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      <title>Turning Back Photos | Download Royalty-Free Images &amp; High-Resolution Pictures</title>
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          <title><![CDATA[いってらっしゃい！ | Aya]]></title>
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          <pubDate>Sat, 21 Jun 2025 13:22:58 GMT</pubDate>
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          <title><![CDATA[広島県　廿日市市　宮島  (広島県のおすすめスポット) #宮島 @miyajima_tourist_association   鹿さんのハートのお尻🤍を投稿し忘れてました🤭 鹿さんもよく撮られるのかポーズも慣れてますね📸 | sukko]]></title>
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          <description><![CDATA[Download this high-quality free Two deer turning back with a traditional Japanese pagoda in the background image by sukko on cizucu.]]></description>
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          <pubDate>Wed, 20 Dec 2023 09:46:20 GMT</pubDate>
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          <title><![CDATA[A woman turning back near a window with beautiful light and shadow effects | hhhiroooki]]></title>
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          <description><![CDATA[Download this high-quality free A woman turning back near a window with beautiful light and shadow effects image by hhhiroooki on cizucu.]]></description>
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          <pubDate>Thu, 23 Jan 2025 16:23:57 GMT</pubDate>
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          <title><![CDATA[Portrait of a woman turning back on a tree-lined street | kenstock]]></title>
          <link>https://www.cizucu.com/en/photos/z8c8kZYUKaD5vh6N2HhN</link>
          <description><![CDATA[Download this high-quality free Portrait of a woman turning back on a tree-lined street image by kenstock on cizucu.]]></description>
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          <pubDate>Sun, 17 Mar 2024 10:28:16 GMT</pubDate>
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          <title><![CDATA[Woman turning back in a crowd wearing floral attire | kenstock]]></title>
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          <description><![CDATA[Download this high-quality free Woman turning back in a crowd wearing floral attire image by kenstock on cizucu.]]></description>
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            <uri>https://www.cizucu.com/en/kenstock</uri>
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          <pubDate>Sun, 17 Mar 2024 10:33:44 GMT</pubDate>
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          <title><![CDATA[Girl turning back on a road with mountains and power poles in the background | a y a .]]></title>
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          <description><![CDATA[Download this high-quality free Girl turning back on a road with mountains and power poles in the background image by a y a . on cizucu.]]></description>
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          <pubDate>Thu, 23 Jan 2025 11:23:45 GMT</pubDate>
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          <description><![CDATA[Download this high-quality free A woman turning back at a bus terminal with buses lined up image by kenstock on cizucu.]]></description>
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            <uri>https://www.cizucu.com/en/kenstock</uri>
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          <pubDate>Sun, 17 Mar 2024 10:54:34 GMT</pubDate>
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          <title><![CDATA[Portrait of a woman turning back on a street surrounded by bright green trees | kenstock]]></title>
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          <description><![CDATA[Download this high-quality free Portrait of a woman turning back on a street surrounded by bright green trees image by kenstock on cizucu.]]></description>
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          <pubDate>Sun, 17 Mar 2024 10:28:12 GMT</pubDate>
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          <title><![CDATA[A young man in a white striped shirt turns back against a dark background | akira tomiguchi]]></title>
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          <pubDate>Tue, 17 Dec 2024 21:37:59 GMT</pubDate>
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          <title><![CDATA[「夏の私と冬の彼」  ハーフカメラ OLYMPUS PEN EE これが私の愛機  出会いは2018年の夏 呪いを解きたくて手に入れた  「意味のわかんない写真だね」 「もっと考えてとらないと無駄だよ」 初めて手に入れたデジカメで撮った、初めての1枚。勧めてくれた人に軽い気持ちで送ったら返ってきた、恐らくごもっともな意見。けれど、あっという間に呪いになった。  すでに来ていたInstagram全盛期 どこにでもある「たくさんのいいねがつく価値のある写真」と、「無意味で即物的で、それがよくもなんともない私の写真」 デジタルはいくらでも撮れるのに撮れば撮るほど無駄なデータが積み重なるだけだった   数の限られるフィルムなら、自分の感性が磨かれるのかもしれない いつでも撮れるように持ち歩きやすいサイズがいい  そう思って手に入れた  撮り続ける勇気をくれた彼は、私の撮る意味のわからない写真をみて、「物語があるんだ」と言う  意味のわからない写真の意味を、彼が見つけてくれるから、今も写真を撮っている   で、これは「夏に撮影したあと、しばらく放置してて、冬に出かけるから撮影したらたまたま似たような構図だった」っていう。 ハーフカメラだから残せる私たちの時間  #Olympuspenee | miho]]></title>
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            <name>miho</name>
            <uri>https://www.cizucu.com/en/iam34_</uri>
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          <pubDate>Mon, 02 Sep 2024 17:11:21 GMT</pubDate>
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          <title><![CDATA[A child turning back in front of a store with decorative items and furniture in the background | Aya]]></title>
          <link>https://www.cizucu.com/en/photos/oFjyRJVdKX2P5HEkZm6m</link>
          <description><![CDATA[See more of Aya's photography on cizucu.]]></description>
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            <name>Aya</name>
            <uri>https://www.cizucu.com/en/mellow</uri>
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          <pubDate>Thu, 23 Oct 2025 22:40:14 GMT</pubDate>
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          <title><![CDATA[Girl with long pink hair turning on the beach | 侑奈]]></title>
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            <name>侑奈</name>
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          <pubDate>Fri, 13 Jun 2025 20:04:51 GMT</pubDate>
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          <title><![CDATA[A woman wearing a hat turning back in a sunflower field | ngcanh1708]]></title>
