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          <pubDate>Mon, 23 Feb 2026 17:10:41 GMT</pubDate>
          <atom:updated>2026-02-23T17:10:41+09:00</atom:updated>
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            <media:title><![CDATA[大船渡市のカフェgullは2回目ですが この時も天気に恵まれてラッキーでした♪  #カフェgull #大船渡市 #浮き玉 | 及川敏秋]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de 及川敏秋 en cizucu.]]></media:description>
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          <title><![CDATA[A forgotten hobby. I tried many times to learn guitar but never got fully into it and the guitar sat by my wall for many years | matthewfinchley]]></title>
          <link>https://www.cizucu.com/es/photos/5seBOdPXfe7lK4vSg3nO</link>
          <description><![CDATA[Explora más de las increíbles obras de matthewfinchley en cizucu.]]></description>
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            <name>matthewfinchley</name>
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          <pubDate>Mon, 06 Apr 2026 01:32:24 GMT</pubDate>
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            <media:description><![CDATA[Explora más de las increíbles obras de matthewfinchley en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[花巻の温泉でマツタリした翌日に 大船渡のカフェgullで見かけた 浮き玉の影がとても印象的でした | ヴェント]]></title>
          <link>https://www.cizucu.com/es/photos/yIdyakJM2Nlh78VvxcRS</link>
          <description><![CDATA[Explora más de las increíbles obras de ヴェント en cizucu.]]></description>
          <author>
            <name>ヴェント</name>
            <uri>https://www.cizucu.com/es/users/dTxpQR9KUkN5B0fHzqnNoDDHimM2</uri>
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          <pubDate>Sat, 07 Mar 2026 20:48:13 GMT</pubDate>
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            <media:title><![CDATA[花巻の温泉でマツタリした翌日に 大船渡のカフェgullで見かけた 浮き玉の影がとても印象的でした | ヴェント]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de ヴェント en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[The Shore’s Elder He belongs to no one, yet he is part of the coast itself. With sand on his muzzle and a heavy brass bell as his only companion, he watches the tide with the quiet patience of a life fully lived.  A wanderer who has found peace in the wind and the salt. | Sam Ting]]></title>
          <link>https://www.cizucu.com/es/photos/c7pS32uwaRwD4oYNEVHj</link>
          <description><![CDATA[Explora más de las increíbles obras de Sam Ting en cizucu.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/es/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
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          <pubDate>Wed, 04 Mar 2026 20:44:29 GMT</pubDate>
          <atom:updated>2026-03-04T20:44:29+09:00</atom:updated>
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            <media:title><![CDATA[The Shore’s Elder He belongs to no one, yet he is part of the coast itself. With sand on his muzzle and a heavy brass bell as his only companion, he watches the tide with the quiet patience of a life fully lived.  A wanderer who has found peace in the wind and the salt. | Sam Ting]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c7pS32uwaRwD4oYNEVHj.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c7pS32uwaRwD4oYNEVHj.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Explora más de las increíbles obras de Sam Ting en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></title>
          <link>https://www.cizucu.com/es/photos/aW8UJmaWO4w9dc2lwflc</link>
          <description><![CDATA[Explora más de las increíbles obras de Bryan Goh en cizucu.]]></description>
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            <name>Bryan Goh</name>
            <uri>https://www.cizucu.com/es/users/Qs1bQ92eQQTi98ZDnmi1xsTq2aD2</uri>
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          <pubDate>Wed, 22 Apr 2026 15:06:19 GMT</pubDate>
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            <media:title><![CDATA[Red is not just what she wears—it’s what she carries. With her eyes hidden beneath the hat, there’s nothing to read, nothing to confirm—only presence. The red becomes her voice, holding strength, emotion, and everything she chooses not to reveal. She doesn’t need to be seen fully to be felt. What she carries is hers alone—steady, composed, and quietly powerful. | Bryan Goh]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Bryan Goh en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is Alhambra from a mirador (viewing deck) during sunset. The photo doesn't fully capture how beautiful the skyline looked like; I've never seen such a surreal view as this. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/es/photos/xazw9RXXVXhXDsjgZJ7t</link>
          <description><![CDATA[Explora más de las increíbles obras de _jotriessomething en cizucu.]]></description>
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            <name>_jotriessomething</name>
            <uri>https://www.cizucu.com/es/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2</uri>
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          <pubDate>Sat, 21 Mar 2026 17:37:18 GMT</pubDate>
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            <media:title><![CDATA[For the first Europe trip of my life, I decided to go to Portugal and Spain during the summer of 2025. For this trip, I wanted to do film simulations to maximize the European summer sun. Hence, I applied Veres Deni Alex' recipes , but with a few tweaks based on the available features on my cam.   This is Alhambra from a mirador (viewing deck) during sunset. The photo doesn't fully capture how beautiful the skyline looked like; I've never seen such a surreal view as this. | _jotriessomething]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/xazw9RXXVXhXDsjgZJ7t.jpg?fm=jpg" type="image/jpeg" width="6000" height="4000" />
