Uprooted Photos | Download Royalty-Free Images & High-Resolution Pictures https://www.cizucu.com/en/explore/photos/uprooted en 2026-05-02T00:42:43+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. en https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Photo of a moss-covered uprooted tree in a forest | マイホト]]> https://www.cizucu.com/en/photos/fb69Xrote4nGUv9t3qSh マイホト https://www.cizucu.com/en/users/ii2GiFBRtYOQ1zuY4RRJBxseBuR2 https://www.cizucu.com/en/photos/fb69Xrote4nGUv9t3qSh Thu, 11 Jul 2024 17:38:28 GMT 2024-07-12T10:48:35+09:00 https://cdn.cizucu.com/images/photos/fb69Xrote4nGUv9t3qSh.jpg?auto=compress,format <![CDATA[Uprooted tree stump with exposed roots surrounded by greenery in a forest | くまもりこ]]> https://www.cizucu.com/en/photos/huJ6hN54fjKQckdpIvnd くまもりこ https://www.cizucu.com/en/users/TTTnLWjDLVeDxkeU9Y7qnzoa0GM2 https://www.cizucu.com/en/photos/huJ6hN54fjKQckdpIvnd Mon, 04 Mar 2024 13:39:02 GMT 2024-11-21T20:55:04+09:00 https://cdn.cizucu.com/images/photos/huJ6hN54fjKQckdpIvnd.jpg?auto=compress,format <![CDATA[A newly sprouted yellow flower emerging from the ground | あんだば]]> https://www.cizucu.com/en/photos/FBIe8wWhNOocQfBjaoHY あんだば https://www.cizucu.com/en/users/vM8FOCNlIrTFOiT0A47TADDHEnj1 https://www.cizucu.com/en/photos/FBIe8wWhNOocQfBjaoHY Thu, 11 Jul 2024 10:28:44 GMT 2024-07-12T11:07:38+09:00 https://cdn.cizucu.com/images/photos/FBIe8wWhNOocQfBjaoHY.jpg?auto=compress,format <![CDATA[Sprouted beans with vibrant green shoots in a decorative bowl | まぁめ]]> https://www.cizucu.com/en/photos/4xe8sghZbo4ZXOq3xF4d まぁめ https://www.cizucu.com/en/users/x0v0PuZRhubx5492hoa2KSDzSug2 https://www.cizucu.com/en/photos/4xe8sghZbo4ZXOq3xF4d Tue, 23 Jan 2024 11:04:16 GMT 2024-11-25T02:36:40+09:00 https://cdn.cizucu.com/images/photos/4xe8sghZbo4ZXOq3xF4d.jpg?auto=compress,format <![CDATA[The Hudoq is a sacred harvest thanksgiving and planting ceremony celebrated by various Dayak sub-tribes, primarily in East Kalimantan, Indonesia. Hudoq means “spirit mask” in the Dayak language. Originating from the Mahakam Ulu Regency, the ritual is a deep-rooted spiritual and cultural tradition used to invoke blessings from ancestors and gods for prosperous crops and the warding off of pests. The Hudoq Festival is not only a spiritual ritual but also a proud expression of Dayak identity and heritage. It symbolizes the deep bond between humans, nature, and ancestral spirits. | Denys Kutsevalov]]> https://www.cizucu.com/en/photos/BXy5MZwJa2OnqQ3fLkyw Denys Kutsevalov https://www.cizucu.com/en/users/YIl7S6iKGsZll6ZbMZoHOPpk19k1 https://www.cizucu.com/en/photos/BXy5MZwJa2OnqQ3fLkyw Thu, 30 Apr 2026 23:11:16 GMT 2026-04-30T23:11:16+09:00 https://cdn.cizucu.com/images/photos/BXy5MZwJa2OnqQ3fLkyw.jpg?auto=compress,format <![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati. Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire. The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]> https://www.cizucu.com/en/photos/0ufaljTfbGbNMY5rPlRC Poulomi Das https://www.cizucu.com/en/users/jn2H4skRTIQEknDvI1p3oRzn9AC2 https://www.cizucu.com/en/photos/0ufaljTfbGbNMY5rPlRC Sat, 14 Mar 2026 22:35:46 GMT 2026-03-14T22:35:46+09:00 https://cdn.cizucu.com/images/photos/0ufaljTfbGbNMY5rPlRC.jpg?auto=compress,format <![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly. The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm. This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]> https://www.cizucu.com/en/photos/wrp6m3nBJ201XnfheCWK Nishikantsnaps https://www.cizucu.com/en/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/en/photos/wrp6m3nBJ201XnfheCWK Fri, 13 Mar 2026 13:29:26 GMT 2026-03-13T13:29:26+09:00 https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/en/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/en/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/en/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/en/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/en/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/en/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format