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          <pubDate>Wed, 11 Dec 2024 23:10:05 GMT</pubDate>
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          <title><![CDATA[Woman turning back at street corner showcasing fashion style and long hair | 祚宙 / soleluna]]></title>
          <link>https://www.cizucu.com/en/photos/cD0txCzniIVMHCpwmsD7</link>
          <description><![CDATA[Download this high-quality free Woman turning back at street corner showcasing fashion style and long hair image by 祚宙 / soleluna on cizucu.]]></description>
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            <name>祚宙 / soleluna</name>
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          <pubDate>Sat, 21 Dec 2024 23:18:16 GMT</pubDate>
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            <media:description><![CDATA[Download this high-quality free Woman turning back at street corner showcasing fashion style and long hair image by 祚宙 / soleluna on cizucu.]]></media:description>
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          <title><![CDATA[Just when I thought the day was a wash with its overcast sky, the sun burst through a gap in the clouds, turning the sea to gold. In that fleeting light, I saw her. A small silhouette against the vast ocean, completely absorbed in the ebb and flow of the tide. It was a sight so pure it felt like a memory. It took me back to my own childhood, when the world wasn’t a sum of numbers and rules, but a place of pure, unspoiled wonder waiting to be discovered. In that moment, the girl, the sea, and I were all connected. It reminded me that no matter how far we go, there will always be a part of us that stands on the shore, gazing at the horizon with a heart full of endless possibilities. | Stefan Kho]]></title>
          <link>https://www.cizucu.com/en/photos/LVPZautohfdFiazj8c1u</link>
          <description><![CDATA[See more of Stefan Kho's photography on cizucu.]]></description>
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            <name>Stefan Kho</name>
            <uri>https://www.cizucu.com/en/users/fo6R74rFMKbOzMyEK2i0gbEr9563</uri>
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          <pubDate>Tue, 10 Mar 2026 04:27:16 GMT</pubDate>
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            <media:title><![CDATA[Just when I thought the day was a wash with its overcast sky, the sun burst through a gap in the clouds, turning the sea to gold. In that fleeting light, I saw her. A small silhouette against the vast ocean, completely absorbed in the ebb and flow of the tide. It was a sight so pure it felt like a memory. It took me back to my own childhood, when the world wasn’t a sum of numbers and rules, but a place of pure, unspoiled wonder waiting to be discovered. In that moment, the girl, the sea, and I were all connected. It reminded me that no matter how far we go, there will always be a part of us that stands on the shore, gazing at the horizon with a heart full of endless possibilities. | Stefan Kho]]></media:title>
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          <title><![CDATA[This photograph was taken in 2019 in South Iceland during a road trip to celebrate turning thirty that year. Back then, it didn’t just mark a birthday, but also a personal milestone, one that was of pausing, reflecting, and choosing to step into a new decade with curiosity and courage. This image wasn’t easy to capture. Iceland is known for its powerful winds, and flying a drone against those winds meant that the drone's battery would drain much more quickly. I quickly realised that flying harder was not the way to go, and that I had to think differently. Instead of forcing my way through the wind, I had to allow the wind to work with me. So I landed the drone, hopped into the car with my friends, and drove nearly two kilometres ahead before launching my drone again, allowing the winds to guide me as I surveyed the landscape. By then, a storm was approaching, and I felt a strong sense of urgency, but I knew I had to stay focused and calm. Then this river stood out amongst the smaller streams, carving its way into the distance. In that moment, I knew I had to find the right composition. After capturing the shot, I felt an immense sense of satisfaction and elation. Not just because I succeeded technically, but because the photograph embodied something deeper. It reminded me to adapt instead of resist, to pause and rethink instead of pushing blindly forward, and that sometimes, working with the forces around us leads to something far more meaningful. | Nicholas]]></title>
          <link>https://www.cizucu.com/en/photos/MCq2HUqc07Cf0tkiHfQs</link>
          <description><![CDATA[See more of Nicholas's photography on cizucu.]]></description>
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            <name>Nicholas</name>
            <uri>https://www.cizucu.com/en/nickkloo</uri>
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          <pubDate>Sat, 17 Jan 2026 23:42:28 GMT</pubDate>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/en/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[See more of John Hupa's photography on cizucu.]]></description>
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            <name>John Hupa</name>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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          <title><![CDATA[[No Turning Back]   https://youtu.be/6pn58Lp0jr0?si=99sQAaBvqSvEDPJ5  次！！さぁ、悪人Ｂ君の番だ  「んっ・・・」  いいよ、レディー♫  「フフ」  悪人Ｂ君・・・最悪だよ、レディーが相手したいんだってよ  レディーはドＳだよ～、しかも銃の腕も最悪、どこに当たるか分からないよ(汗  「んっ・・・」  「フフ」  レディーがエジプト人の様に走って逃げてだってよｗ  え～と・・・確か・・・これこれ・・・「Walk Like an Egyptian」  https://youtu.be/Cv6tuzHUuuk?si=VY285_SfyHLazFYT  音楽が鳴り始めたら逃げないとね、悪人Ｂ君  ＭＵＳＩＣスター「パン！！」「うぎゃーー！！」・・・ト！？  おい！！レディー、音楽が鳴りだしたら逃げろって悪人Ｂ君に言ったのに  しかも踵に当たったよ～・・・「パン！！」・・・あぁ～、今度は肘だよ～  悪人Ｂ君、まだまだ弾残ってるからヤバいよ  「ひ～！！」「パン！！」今度は耳かよ～(汗  レディー・・・わざとやってない？  「フフ」  ところでレディー、ワインこれしか残ってないじゃん(涙  「フフ」  「フフ」じゃないよ～、飲み足りないよ～(涙  これが終わったらサイゼにワイン飲みに行こ・・・お金ないからね(涙  「フフ⤵」  #ポートレート #セルフポートレート | me..]]></title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
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