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          <title><![CDATA[どん底からの希望。  #モノクロ | tk]]></title>
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          <title><![CDATA[contraste de paredes y suelo en un pasillo oscuro | ゆう]]></title>
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          <pubDate>Thu, 24 Jul 2025 22:58:24 GMT</pubDate>
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          <title><![CDATA[只今 カカシの交通違反取り締まり中。 「山田の案山子」  | tamu1500]]></title>
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          <pubDate>Fri, 22 Mar 2024 06:57:13 GMT</pubDate>
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          <title><![CDATA[パトカー。 | tamu1500]]></title>
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          <pubDate>Mon, 20 May 2024 05:26:39 GMT</pubDate>
          <atom:updated>2026-05-07T22:12:48+09:00</atom:updated>
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          <title><![CDATA[白いバイク  #police #motercycle | つばさ製作所]]></title>
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          <pubDate>Fri, 02 Aug 2024 23:11:27 GMT</pubDate>
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          <title><![CDATA[#police #motercycle  ピースメーカー おまわりさん | つばさ製作所]]></title>
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          <title><![CDATA[都市を警らする  #police | つばさ製作所]]></title>
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          <title><![CDATA[coche de policía detenido en una intersección con señales de tráfico | mar00ram]]></title>
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          <title><![CDATA[escena nocturna en la calle con el letrero « POLICE » visible y presencia de seguridad | hhhiroooki]]></title>
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          <atom:updated>2026-01-20T11:16:34+09:00</atom:updated>
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            <media:title><![CDATA[escena nocturna en la calle con el letrero « POLICE » visible y presencia de seguridad | hhhiroooki]]></media:title>
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            <media:description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de escena nocturna en la calle con el letrero « POLICE » visible y presencia de seguridad tomada por hhhiroooki.]]></media:description>
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        <item>
          <title><![CDATA[look | けいた]]></title>
          <link>https://www.cizucu.com/es/photos/yVfBPnwzDnDV2hSUhU10</link>
          <description><![CDATA[Explora más de las increíbles obras de けいた en cizucu.]]></description>
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            <name>けいた</name>
            <uri>https://www.cizucu.com/es/keita0126</uri>
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          <pubDate>Thu, 26 Mar 2026 21:52:07 GMT</pubDate>
          <atom:updated>2026-03-26T21:52:34+09:00</atom:updated>
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            <media:description><![CDATA[Explora más de las increíbles obras de けいた en cizucu.]]></media:description>
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          <title><![CDATA[pasillo interior oscuro visto a través de barrotes metálicos | T-T]]></title>
          <link>https://www.cizucu.com/es/photos/L12JGdXISAOowkXBYMzf</link>
          <description><![CDATA[Explora más de las increíbles obras de T-T en cizucu.]]></description>
          <author>
            <name>T-T</name>
            <uri>https://www.cizucu.com/es/t_t</uri>
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          <pubDate>Sun, 10 May 2026 10:29:00 GMT</pubDate>
          <atom:updated>2026-05-10T10:29:00+09:00</atom:updated>
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            <media:description><![CDATA[Explora más de las increíbles obras de T-T en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Silueta de una persona detrás de barrotes de ventana con un paisaje tipo desierto al atardecer | cooffeeio]]></title>
          <link>https://www.cizucu.com/es/photos/C8fG9CszSogW5L9kayLQ</link>
          <description><![CDATA[Explora más de las increíbles obras de cooffeeio en cizucu.]]></description>
          <author>
            <name>cooffeeio</name>
            <uri>https://www.cizucu.com/es/users/yFOivZYHEGSuNaI3bK9uTxVNhAE3</uri>
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          <pubDate>Sat, 01 Mar 2025 20:54:38 GMT</pubDate>
          <atom:updated>2026-01-19T03:20:24+09:00</atom:updated>
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            <media:title><![CDATA[Silueta de una persona detrás de barrotes de ventana con un paisaje tipo desierto al atardecer | cooffeeio]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de cooffeeio en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[In the city that never sleeps | k.2SSD]]></title>
          <link>https://www.cizucu.com/es/photos/pyGlYk1RmuEHKr1HMwZ8</link>
