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      <description><![CDATA[Encuentra las mejores 6 fotos Close Moment en alta resolución en cizucu. Todas son libres de derechos, gratuitas para descargar y perfectas para cualquier proyecto, sin necesidad de atribución.]]></description>
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          <title><![CDATA['In Deep Thought'  A chimpanzee looks upward, its expression captured in close detail. In this moment, attention shifts from movement to emotion, revealing a quieter side of its behaviour. | Jasmine Ee (Wildlife with Jas)]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 06 Apr 2026 19:54:16 GMT</pubDate>
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          <title><![CDATA['In Deep Thought'  A chimpanzee looks upward, its expression captured in close detail. In this moment, attention shifts from movement to emotion, revealing a quieter side of its behaviour. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/es/photos/wzvGUvQFv9LbVpOwThVQ</link>
          <description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></description>
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            <media:description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken outside one of the exits of Promenade MRT station, very close to Suntec City in Singapore.   That day the sunlight was so strong that it gave the glass surface this crystal-like texture, while the leaves shimmered and trembled in the light. I was drawn to the scene and then suddenly realised the glass wall was like a mirror reflecting the trees and everything. Then, amazingly, this woman in a colourful dress walked past, so I pressed my camera against the wall and captured this dreamy yet slightly unsettling moment in which she seemed to split into two selves inside the mirror.  What fascinates me most about photography is how it can blur the line between the real and the surreal through things like shadow, reflection, and composition. Something I really enjoy playing with! | Nora_SG_Frames]]></title>
          <link>https://www.cizucu.com/es/photos/sHW1QQoJqFpj2uMBw8hC</link>
          <description><![CDATA[Explora más de las increíbles obras de Nora_SG_Frames en cizucu.]]></description>
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          <pubDate>Sun, 22 Mar 2026 18:47:52 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken outside one of the exits of Promenade MRT station, very close to Suntec City in Singapore.   That day the sunlight was so strong that it gave the glass surface this crystal-like texture, while the leaves shimmered and trembled in the light. I was drawn to the scene and then suddenly realised the glass wall was like a mirror reflecting the trees and everything. Then, amazingly, this woman in a colourful dress walked past, so I pressed my camera against the wall and captured this dreamy yet slightly unsettling moment in which she seemed to split into two selves inside the mirror.  What fascinates me most about photography is how it can blur the line between the real and the surreal through things like shadow, reflection, and composition. Something I really enjoy playing with! | Nora_SG_Frames]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Nora_SG_Frames en cizucu.]]></media:description>
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          <title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></title>
          <link>https://www.cizucu.com/es/photos/RZLD1Q9AV4QDICbVbySD</link>
          <description><![CDATA[Explora más de las increíbles obras de asri en cizucu.]]></description>
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          <pubDate>Fri, 01 May 2026 11:45:13 GMT</pubDate>
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            <media:title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de asri en cizucu.]]></media:description>
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          <title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></title>
          <link>https://www.cizucu.com/es/photos/RZLD1Q9AV4QDICbVbySD</link>
          <description><![CDATA[Explora más de las increíbles obras de asri en cizucu.]]></description>
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            <name>asri</name>
            <uri>https://www.cizucu.com/es/users/EuJS45RNWKgaql265KlaH8V0yE33</uri>
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          <pubDate>Fri, 01 May 2026 11:45:13 GMT</pubDate>
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            <media:title><![CDATA[this was my first ferry ride in istanbul, surrounded by seagulls flying so close it felt unreal. i was just trying to capture the moment, not knowing how the photos would turn out. it was also my first time using Harman Phoenix 200 film stock, and the strong blue tones really surprised me but that’s exactly what made me fall in love with it. it's definitely a look i want to keep exploring.  if you’re into bluish tones, you should give this film stock a try. i was telling my best friend, AJ who’s also into film photography saying that I wanted to use this roll during my ferry ride to meet her ex-girlfriend for brunch…hahaha!  i also shot about 30 photos in just 10–15 minutes with this roll. i wish i could visit istanbul again. you guys should give it a try. feel free to ask me anything if you have questions. thankies! | asri]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de asri en cizucu.]]></media:description>
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          <title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></title>
          <link>https://www.cizucu.com/es/photos/KxmYJu8uTx7YorZUymnh</link>
          <description><![CDATA[Explora más de las increíbles obras de Joanne Sun en cizucu.]]></description>
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          <pubDate>Thu, 07 May 2026 02:19:00 GMT</pubDate>
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            <media:title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Joanne Sun en cizucu.]]></media:description>
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