Fotos de 異國 | Descarga imágenes libres de derechos y en alta resolución https://www.cizucu.com/es/explore/photos/%E7%95%B0%E5%9C%8B es 2026-06-15T12:07:48+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. es https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[異国感、異時代感。けれど日本。 | miho]]> https://www.cizucu.com/es/photos/BUycmg4ZUMI95dhL3BXy miho https://www.cizucu.com/es/iam34_ https://www.cizucu.com/es/photos/BUycmg4ZUMI95dhL3BXy Thu, 05 Mar 2026 19:22:15 GMT 2026-03-19T06:29:37+09:00 https://cdn.cizucu.com/images/photos/BUycmg4ZUMI95dhL3BXy.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[【アマゾンの宝石】 美しい嘴が特徴的なオニオオハシ君ですが少しシックに仕上げてみました＾＾ #オニオオハシ #鳥 #南アメリカ（生息地） #掛川花鳥園 #オオオオハシ #嘴はラジエター | RYUURI]]> https://www.cizucu.com/es/photos/WLZsq3cfrST0ZBXiOkNU RYUURI https://www.cizucu.com/es/users/Lbdd5bsfAbQYMFztyyA8VXgGKHk1 https://www.cizucu.com/es/photos/WLZsq3cfrST0ZBXiOkNU Thu, 29 Aug 2024 13:23:53 GMT 2026-01-21T05:55:52+09:00 https://cdn.cizucu.com/images/photos/WLZsq3cfrST0ZBXiOkNU.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[fruta del dragón y flores de plumeria en una cesta | しずく８]]> https://www.cizucu.com/es/photos/pQhfghf2nxFBJ3Kr3Kx7 しずく８ https://www.cizucu.com/es/sizuku8888888888 https://www.cizucu.com/es/photos/pQhfghf2nxFBJ3Kr3Kx7 Fri, 23 Feb 2024 10:29:59 GMT 2026-01-23T12:34:25+09:00 https://cdn.cizucu.com/images/photos/pQhfghf2nxFBJ3Kr3Kx7.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[枯れそうな紅葉と日差しを眩しがる異国の民。 #ボケ | Loui]]> https://www.cizucu.com/es/photos/15u6KPO6biFMZMKW77MU Loui https://www.cizucu.com/es/little_r_m https://www.cizucu.com/es/photos/15u6KPO6biFMZMKW77MU Wed, 14 Aug 2024 08:55:00 GMT 2026-01-21T06:57:46+09:00 https://cdn.cizucu.com/images/photos/15u6KPO6biFMZMKW77MU.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[primer plano de hojas de plátano tropicales superpuestas | ブー太郎]]> https://www.cizucu.com/es/photos/fbC6DzookeRvQZwixOL7 ブー太郎 https://www.cizucu.com/es/users/Y6zYoXH8qZgMSsHBULMqspdTq3t1 https://www.cizucu.com/es/photos/fbC6DzookeRvQZwixOL7 Wed, 20 Mar 2024 22:32:52 GMT 2026-01-22T17:59:49+09:00 https://cdn.cizucu.com/images/photos/fbC6DzookeRvQZwixOL7.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Un dragón barbudo naranja cerca de un tazón de agua | yusso photo]]> https://www.cizucu.com/es/photos/qDjG5HiwweBG5fspeygx yusso photo https://www.cizucu.com/es/users/otnkIeEL3zU6D2L6d97BkVBHLJG2 https://www.cizucu.com/es/photos/qDjG5HiwweBG5fspeygx Wed, 17 Apr 2024 23:59:54 GMT 2026-01-22T04:11:50+09:00 https://cdn.cizucu.com/images/photos/qDjG5HiwweBG5fspeygx.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Estatua decorativa de camello y arreglo floral en un interior elegante | Pepper05]]> https://www.cizucu.com/es/photos/8iv1Gl9ZTMsMgMkOBfrc Pepper05 https://www.cizucu.com/es/users/o0efczKoOkX7jqUaIq9AMvR33aW2 https://www.cizucu.com/es/photos/8iv1Gl9ZTMsMgMkOBfrc Sun, 11 Feb 2024 11:12:47 GMT 2026-01-23T21:29:49+09:00 https://cdn.cizucu.com/images/photos/8iv1Gl9ZTMsMgMkOBfrc.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[スパイスの香りに誘われて、一皿の旅へ。 奥深い味わいと彩りがたまらない、とっておきのカレータイム！ #スパイスカレー #カレー好き #エスニック料理 #おうちごはん #カレー部 #グルメ好きな人と繋がりたい #沖縄グルメ #彩りごはん #カレー日和 #食べ歩き | A r u m a . 