          <description><![CDATA[Explora más de las increíbles obras de k.2SSD en cizucu.]]></description>
          <author>
            <name>k.2SSD</name>
            <uri>https://www.cizucu.com/es/users/IsLW7O4QSbeFeY1QC4p9q2vZUkI2</uri>
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          <pubDate>Tue, 25 Jun 2024 23:34:32 GMT</pubDate>
          <atom:updated>2026-01-21T12:19:29+09:00</atom:updated>
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            <media:title><![CDATA[In the city that never sleeps | k.2SSD]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pyGlYk1RmuEHKr1HMwZ8.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/pyGlYk1RmuEHKr1HMwZ8.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de k.2SSD en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[mano aferrando la tela de ropa oscura | japa_kiwi]]></title>
          <link>https://www.cizucu.com/es/photos/ecrRAluKx5xrZBEnqwqw</link>
          <description><![CDATA[Explora más de las increíbles obras de japa_kiwi en cizucu.]]></description>
          <author>
            <name>japa_kiwi</name>
            <uri>https://www.cizucu.com/es/users/0NGRfyLwDEdtjJQJJ7wyHAfiKau2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/ecrRAluKx5xrZBEnqwqw</guid>
          <pubDate>Thu, 07 May 2026 07:31:10 GMT</pubDate>
          <atom:updated>2026-05-07T07:31:41+09:00</atom:updated>
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            <media:title><![CDATA[mano aferrando la tela de ropa oscura | japa_kiwi]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de japa_kiwi en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[agente de policía de tráfico indicando a un conductor junto a un vehículo | ruei675]]></title>
          <link>https://www.cizucu.com/es/photos/dtfQOXJjozVqmAwSeRkI</link>
          <description><![CDATA[Explora más de las increíbles obras de ruei675 en cizucu.]]></description>
          <author>
            <name>ruei675</name>
            <uri>https://www.cizucu.com/es/users/SpUaZuHZgUWmY3SaiPr4uxGuWDC3</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/dtfQOXJjozVqmAwSeRkI</guid>
          <pubDate>Tue, 24 Mar 2026 01:16:35 GMT</pubDate>
          <atom:updated>2026-04-20T09:30:10+09:00</atom:updated>
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            <media:title><![CDATA[agente de policía de tráfico indicando a un conductor junto a un vehículo | ruei675]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/dtfQOXJjozVqmAwSeRkI.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
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            <media:description><![CDATA[Explora más de las increíbles obras de ruei675 en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></title>
          <link>https://www.cizucu.com/es/photos/KxmYJu8uTx7YorZUymnh</link>
          <description><![CDATA[Explora más de las increíbles obras de Joanne Sun en cizucu.]]></description>
          <author>
            <name>Joanne Sun</name>
            <uri>https://www.cizucu.com/es/users/V3yZQQPOmCV388zQun7pQGQnn1L2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/es/photos/KxmYJu8uTx7YorZUymnh</guid>
          <pubDate>Thu, 07 May 2026 02:19:00 GMT</pubDate>
          <atom:updated>2026-05-07T02:20:37+09:00</atom:updated>
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            <media:title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
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          <title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society?   | Joanne Sun]]></title>
          <link>https://www.cizucu.com/es/photos/hIoi7PaTCs672IrajR0s</link>
          <description><![CDATA[Explora más de las increíbles obras de Joanne Sun en cizucu.]]></description>
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            <name>Joanne Sun</name>
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          <pubDate>Mon, 11 May 2026 14:50:49 GMT</pubDate>
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            <media:title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society?   | Joanne Sun]]></media:title>
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          <title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society?   | Joanne Sun]]></title>
          <link>https://www.cizucu.com/es/photos/KpT2BNd1rIgt88NrbYC6</link>
          <description><![CDATA[Explora más de las increíbles obras de Joanne Sun en cizucu.]]></description>
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            <name>Joanne Sun</name>
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          <pubDate>Mon, 11 May 2026 14:50:49 GMT</pubDate>
          <atom:updated>2026-05-11T14:50:49+09:00</atom:updated>
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            <media:title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society?   | Joanne Sun]]></media:title>
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