Fotos de Detalles | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/detalles es 2026-04-24T14:39:40+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[オムライス #ランチ #お外ご飯 #delicious #details #美味しい写真 | -kenchi-]]> https://www.cizucu.com/es/photos/p9Nqr7OWMrxq9ly0TIDZ -kenchi- https://www.cizucu.com/es/kenchi https://www.cizucu.com/es/photos/p9Nqr7OWMrxq9ly0TIDZ Wed, 16 Apr 2025 22:01:07 GMT 2025-04-16T22:01:34+09:00 https://cdn.cizucu.com/images/photos/p9Nqr7OWMrxq9ly0TIDZ.jpg?auto=compress,format <![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]> https://www.cizucu.com/es/photos/aIpmISUF1oEVQwC51aMx Matthieu https://www.cizucu.com/es/matthieu https://www.cizucu.com/es/photos/aIpmISUF1oEVQwC51aMx Mon, 09 Feb 2026 00:53:17 GMT 2026-02-09T00:53:17+09:00 https://cdn.cizucu.com/images/photos/aIpmISUF1oEVQwC51aMx.jpg?auto=compress,format <![CDATA[Some people feel that black and white photos look like memorial photos, But to me, it’s not about death it feels more like a trace that's left behind When color is taken away, we focus more on the expression, emotion, and the details we usually miss. Black and white doesn’t create distance, it actually brings us closer to the subject. So this image is not about an ending, it's about a more honest way of seeing. and also i took this photo is her birthday present | Vanness Choon]]> https://www.cizucu.com/es/photos/4qSsAEGav42A4r1AUng8 Vanness Choon https://www.cizucu.com/es/users/MId4f4RKdtcmg9JLGphmluDRwKv2 https://www.cizucu.com/es/photos/4qSsAEGav42A4r1AUng8 Tue, 07 Apr 2026 19:26:51 GMT 2026-04-07T19:26:51+09:00 https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format <![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during summer. For this trip, I wanted to do film simulations to maximise the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam. An unforgettable place I visited was Alhambra, one of the oldest and best-preserved palaces during the Arab rule in Spain. I was in awe of the architecture -- from its intricate details to the way the sunlight naturally illuminated the spaces. I found myself slowing down, wandering through the grounds, and really taking in both the history and the atmosphere. Sharing one of my favourite shots from that day. | _jotriessomething]]> https://www.cizucu.com/es/photos/yivpwxE4fUA3sdiHtONL _jotriessomething https://www.cizucu.com/es/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2 https://www.cizucu.com/es/photos/yivpwxE4fUA3sdiHtONL Sat, 21 Mar 2026 16:53:58 GMT 2026-03-21T16:53:58+09:00 https://cdn.cizucu.com/images/photos/yivpwxE4fUA3sdiHtONL.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/es/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/es/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/es/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/es/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/es/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/es/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/es/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/es/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/es/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[「夢」～ 夢，悄悄地從意識的邊緣滲進來，像一層薄霧，置換了白日裡所有的世界。 在夢裡，時間變得柔軟。過去與未來互相交錯，一條熟悉的街道可以通往童年，也可能延伸到從未到過的遠方。 醒來之後，我們往往記不清細節，只留下些微的情緒，像潮水退去後濕潤的沙地。這件作品是拍攝水中倒影而成，不是AI的作品。 "Dream" ~ Dreams, quietly seeping in from the edge of consciousness, like a thin mist, replace the entire world of daytime. In dreams, time softens. Past and future intertwine; a familiar street can lead to childhood or stretch to a distant, unexplored place. Upon waking, we often can't remember the details, only faint emotions remain, like damp sand after the tide has receded. This work is a photograph of a reflection in water, not an AI-generated image. | 侯良和]]> https://www.cizucu.com/es/photos/Y92zTpTXKNuBE4FSbUut 侯良和 https://www.cizucu.com/es/users/s1VdhOBjrFVvvUDStv3Pb3fEVRf1 https://www.cizucu.com/es/photos/Y92zTpTXKNuBE4FSbUut Sat, 04 Apr 2026 22:27:55 GMT 2026-04-04T22:27:55+09:00 https://cdn.cizucu.com/images/photos/Y92zTpTXKNuBE4FSbUut.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/es/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/es/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/es/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format