Fotos de Fokus | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/Fokus es 2026-04-06T00:28:23+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Focus on #blackandwhitephoto #bnw #streetsnap | MASUMI NAKAMURA ]]> https://www.cizucu.com/es/photos/jWjiTf7GgfsYxOMTFnvf MASUMI NAKAMURA https://www.cizucu.com/es/users/qBOoB5pbRve8hxWqfm6m3W7uR5e2 https://www.cizucu.com/es/photos/jWjiTf7GgfsYxOMTFnvf Tue, 11 Feb 2025 20:05:45 GMT 2025-02-15T20:41:49+09:00 https://cdn.cizucu.com/images/photos/jWjiTf7GgfsYxOMTFnvf.jpg?auto=compress,format <![CDATA[【be in focus】 #blackandwhite #monochrome | KBT]]> https://www.cizucu.com/es/photos/aUcWdeAnsKfYpSaWShuf KBT https://www.cizucu.com/es/kbt_bnw https://www.cizucu.com/es/photos/aUcWdeAnsKfYpSaWShuf Tue, 18 Mar 2025 09:35:02 GMT 2025-03-20T08:10:04+09:00 https://cdn.cizucu.com/images/photos/aUcWdeAnsKfYpSaWShuf.jpg?auto=compress,format <![CDATA[Focus | Anamika]]> https://www.cizucu.com/es/photos/u78VkJWwOl53K5nJlGKM Anamika https://www.cizucu.com/es/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2 https://www.cizucu.com/es/photos/u78VkJWwOl53K5nJlGKM Fri, 20 Feb 2026 14:19:35 GMT 2026-02-20T14:19:35+09:00 https://cdn.cizucu.com/images/photos/u78VkJWwOl53K5nJlGKM.jpg?auto=compress,format <![CDATA[【Frog out of focus】 少し位ピンが甘い方が可愛い@'^'@ｹﾞｺｹﾞｺ #アウトフォーカス #マクロ撮影 #ハイキー＆ソフト #モリアオガエル #蛙 #カエル #紫陽花 #フィルムシュミレーション #クラシックネガ改 #ボケ #マクロ | RYUURI]]> https://www.cizucu.com/es/photos/OdcbCsPBRdSCk40lP1P1 RYUURI https://www.cizucu.com/es/users/Lbdd5bsfAbQYMFztyyA8VXgGKHk1 https://www.cizucu.com/es/photos/OdcbCsPBRdSCk40lP1P1 Wed, 14 Aug 2024 18:43:46 GMT 2025-03-27T23:54:14+09:00 https://cdn.cizucu.com/images/photos/OdcbCsPBRdSCk40lP1P1.jpg?auto=compress,format <![CDATA[focus. 広島市を走る路面電車から撮影した写真です。 | fuj1kky]]> https://www.cizucu.com/es/photos/BsMVBEQypMVTVIbG0zkV fuj1kky https://www.cizucu.com/es/users/8lQzusFbeqbX5O7V7JbOC6enaIt1 https://www.cizucu.com/es/photos/BsMVBEQypMVTVIbG0zkV Mon, 20 May 2024 15:15:42 GMT 2024-05-20T15:15:53+09:00 https://cdn.cizucu.com/images/photos/BsMVBEQypMVTVIbG0zkV.jpg?auto=compress,format <![CDATA[Close-up of a lush green barley field with detailed focus on the spikes and stems. | Matthieu]]> https://www.cizucu.com/es/photos/aIpmISUF1oEVQwC51aMx Matthieu https://www.cizucu.com/es/matthieu https://www.cizucu.com/es/photos/aIpmISUF1oEVQwC51aMx Mon, 09 Feb 2026 00:53:17 GMT 2026-02-09T00:53:17+09:00 https://cdn.cizucu.com/images/photos/aIpmISUF1oEVQwC51aMx.jpg?auto=compress,format <![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]> https://www.cizucu.com/es/photos/SnkJJ24O9HQfvsmxIg1M Lee Mia https://www.cizucu.com/es/users/MknbfnePALYkgmaciy5ZWKr2Hi22 https://www.cizucu.com/es/photos/SnkJJ24O9HQfvsmxIg1M Sun, 11 Jan 2026 20:20:38 GMT 2026-01-11T20:20:38+09:00 https://cdn.cizucu.com/images/photos/SnkJJ24O9HQfvsmxIg1M.jpg?auto=compress,format <![CDATA['The Master of Stares' Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect. Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/es/photos/GmG5c98t8qyvIemmkbiY Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/es/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/es/photos/GmG5c98t8qyvIemmkbiY Mon, 16 Mar 2026 19:26:03 GMT 2026-03-16T19:26:03+09:00 https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format <![CDATA[“The Master of Stillness” Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands. Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.” Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]> https://www.cizucu.com/es/photos/1eyhxZQn4uTXWO7fHhv6 Jasmine Ee (Wildlife with Jas) https://www.cizucu.com/es/users/JYFpvmoAhif1BR46v1VEaz8x1ag2 https://www.cizucu.com/es/photos/1eyhxZQn4uTXWO7fHhv6 Sat, 24 Jan 2026 20:08:23 GMT 2026-01-24T20:08:23+09:00 https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude. A young boy sits beneath a tree, absorbed in his own small world while the surrounding environment fades into shadow. The image explores the contrast between stillness and the larger world around him, highlighting how simple moments can carry deep meaning. The photograph was created using natural light to emphasise the mood and intimacy of the scene. By using black and white, the focus shifts from colour to emotion, allowing the viewer to reflect on the subject’s quiet concentration and the calm atmosphere of the setting. Through this work, I aim to present an honest and timeless moment of everyday life. It invites viewers to pause and reflect on the quiet spaces that exist within our busy world. | Akshob Ram Kumar]]> https://www.cizucu.com/es/photos/TEzS1WccQibnKLVjPtrC Akshob Ram Kumar https://www.cizucu.com/es/akvisuals04 https://www.cizucu.com/es/photos/TEzS1WccQibnKLVjPtrC Sat, 14 Mar 2026 10:47:05 GMT 2026-03-14T10:47:05+09:00 https://cdn.cizucu.com/images/photos/TEzS1WccQibnKLVjPtrC.jpg?auto=compress,format <![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments. Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection. Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]> https://www.cizucu.com/es/photos/LAPIO77FAZzvwhueWaVW Akshob Ram Kumar https://www.cizucu.com/es/akvisuals04 https://www.cizucu.com/es/photos/LAPIO77FAZzvwhueWaVW Sat, 14 Mar 2026 10:56:17 GMT 2026-03-14T10:56:17+09:00 https://cdn.cizucu.com/images/photos/LAPIO77FAZzvwhueWaVW.jpg?auto=compress,format <![CDATA[This photograph was taken during a collaboration with singer-songwriter Utsavi Jha. At the time, I had stepped away from pursuing photography professionally and had shifted my focus to working as a color grading artist, keeping photography primarily for personal expression. Photographing this moment became more meaningful than I initially expected. I had long admired Utsavi’s music, so having the opportunity to collaborate with her was something I felt deeply grateful for. More importantly, this experience helped me overcome a quiet anxiety I had developed about photographing people in public spaces. What began as a simple collaboration gradually reopened a creative door for me. It reminded me why I was drawn to photographing people in the first place and gave me the confidence to return to it without hesitation. This image, therefore, represents more than a portrait—it marks a personal turning point where photography once again became something I could approach with curiosity and freedom. | Nandan Nabodit]]> https://www.cizucu.com/es/photos/u35nF2vuBkD5ZcGa44FI Nandan Nabodit https://www.cizucu.com/es/nandannabodit https://www.cizucu.com/es/photos/u35nF2vuBkD5ZcGa44FI Fri, 13 Mar 2026 16:26:03 GMT 2026-03-13T16:26:03+09:00 https://cdn.cizucu.com/images/photos/u35nF2vuBkD5ZcGa44FI.jpg?auto=compress,format <![CDATA[Finding Color in the Noise Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet. This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye. The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]> https://www.cizucu.com/es/photos/aGY2A7d0GmEodnh54l7X Big_Dins_Photos https://www.cizucu.com/es/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3 https://www.cizucu.com/es/photos/aGY2A7d0GmEodnh54l7X Sun, 18 Jan 2026 05:30:11 GMT 2026-01-18T05:30:11+09:00 https://cdn.cizucu.com/images/photos/aGY2A7d0GmEodnh54l7X.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/es/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/es/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/es/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format