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          <title><![CDATA[モニタに触れてシャッターが切れちゃった写真  #車 #ブレ #失敗 | mar00ram]]></title>
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          <title><![CDATA[流し撮りチャレンジ。 | ksk_1990]]></title>
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          <title><![CDATA[【造形美】 ホイール一つにも拘りを感じる。 Lens：KAMLAN（カムラン） 15mm F2  #アルミホイール #国産高級車 #スナップ #スナップショット #MFLens #KAMLAN（カムラン） 15mm F2 | RYUURI]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Primer plano de los radios y el logotipo de una llanta de aluminio image tomada por RYUURI.]]></description>
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          <title><![CDATA[【ドライバーの休息】 撮影：名古屋栄  #タクシードライバー #SNAP #スナップショット #人物スナップ | RYUURI]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Un taxista descansando en una calle arbolada en Sakae, Nagoya tomada por RYUURI.]]></description>
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          <pubDate>Thu, 19 Sep 2024 14:17:53 GMT</pubDate>
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          <title><![CDATA[#鈴鹿サーキット #鈴鹿8耐 | neuronnyoro]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de toma con paneo de un coche de carreras acelerando en el Suzuka Circuit tomada por neuronnyoro.]]></description>
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          <pubDate>Wed, 27 Aug 2025 12:37:16 GMT</pubDate>
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          <title><![CDATA[#rain #夜と雨 #雨の路地 #那覇市桜坂  雨の桜坂  帰宅途中、車の中から雨に濡れる路地を自転車を入れ込んでiPhoneでパチリ。濡れた路面に青と赤の光が路面に輝く。 | 永山敏也]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Bicicletas a lo largo de un callejón empapado por la lluvia en Sakurazaka, Naha tomada por 永山敏也.]]></description>
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          <pubDate>Wed, 12 Jun 2024 13:21:38 GMT</pubDate>
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            <media:description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de Bicicletas a lo largo de un callejón empapado por la lluvia en Sakurazaka, Naha tomada por 永山敏也.]]></media:description>
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          <title><![CDATA[#car #流し撮り  ゴミ収集車が現場に向かう | つばさ製作所]]></title>
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          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de toma con paneo de un camión de recogida de basura circulando por la ciudad tomada por つばさ製作所.]]></description>
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          <pubDate>Sat, 16 Nov 2024 18:04:58 GMT</pubDate>
          <atom:updated>2026-01-20T21:03:12+09:00</atom:updated>
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          <title><![CDATA[#彗星流し | 季]]></title>
          <link>https://www.cizucu.com/es/photos/M082YSq2XKOjfJq3MwdX</link>
          <description><![CDATA[Descarga en cizucu una imagen gratuita y de alta calidad de toma panorámica de un coche en movimiento tomada por 季.]]></description>
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          <pubDate>Tue, 20 May 2025 21:41:52 GMT</pubDate>
          <atom:updated>2026-01-18T14:39:31+09:00</atom:updated>
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          <title><![CDATA[#cityscape  #Hockey Hall of Fame #カナダ #トロント #ホッケーの殿堂  Hockey Hall of Fame  都会的な建物の中に古い建物が カナダ・トロントにあるホッケーの殿堂 Hockey Hall of Fame車の窓から GR1コンパクトなフィルムカメラで撮影  | 永山敏也]]></title>
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          <title><![CDATA[街なかでの冬の車中泊。 車内から寝起きで撮った一枚。 | Jun Sonokawa]]></title>
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          <title><![CDATA[A machine in motion – but never just about speed.  This frame was created as part of 'THE CAR IS NOT THE SUBJECT', a campaign initiative for the rebrad launch of TSX Media – one that explores what exists beyond the surface, the person behind the drive, the weigh they carry and the quiet moments between them.  Presented for exhibition with PPP, this piece became more than just an image. It became a meeting point – where automotive enthusiasts and first-time viewers stepped into the same space, seeing the culture not just for what it looks like, but for what it feels like.  The late night drives. Unspoken moments. And the shared understanding between strangers who somehow feel the same thing on the road.  This roller shot captures one of those moments – movement, control and everything carried in between.  As we continue this campaign, the challenge becomes bigger than visuals: How do we make automotive culture more human? More open. More relatable. More felt – even to those outside it?  This is just the beginning, from TSX Media's "THE CAR IS NOT THE SUBJECT" campaign – first driver feature <CRAZY HOURS> for Justin Sng. | TSX Media by Tay Sheng Xian]]></title>
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          <title><![CDATA[Shot on Olympus OZ130   Kodak Gold 200  #dingdingtram #hongkong #travel #35mm #filmphotography | Pim]]></title>
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          <title><![CDATA[2026.2.14 Attack筑波  Camera : Canon EOS5DmarkⅣ Lens : EF70-200mm f/2.8 L IS Ⅱ USM Filter : HAKUBA WIDE SCREW C-PL FILTER Date : 70mm SS 1/15sec f/20 ISO 100 Location : 筑波サーキット　TC2000 Edit : Lrレタッチ →Ps現像 | hira_toshi]]></title>
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          <title><![CDATA[F1 Japan GP | JH Yang]]></title>
          <link>https://www.cizucu.com/es/photos/PVePoGGpv1G3i9juTO2s</link>
          <description><![CDATA[Explora más de las increíbles obras de JH Yang en cizucu.]]></description>
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          <title><![CDATA[This photograph was taken in South Iceland in 2019 during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></title>
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