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          <title><![CDATA[City Gaze | Tokyo #mutsuboyphotography | むつボーイ]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de むつボーイ en cizucu.]]></description>
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            <name>むつボーイ</name>
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          <pubDate>Fri, 11 Jul 2025 10:51:51 GMT</pubDate>
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          <title><![CDATA[Gaze at blue  #japan #notopeninsula | Jang Kumi]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Jang Kumi en cizucu.]]></description>
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            <name>Jang Kumi</name>
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          <pubDate>Fri, 03 May 2024 21:34:38 GMT</pubDate>
          <atom:updated>2024-05-07T16:57:29+09:00</atom:updated>
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          <title><![CDATA[Gaze of Faith | Souvik Roy]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Souvik Roy en cizucu.]]></description>
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            <name>Souvik Roy</name>
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          <pubDate>Thu, 05 Mar 2026 13:46:06 GMT</pubDate>
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            <media:title><![CDATA[Gaze of Faith | Souvik Roy]]></media:title>
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          <title><![CDATA[壁に残された視線 / A Gaze Left on the Wall  誰にも気づかれないまま、 ここに残る視線。  Unnoticed, a gaze remains.  #キリトリセカイ #スナップ写真 #street #落書き | dz a.k.a dashan]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de dz a.k.a dashan en cizucu.]]></description>
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            <name>dz a.k.a dashan</name>
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          <pubDate>Sat, 18 Apr 2026 21:53:16 GMT</pubDate>
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            <media:title><![CDATA[壁に残された視線 / A Gaze Left on the Wall  誰にも気づかれないまま、 ここに残る視線。  Unnoticed, a gaze remains.  #キリトリセカイ #スナップ写真 #street #落書き | dz a.k.a dashan]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de dz a.k.a dashan en cizucu.]]></media:description>
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          <title><![CDATA['Defined by Detail'   A close side profile of a leopard reveals the detail often missed at a distance — long whiskers and the focused gaze of an elusive predator. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/es/photos/CUeCNclF2treeXGZRyxY</link>
          <description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 06 Apr 2026 19:54:16 GMT</pubDate>
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            <media:title><![CDATA['Defined by Detail'   A close side profile of a leopard reveals the detail often missed at a distance — long whiskers and the focused gaze of an elusive predator. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></media:description>
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          <title><![CDATA[Music awakens the emotion; the performance reveals the craft. A moment created in a secluded space, away from the gaze of others. | michaelsirachuch]]></title>
          <link>https://www.cizucu.com/es/photos/IrtPWBG1NXj6626HqX9u</link>
          <description><![CDATA[Explora más de las increíbles obras de michaelsirachuch en cizucu.]]></description>
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            <name>michaelsirachuch</name>
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          <pubDate>Sat, 14 Feb 2026 03:26:37 GMT</pubDate>
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            <media:description><![CDATA[Explora más de las increíbles obras de michaelsirachuch en cizucu.]]></media:description>
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          <title><![CDATA[She rises without hurry. Light repeats itself along the wall.  Her gaze is steady held somewhere between where she has been and where she is going.  Nothing dramatic happens here. Yet everything continues.  The city carries her forward one quiet ascent at a time. | gary.pwk]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de gary.pwk en cizucu.]]></description>
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            <name>gary.pwk</name>
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          <pubDate>Sat, 17 Jan 2026 23:47:40 GMT</pubDate>
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            <media:title><![CDATA[She rises without hurry. Light repeats itself along the wall.  Her gaze is steady held somewhere between where she has been and where she is going.  Nothing dramatic happens here. Yet everything continues.  The city carries her forward one quiet ascent at a time. | gary.pwk]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de gary.pwk en cizucu.]]></media:description>
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          <title><![CDATA[LOCKED EYES  The moment I encountered this fox, I waited behind the camera for the perfect split second. He paused and locked eyes with mine; I hit the shutter to immortalise that gaze.  In that brief silence, the distance between us seemed to disappear. This portrait is a reminder of the quiet, fleeting connections that happen when we truly stop to look. | Hasan Eslik]]></title>
          <link>https://www.cizucu.com/es/photos/hJ2vz9cMtUeeBlm0gkTr</link>
          <description><![CDATA[Explora más de las increíbles obras de Hasan Eslik en cizucu.]]></description>
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            <name>Hasan Eslik</name>
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          <pubDate>Thu, 02 Apr 2026 23:13:57 GMT</pubDate>
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            <media:title><![CDATA[LOCKED EYES  The moment I encountered this fox, I waited behind the camera for the perfect split second. He paused and locked eyes with mine; I hit the shutter to immortalise that gaze.  In that brief silence, the distance between us seemed to disappear. This portrait is a reminder of the quiet, fleeting connections that happen when we truly stop to look. | Hasan Eslik]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Hasan Eslik en cizucu.]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/es/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[Explora más de las increíbles obras de Shawn Lim en cizucu.]]></description>
