as I grew up. Through this image, I hope more people can see the strength, history, and quiet magnificence these hands carry.  これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。 貧しい家庭に育ち、 幼い頃から農作業を手伝ってきました。 長年の労働と家事によって、 その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は 私を抱き、守り、育ててくれた大切な手です。 この写真を通して、 この手に刻まれた力強い歴史と、 その中にある静かな美しさが伝わればと思います。    這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。 因為從小家境貧困， 年幼時便要協助耕作。 長年的勞動與繁重的家務， 讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手—— 捧著我、守護著我長大。 我希望， 能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai  蔡易蓁]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de JoJo Tsai  蔡易蓁 en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
          <link>https://www.cizucu.com/es/photos/1IuVoF2K24vT83YiYK40</link>
          <description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></description>
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            <name>熊寶</name>
            <uri>https://www.cizucu.com/es/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de 熊寶 en cizucu.]]></media:description>
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