Sensing and Capturing the Essence | 10 Questions for Riku Takiyama | ISSUE #1

‘ISSUE’ is a series that delves into the sensibilities and thought processes of creators from around the world, serving as a catalyst for new inspiration.
For the inaugural ‘ISSUE #1’, we present 10 questions to Riku Takiyama of Kyoto University of the Arts, offering a glimpse into the mind of this promising young artist.

My name is Riku Takiyama, born in 2004 in Yamaguchi Prefecture. I am currently enrolled in the Cross-Tech Design Course at Kyoto University of the Arts. During high school, I was awarded in the Epson Photo Grand Prix.

I might have taken photos when I was a child, but honestly, I don't remember much (laughs).
The first time I actually bought a camera was in my first year of high school. I wanted to start as a hobby, so I got it as an early birthday present. What sparked my interest in cameras was seeing the photographs taken by the art club—I thought they were wonderful.

I was also a member of the art club, which was divided into three courses: dance, illustration, and photography. In my first year, I was mostly focused on dance. However, after that initial spark, I found myself pouring more energy into photography. That said, I continued dancing as well.

I mostly use a Nikon D5500. In fact, this was the first camera I ever received, as I mentioned earlier. I own several other cameras, but I have a special attachment to this one since I've used it for so long.

As for lenses, I switch them depending on the subject. For example, when photographing people or subjects, I tend to use Nikon's 50mm prime lens, and for landscapes, I use a telephoto lens. I also occasionally use a macro lens.

Regarding filters, I have a particular fondness for a PL filter I happened to come across when I went to buy a macro lens.

I've been listening to Vaundy a lot recently.

When it comes to creating my work, I don't think I've been particularly influenced by any specific individual. However, if anyone shaped my broader way of thinking, it would be my high school art club advisor.

To be honest, I didn't really like him at first—in fact, I kind of disliked him (laughs).

He was like a philosopher, always speaking in logical arguments, which felt preachy and I didn't like that. But he was also someone who was genuinely committed to creative pursuits like photography and illustration, and he achieved real results. Despite that, he never boasted about it. Observing him gradually changed my own perspective.

Until this question, I hadn't really considered that I was influenced by him, but now I realize that, unconsciously, I probably am—especially when it comes to titling my works. Looking back, I think he taught me the importance of creating works by observing the 'essence' of things.

He was also the reason I decided to enroll at Kyoto University of the Arts. Even now, whenever I ask myself, 'Why do I make art?', he's the first person who comes to mind (laughs).

I'd like to try using a film camera with 120mm film—what's commonly known as 'Broonie film' or medium format film.

It seems like it would be challenging to get used to, especially since the shooting process is slower, but I definitely want to give it a try.

I love shooting in the rain. Not many people do it, and I find it interesting how people avoid each other.

Since cameras can get damaged by water, I cover mine with a towel or plastic bag when shooting. I've always enjoyed photographing things that are wet or the rain itself.

Perhaps I enjoy capturing the unique atmosphere that only rain can bring.

This is a tough one, but maybe people who post small text on a black background on Instagram (laughs).

I often shop at vintage clothing stores in Sanjo and Shijo, Kyoto. I love vintage clothes, so rather than having a favorite shop, I enjoy searching for unique pieces.

I don't use particularly elaborate settings. I generally prefer the default settings, but I make fine adjustments to capture each moment carefully.

This might not exactly answer the question, but I usually prioritize the f-stop. I adjust the depth of field to create beautiful bokeh, especially when photographing people. Also, as a basic principle, if adjusting the f-stop alone doesn't provide enough brightness, I change the shutter speed to compensate.

As for ISO sensitivity, I typically use around 800 and don't change it much.