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            <media:description><![CDATA[Explora más de las increíbles obras de _jotriessomething en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/es/photos/dcfORlyKmnH1LiUHfiKc</link>
          <description><![CDATA[Explora más de las increíbles obras de nicoleakanikkiko en cizucu.]]></description>
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            <name>nicoleakanikkiko</name>
            <uri>https://www.cizucu.com/es/users/OYX7hrVO6WWnggzng32aEgu2AFD3</uri>
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          <pubDate>Tue, 13 Jan 2026 15:32:03 GMT</pubDate>
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            <media:title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de nicoleakanikkiko en cizucu.]]></media:description>
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        <item>
          <title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></title>
          <link>https://www.cizucu.com/es/photos/VmClkI1Pa2cn3PZ2Aruh</link>
          <description><![CDATA[Explora más de las increíbles obras de nicoleakanikkiko en cizucu.]]></description>
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            <name>nicoleakanikkiko</name>
            <uri>https://www.cizucu.com/es/users/OYX7hrVO6WWnggzng32aEgu2AFD3</uri>
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          <pubDate>Tue, 13 Jan 2026 15:32:54 GMT</pubDate>
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            <media:title><![CDATA[I began my journey documenting Ethical Wildlife Encounters by volunteering at a Sea Turtle Conservation Centre, witnessing baby turtles hatch and make their first perilous dash to the sea. It felt like everything had come full circle when, after learning to dive, I encountered fully grown sea turtles underwater. Considering the many challenges they face right from hatching to adulthood, seeing them thriving in their natural habitat felt nothing short of miraculous. Capturing them on camera, juxtaposed with our presence as divers, was a profound reminder of the delicate balance between humans and wildlife. | nicoleakanikkiko]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/VmClkI1Pa2cn3PZ2Aruh.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:description><![CDATA[Explora más de las increíbles obras de nicoleakanikkiko en cizucu.]]></media:description>
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          <title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></title>
          <link>https://www.cizucu.com/es/photos/3E4rhpe5FtUxghqnpLYe</link>
          <description><![CDATA[Explora más de las increíbles obras de Uday Khambadkone en cizucu.]]></description>
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            <name>Uday Khambadkone</name>
            <uri>https://www.cizucu.com/es/users/fGsQRfunD0c4a7GMx48PJNbxaSE3</uri>
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          <pubDate>Fri, 13 Mar 2026 00:46:15 GMT</pubDate>
          <atom:updated>2026-03-13T00:46:15+09:00</atom:updated>
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            <media:title><![CDATA[Designated Solitude   In Tokyo, smokers gather in designated booths—small enclosed spaces set apart from the flow of the city. What caught my eye here was the interplay of layers: the letters on the glass, the decorative pattern, and the figure inside, isolated yet fully visible.  The man was absorbed in his phone, its light gently illuminating his face in the darkness, while the neon behind him created a soft halo. I was drawn to the quiet contradiction of the scene: a public booth holding a private moment. | Uday Khambadkone]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Uday Khambadkone en cizucu.]]></media:description>
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          <title><![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip.   It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey.  Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]></title>
          <link>https://www.cizucu.com/es/photos/iWgKlpZUetvE4lAHwxZF</link>
          <description><![CDATA[Explora más de las increíbles obras de Ermanno Fissore en cizucu.]]></description>
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            <name>Ermanno Fissore</name>
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          <pubDate>Mon, 30 Mar 2026 07:27:25 GMT</pubDate>
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            <media:title><![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip.   It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey.  Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Ermanno Fissore en cizucu.]]></media:description>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/es/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Jasmine Ee (Wildlife with Jas) en cizucu.]]></media:description>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/es/photos/ZQHacQXu07BRd1Co53gt</link>
          <description><![CDATA[Explora más de las increíbles obras de Lousycameraman en cizucu.]]></description>
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            <name>Lousycameraman</name>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[Explora más de las increíbles obras de Lousycameraman en cizucu.]]></media:description>
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