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          <title><![CDATA[Meditation #leica #jakarta #blackandwite #man #standing #religiouse #indonesia #haltefoto | novantino]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de novantino en cizucu.]]></description>
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          <pubDate>Sun, 26 Jan 2025 18:48:43 GMT</pubDate>
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          <title><![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Eagan Hsu en cizucu.]]></description>
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          <pubDate>Fri, 06 Mar 2026 10:42:17 GMT</pubDate>
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            <media:title><![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]></media:title>
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          <title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Ruemus_ en cizucu.]]></description>
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          <pubDate>Tue, 24 Feb 2026 16:54:16 GMT</pubDate>
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            <media:title><![CDATA[This was taken during my most recent trip to my home country, Cyprus. I was invited to a private dervish show for the French consulate and I remember it vividly, the summer heat taking hold of the night, fans buzzing, and then a power outage which did not faze the dervish, he continued the performance as if nothing has happened, and that's when i captured this photo, completely in awe at his discipline and dedication. | Ruemus_]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Ruemus_ en cizucu.]]></media:description>
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          <title><![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Akshob Ram Kumar en cizucu.]]></description>
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            <name>Akshob Ram Kumar</name>
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          <pubDate>Mon, 26 Jan 2026 12:06:44 GMT</pubDate>
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            <media:title><![CDATA[This photograph came from a simple walk after my uncle’s wedding. While following a man carrying chairs, I noticed a mother and her child in the same street—an unplanned moment that quietly unfolded in front of me. It reminded me of my own mother, and how time slips by between small, everyday scenes. This image is a dedication to her, and to all mothers—an invitation for every child to pause, look back, and cherish these fleeting moments. | Akshob Ram Kumar]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Akshob Ram Kumar en cizucu.]]></media:description>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/es/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[Explora más de las increíbles obras de INKAN en cizucu.]]></description>
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            <name>INKAN</name>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de INKAN en cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[Explora más de las increíbles obras de Arthur Liew en cizucu.]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/es/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[Explora más de las increíbles obras de Arthur Liew en cizucu.]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/es/photos/RDduCIQ1jlKWBqn7gdBH</link>
          <description><![CDATA[Explora más de las increíbles obras de Arthur Liew en cizucu.]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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            <media:description><![CDATA[Explora más de las increíbles obras de Arthur Liew en cizucu.]]></media:description>
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