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      <title>Survival Photos | Download Royalty-Free Images &amp; High-Resolution Pictures</title>
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      <description><![CDATA[Find the best 23 high-resolution Survival photos on cizucu. All are royalty-free, free to download, and perfect for any project no attribution required.]]></description>
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          <title><![CDATA[マルチシート | 萩原武流｜ハギハラタケル]]></title>
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          <pubDate>Tue, 10 Mar 2026 16:12:26 GMT</pubDate>
          <atom:updated>2026-03-11T03:01:00+09:00</atom:updated>
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          <title><![CDATA[#ビオラ  冬を乗り越えた小さな花 | emi]]></title>
          <link>https://www.cizucu.com/en/photos/8SwTFwT99cxiv1kq9hUx</link>
          <description><![CDATA[Download a free, high-quality image of Purple viola flowers and leaves surviving winter by emi on cizucu.]]></description>
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          <pubDate>Sun, 27 Apr 2025 11:19:00 GMT</pubDate>
          <atom:updated>2026-01-18T17:08:01+09:00</atom:updated>
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          <title><![CDATA[クリスマス電車(西ドイツ1928年製造)と 旧日本銀行 広島支店(1936年竣工)。  88年前に建てられ原爆も経験した建物の前を96年前に造られた電車が走ってるのって結構凄い事だと思う🤔  左側に写ってる古い建物が昭和11年(1936)竣工の旧日本銀行 広島支店。原爆投下時、爆心地から380mでも倒壊は免れ、被爆2日後から業務を再開し、平成4年まで使用されていました。 広島市指定有形重要文化財。(建物内を見学可能)  #クリスマス電車 #被爆建物 | decomp3104]]></title>
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          <description><![CDATA[Download a free, high-quality image of Christmas train running in front of the former Bank of Japan Hiroshima Branch in Hiroshima by decomp3104 on cizucu.]]></description>
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          <pubDate>Fri, 27 Dec 2024 23:35:37 GMT</pubDate>
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          <title><![CDATA[a person standing in a dark cave pool | IORI Tanigaki]]></title>
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          <description><![CDATA[Download a free, high-quality image of a person standing in a dark cave pool by IORI Tanigaki on cizucu.]]></description>
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          <pubDate>Wed, 20 Nov 2024 11:50:20 GMT</pubDate>
          <atom:updated>2026-01-20T20:02:48+09:00</atom:updated>
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          <title><![CDATA[small grass and dried plants on sandy ground | calm...]]></title>
          <link>https://www.cizucu.com/en/photos/69QBtpr98YqRQxzM0bLe</link>
          <description><![CDATA[Download a free, high-quality image of small grass and dried plants on sandy ground by calm... on cizucu.]]></description>
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          <pubDate>Tue, 05 Nov 2024 09:15:06 GMT</pubDate>
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          <title><![CDATA[【兵隊さんに出逢った】 河川敷でのサバゲ―チーム...かなり本格的だ！色々な趣味があり彼らも世の中の理解を得るには難しい趣味だと思う...でもマナーを守り一生懸命取り組む「趣向」は何であれ美しい。  #スナップ #Snap #人物スナップ #サバイバルゲーム #エアーガン #フォビオン #Foveon #SIGMA #シグマ | RYUURI]]></title>
          <link>https://www.cizucu.com/en/photos/8gpiuqNtaT4wPOcNtFdY</link>
          <description><![CDATA[Download a free, high-quality image of Airsoft team lineup with gear on a riverbank embankment by RYUURI on cizucu.]]></description>
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            <name>RYUURI</name>
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          <pubDate>Thu, 15 Aug 2024 20:28:46 GMT</pubDate>
          <atom:updated>2026-05-06T21:30:41+09:00</atom:updated>
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            <media:title><![CDATA[【兵隊さんに出逢った】 河川敷でのサバゲ―チーム...かなり本格的だ！色々な趣味があり彼らも世の中の理解を得るには難しい趣味だと思う...でもマナーを守り一生懸命取り組む「趣向」は何であれ美しい。  #スナップ #Snap #人物スナップ #サバイバルゲーム #エアーガン #フォビオン #Foveon #SIGMA #シグマ | RYUURI]]></media:title>
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          <title><![CDATA[「Ice Age survivor」  location📍Hokkaido  #Hokkaido #wildlife #animal #nature #mountain #秋 #ナキウサギ #登山 #北海道 #自然 #野生動物 #動物 | haru_wildlife]]></title>
          <link>https://www.cizucu.com/en/photos/QikCy71AIpIkgmKlCZD1</link>
          <description><![CDATA[Download a free, high-quality image of Pika on rocky ground in Hokkaido by haru_wildlife on cizucu.]]></description>
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          <pubDate>Tue, 17 Sep 2024 21:12:57 GMT</pubDate>
          <atom:updated>2026-01-21T05:04:47+09:00</atom:updated>
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            <media:description><![CDATA[Download a free, high-quality image of Pika on rocky ground in Hokkaido by haru_wildlife on cizucu.]]></media:description>
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          <title><![CDATA['Changing Ground'   A white rhino stands against a backdrop of human development. As landscapes change, survival depends on how both species learn to exist within the same boundaries. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/en/photos/okBdwvFB1GBedXt0Ul6R</link>