2 3]]> https://www.cizucu.com/es/photos/1G5R1RC9Eyt29MMVMwmm A r u m a . 2 3 https://www.cizucu.com/es/users/cc1n8d87r2ZngufJdJzckXCXGNP2 https://www.cizucu.com/es/photos/1G5R1RC9Eyt29MMVMwmm Sun, 12 Jan 2025 20:46:58 GMT 2026-05-05T08:49:09+09:00 https://cdn.cizucu.com/images/photos/1G5R1RC9Eyt29MMVMwmm.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[#メキシコ料理 #シーフードセビーチェ #セビーチェ #異国の味 アメリカへ赴任してから1年。異国での地での生活を1年頑張ったご褒美にメキシコのカンクンへ。想像以上に青い海と、陽気な現地の人、日本以上に強い日差し。 そのどれもが新鮮で最高な時間でした。 ご飯は大好きな人と『美味しい！』と言い合って食べるのが1番最高な味になるのだと実感しました。 | USAmom]]> https://www.cizucu.com/es/photos/V3Nfp00QTcH7FQ51IrlN USAmom https://www.cizucu.com/es/users/uwc8Sge3YLZdyoNVr6zkHE2q8P53 https://www.cizucu.com/es/photos/V3Nfp00QTcH7FQ51IrlN Sun, 04 Feb 2024 03:20:00 GMT 2026-01-24T02:12:55+09:00 https://cdn.cizucu.com/images/photos/V3Nfp00QTcH7FQ51IrlN.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[再会 国際線到着ロビーにて。遠距離カップルの再会。 #国際線　#再会　#遠距離恋愛 | So-Bo.Jp]]> https://www.cizucu.com/es/photos/nmELiIgqz9dhh0lGL1DZ So-Bo.Jp https://www.cizucu.com/es/users/mLQI7wFuhbNtdDSn6SyKgNApCQV2 https://www.cizucu.com/es/photos/nmELiIgqz9dhh0lGL1DZ Tue, 14 Jan 2025 01:20:56 GMT 2026-01-19T17:53:37+09:00 https://cdn.cizucu.com/images/photos/nmELiIgqz9dhh0lGL1DZ.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[依然是照行程走的一天，在林肯紀念堂中一隅，偶然瞥見兩位異國的遊客（也或許是當地人）。身處這個對種族平權運動有相當象徵意義的場所，不禁思考雖號稱文化大熔爐的美國社會，種族隔閡問題時至今日仍是積重難返的難題。 | jeffreychen]]> https://www.cizucu.com/es/photos/pCsXzrJ8kjpV8zvC3CUF jeffreychen https://www.cizucu.com/es/users/sUKA4dPLQkaGIavdPJGcJnouVWE2 https://www.cizucu.com/es/photos/pCsXzrJ8kjpV8zvC3CUF Mon, 16 Feb 2026 00:01:50 GMT 2026-02-16T20:14:20+09:00 https://cdn.cizucu.com/images/photos/pCsXzrJ8kjpV8zvC3CUF.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[琴平からの帰り道、車窓に流れる田園風景を眺めていると、大学時代の帰省中の記憶がふと蘇ってきました。異国の地で出会ったはずなのに、どこか見覚えのあるその景色。そんな不思議な既視感が、この旅に懐かしく優しい彩りを与えてくれました。 琴平回高松的路上，車窗宛如流動的畫框，定格了一幅幅優美的田園風景。這似曾相識的畫面勾起了大學時期假日回家的記憶；在異國的土地上遇見熟悉的風景，讓這段旅程平添了一份令人懷念的溫柔。 | tonichijou]]> https://www.cizucu.com/es/photos/PKVTAbgNgWf2jPb6VdW3 tonichijou https://www.cizucu.com/es/users/XswfVlFSzxTUH1sSeXAMRXoqvQP2 https://www.cizucu.com/es/photos/PKVTAbgNgWf2jPb6VdW3 Tue, 26 May 2026 23:18:01 GMT 2026-05-26T23:18:13+09:00 https://cdn.cizucu.com/images/photos/PKVTAbgNgWf2jPb6VdW3.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/es/photos/KxmYJu8uTx7YorZUymnh Joanne Sun https://www.cizucu.com/es/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/es/photos/KxmYJu8uTx7YorZUymnh Thu, 07 May 2026 02:19:00 GMT 2026-05-07T02:20:37+09:00 https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/es/photos/hIoi7PaTCs672IrajR0s Joanne Sun https://www.cizucu.com/es/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/es/photos/hIoi7PaTCs672IrajR0s Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/hIoi7PaTCs672IrajR0s.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/es/photos/KpT2BNd1rIgt88NrbYC6 Joanne Sun https://www.cizucu.com/es/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/es/photos/KpT2BNd1rIgt88NrbYC6 Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/KpT2BNd1rIgt88NrbYC6.jpg?auto=format%2Ccompress&cs=srgb