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          <title><![CDATA[カラスにピントが合っていなかったんだな  #black #brid  | つばさ製作所]]></title>
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          <pubDate>Mon, 09 Jun 2025 22:14:30 GMT</pubDate>
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          <title><![CDATA[花の街 春は桜の街になる私の故郷です  📷:contax Aria 🎞️:lomography400  #花の街 #film #桜 #写真好きな人と繋がりたい | RIA]]></title>
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          <description><![CDATA[Descarga fotos Sendero flanqueado por cerezos en flor en primavera de alta calidad y gratuitas tomadas por RIA en cizucu.]]></description>
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          <pubDate>Fri, 10 Jan 2025 18:52:52 GMT</pubDate>
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          <title><![CDATA[Amid the city’s bustle, quiet hands shape timeless crafts.   | Wee]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Wee en cizucu.]]></description>
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          <pubDate>Wed, 08 Oct 2025 17:29:01 GMT</pubDate>
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          <title><![CDATA[warm sunsets and quiet moments amid the chaos. | Khamnuanrak]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Khamnuanrak en cizucu.]]></description>
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          <pubDate>Sun, 15 Feb 2026 13:27:33 GMT</pubDate>
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          <title><![CDATA[Red Cutting Through the Crowd.  A red car swiftly passing through the crowded streets of Marunouchi. Amid the noise of the city, only its color quietly stood out.  #findred #red #marunouchi #streetphotography #street #tokyostreet #urban #motion #citylife  | KODAY]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de KODAY en cizucu.]]></description>
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          <pubDate>Tue, 27 Jan 2026 22:23:30 GMT</pubDate>
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            <media:description><![CDATA[Explora más de las increíbles obras de KODAY en cizucu.]]></media:description>
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          <title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></title>
          <link>https://www.cizucu.com/es/photos/fwb0ocveAgB84EBcbIJj</link>
          <description><![CDATA[Explora más de las increíbles obras de Felicity Gan en cizucu.]]></description>
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            <name>Felicity Gan</name>
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          <pubDate>Sun, 05 Apr 2026 06:57:15 GMT</pubDate>
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            <media:title><![CDATA[A typical afternoon in Kyoto in April where the old town soften by the arrival of cherry blossom season. Amid the movement of daily life, there is a subtle shift, a moment where people slow down to enjoy the beauty of the blossom.  | Felicity Gan]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Felicity Gan en cizucu.]]></media:description>
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          <title><![CDATA[That Day, and Every Day  A unique shadow pattern on a sun-drenched grid. A thousand people on a thousand journeys in this single moment, on that day, yet reveals a timeless rhythm of everyday interaction. | katness11]]></title>
          <link>https://www.cizucu.com/es/photos/vbghorH9q36vIua1dPbi</link>
          <description><![CDATA[Explora más de las increíbles obras de katness11 en cizucu.]]></description>
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          <pubDate>Sun, 15 Mar 2026 19:22:53 GMT</pubDate>
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          <title><![CDATA[Some moments don’t need colour to scream.  Unusually stripped off colours that the festival's messy joy brings, with colour smeared hands slathering paste on the boy's face amid the frenzy, his wide-open mouth echoing the burn of chemical dyes. | Rushabh Javeri]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Rushabh Javeri en cizucu.]]></description>
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          <pubDate>Sat, 14 Mar 2026 15:24:54 GMT</pubDate>
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          <title><![CDATA[Sometimes we find beauty in the outer landscapes, yet it is within our small singularities, in the everyday present of our lives and homes, that we discover the true breath of life. Nights have always enchanted me, they were my refuge for so long, with their silence, their absence, the feeling of belonging not to a place but to a moment in time. The fullness of simply being there, present, as shadows embrace the fragile cracks of light.  The theme "Uniquely you" carries this meaning, a rhythm of daily life where I found beauty, where I lingered for so long, and which speaks profoundly of who I am. Refuge, comfort, belonging, and the sense of wholeness even amid many absences. And in this photo, I felt complete, a singularity revealed between myself and life, in the feeling that comforts me most: solitude. | Rebecca Doracio]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Rebecca Doracio en cizucu.]]></description>
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          <pubDate>Thu, 19 Feb 2026 05:23:57 GMT</pubDate>
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            <media:title><![CDATA[Sometimes we find beauty in the outer landscapes, yet it is within our small singularities, in the everyday present of our lives and homes, that we discover the true breath of life. Nights have always enchanted me, they were my refuge for so long, with their silence, their absence, the feeling of belonging not to a place but to a moment in time. The fullness of simply being there, present, as shadows embrace the fragile cracks of light.  The theme "Uniquely you" carries this meaning, a rhythm of daily life where I found beauty, where I lingered for so long, and which speaks profoundly of who I am. Refuge, comfort, belonging, and the sense of wholeness even amid many absences. And in this photo, I felt complete, a singularity revealed between myself and life, in the feeling that comforts me most: solitude. | Rebecca Doracio]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Rebecca Doracio en cizucu.]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Souvik Roy en cizucu.]]></description>
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            <name>Souvik Roy</name>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Souvik Roy en cizucu.]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/es/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[Explora más de las increíbles obras de Souvik Roy en cizucu.]]></description>
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            <name>Souvik Roy</name>
            <uri>https://www.cizucu.com/es/users/SRcoXKeBlxbdoBKExuCUUGJoC3G2</uri>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
          <atom:updated>2026-03-16T03:16:14+09:00</atom:updated>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Souvik Roy en cizucu.]]></media:description>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/es/photos/bm1s4iqsLRZClLEvpQxw</link>
          <description><![CDATA[Explora más de las increíbles obras de Nishikantsnaps en cizucu.]]></description>
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            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/es/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Nishikantsnaps en cizucu.]]></media:description>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/es/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[Explora más de las increíbles obras de Corinne Vallienne en cizucu.]]></description>
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            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/es/japantokyodaybyday</uri>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
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            <media:title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Corinne Vallienne en cizucu.]]></media:description>
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