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            <name>Shawn Lim</name>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/G1pEI8qxiuHKo467vUR2.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Shawn Lim en cizucu.]]></media:description>
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          <title><![CDATA[My wife and I chose our condo because of this view.  Some days we sit together and just gaze at the skyline with the Big Buddha providing a sense of peace within the chaos of Bangkok.  I admit however, my passion for lightning photography was a big motivation to move in.  Capturing this moment of divine power is something I have dreamt of since my first day here.  This dichotomy of chaos and serenity perfectly exemplifies how I feel about this city, a city that has brought great transformation in my life when I needed it the most. | Alexander Strandlien]]></title>
          <link>https://www.cizucu.com/es/photos/VXITnOo5TYBMcRHZWBvW</link>
          <description><![CDATA[Explora más de las increíbles obras de Alexander Strandlien en cizucu.]]></description>
          <author>
            <name>Alexander Strandlien</name>
            <uri>https://www.cizucu.com/es/users/573wf6CkQxcjvEWbrxRPgPKsEK53</uri>
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          <pubDate>Mon, 13 Apr 2026 01:24:05 GMT</pubDate>
          <atom:updated>2026-04-13T01:24:05+09:00</atom:updated>
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            <media:title><![CDATA[My wife and I chose our condo because of this view.  Some days we sit together and just gaze at the skyline with the Big Buddha providing a sense of peace within the chaos of Bangkok.  I admit however, my passion for lightning photography was a big motivation to move in.  Capturing this moment of divine power is something I have dreamt of since my first day here.  This dichotomy of chaos and serenity perfectly exemplifies how I feel about this city, a city that has brought great transformation in my life when I needed it the most. | Alexander Strandlien]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VXITnOo5TYBMcRHZWBvW.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VXITnOo5TYBMcRHZWBvW.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/VXITnOo5TYBMcRHZWBvW.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Alexander Strandlien en cizucu.]]></media:description>
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          <title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/es/photos/dLwRdM8lYffqBzY9p6Of</link>
          <description><![CDATA[Explora más de las increíbles obras de Lawrence Liou en cizucu.]]></description>
          <author>
            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/es/momoliou</uri>
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          <pubDate>Wed, 07 Jan 2026 15:13:37 GMT</pubDate>
          <atom:updated>2026-01-07T15:13:37+09:00</atom:updated>
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            <media:title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/dLwRdM8lYffqBzY9p6Of.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/dLwRdM8lYffqBzY9p6Of.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Lawrence Liou en cizucu.]]></media:description>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/es/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[Explora más de las increíbles obras de Liza Medvedeva en cizucu.]]></description>
          <author>
            <name>Liza Medvedeva</name>
            <uri>https://www.cizucu.com/es/users/izN8mAH1xrflfRBeXFE1dCE6BIw1</uri>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?fm=jpg" type="image/jpeg" width="3705" height="5558" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/l7VzRAizhwBNTQosF4N3.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Liza Medvedeva en cizucu.]]></media:description>
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          <title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></title>
          <link>https://www.cizucu.com/es/photos/f18ScarEIZLJgxhe8xOy</link>
          <description><![CDATA[Explora más de las increíbles obras de Erica_林瑋瑜 en cizucu.]]></description>
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            <name>Erica_林瑋瑜</name>
            <uri>https://www.cizucu.com/es/erica09174</uri>
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          <pubDate>Wed, 18 Feb 2026 13:09:43 GMT</pubDate>
          <atom:updated>2026-02-18T13:09:43+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/f18ScarEIZLJgxhe8xOy.jpg?fm=jpg" type="image/jpeg" width="2004" height="2842" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/f18ScarEIZLJgxhe8xOy.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/f18ScarEIZLJgxhe8xOy.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Erica_林瑋瑜 en cizucu.]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/es/photos/jrUyyDVwvyIJ5TtiMGXS</link>
          <description><![CDATA[Explora más de las increíbles obras de Moodeeprincess en cizucu.]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/es/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
          <atom:updated>2026-04-05T06:44:38+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jrUyyDVwvyIJ5TtiMGXS.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Moodeeprincess en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/es/photos/d7oBNJGRG3OmKgbsoSBc</link>
          <description><![CDATA[Explora más de las increíbles obras de Moodeeprincess en cizucu.]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/es/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:46:15 GMT</pubDate>
          <atom:updated>2026-04-05T06:46:15+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/d7oBNJGRG3OmKgbsoSBc.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Moodeeprincess en cizucu.]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/es/photos/CxXrx2pjX0GCiSt7KmKs</link>
          <description><![CDATA[Explora más de las increíbles obras de Moodeeprincess en cizucu.]]></description>
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            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/es/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:30:24 GMT</pubDate>
          <atom:updated>2026-04-05T06:30:24+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Moodeeprincess en cizucu.]]></media:description>
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