          <description><![CDATA[See more of Jasmine Ee (Wildlife with Jas)'s photography on cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Mon, 06 Apr 2026 08:52:14 GMT</pubDate>
          <atom:updated>2026-05-03T12:27:29+09:00</atom:updated>
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          <title><![CDATA[曾承載難民跨越邊境，這艘月亮船現已歸於平靜。在 Cox's Bazar 的夕照中，它宛如一座沈思的雕塑，無聲地記錄著生存的重量與流離的記憶。  #coxsbazar #bangladesh #stilllife #moonboat #theark | Yishih]]></title>
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          <description><![CDATA[See more of Yishih's photography on cizucu.]]></description>
          <author>
            <name>Yishih</name>
            <uri>https://www.cizucu.com/en/users/wogj1P5EbgbC4OYkDwtPDOGRgnj2</uri>
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          <pubDate>Thu, 16 Apr 2026 21:31:33 GMT</pubDate>
          <atom:updated>2026-04-16T23:29:34+09:00</atom:updated>
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            <media:title><![CDATA[曾承載難民跨越邊境，這艘月亮船現已歸於平靜。在 Cox's Bazar 的夕照中，它宛如一座沈思的雕塑，無聲地記錄著生存的重量與流離的記憶。  #coxsbazar #bangladesh #stilllife #moonboat #theark | Yishih]]></media:title>
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            <media:description><![CDATA[See more of Yishih's photography on cizucu.]]></media:description>
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        <item>
          <title><![CDATA[close-up of medical suturing with surgical instruments | Plini Wu]]></title>
          <link>https://www.cizucu.com/en/photos/yxCb2Ec5AmSxHdmVpFak</link>
          <description><![CDATA[See more of Plini Wu's photography on cizucu.]]></description>
          <author>
            <name>Plini Wu</name>
            <uri>https://www.cizucu.com/en/raccoonedu01</uri>
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          <pubDate>Tue, 05 May 2026 22:04:04 GMT</pubDate>
          <atom:updated>2026-05-05T22:04:39+09:00</atom:updated>
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        <item>
          <title><![CDATA[#廃墟 #urbex #ruins | かんとりーまあむ藤井]]></title>
          <link>https://www.cizucu.com/en/photos/MknXzF75tgRdTJFBq6eK</link>
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            <name>かんとりーまあむ藤井</name>
            <uri>https://www.cizucu.com/en/yjpisn</uri>
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          <pubDate>Thu, 09 Apr 2026 19:25:48 GMT</pubDate>
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        <item>
          <title><![CDATA[SURVIVE REKKA #konicaacom1 #filmcamera #filmnosuke  | filmnosuke]]></title>
          <link>https://www.cizucu.com/en/photos/UlJEYTezNLVG8Fw1kpnd</link>
          <description><![CDATA[See more of filmnosuke's photography on cizucu.]]></description>
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            <name>filmnosuke</name>
            <uri>https://www.cizucu.com/en/users/EozsJ5rduEc3zIYldstN7Lrgq2t2</uri>
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          <pubDate>Mon, 20 Apr 2026 07:59:43 GMT</pubDate>
          <atom:updated>2026-05-03T11:23:51+09:00</atom:updated>
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            <media:title><![CDATA[SURVIVE REKKA #konicaacom1 #filmcamera #filmnosuke  | filmnosuke]]></media:title>
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            <media:description><![CDATA[See more of filmnosuke's photography on cizucu.]]></media:description>
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          <title><![CDATA[ごつごつ山のナキウサギ🐰  氷河期の生き残りとも呼ばれ、北海道の限られた場所でしかいきれないナキウサギ。  温暖化や天敵などの自然の脅威の中でも、日向ぼっこをしてたおやかに暮らしていました。 | Tomoya Yamanouchi🦌]]></title>
          <link>https://www.cizucu.com/en/photos/2rT4HupsMK1PHkW70tKB</link>
          <description><![CDATA[See more of Tomoya Yamanouchi🦌's photography on cizucu.]]></description>
          <author>
            <name>Tomoya Yamanouchi🦌</name>
            <uri>https://www.cizucu.com/en/users/ibONzMIuLhaUMOVsBxISWwTPMGE2</uri>
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          <pubDate>Sun, 06 Jul 2025 21:31:30 GMT</pubDate>
          <atom:updated>2026-01-18T09:49:04+09:00</atom:updated>
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            <media:title><![CDATA[ごつごつ山のナキウサギ🐰  氷河期の生き残りとも呼ばれ、北海道の限られた場所でしかいきれないナキウサギ。  温暖化や天敵などの自然の脅威の中でも、日向ぼっこをしてたおやかに暮らしていました。 | Tomoya Yamanouchi🦌]]></media:title>
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            <media:description><![CDATA[See more of Tomoya Yamanouchi🦌's photography on cizucu.]]></media:description>
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        <item>
          <title><![CDATA[The sight of mighty mountains made me realise how trivial we actually are...and no matter how much we (humans) may try to conquer - there is no winning from those who have survived for millions of years  | awwsoumm]]></title>
          <link>https://www.cizucu.com/en/photos/wFpdEvwDweDAtd5Nf7kl</link>
          <description><![CDATA[See more of awwsoumm's photography on cizucu.]]></description>
          <author>
            <name>awwsoumm</name>
            <uri>https://www.cizucu.com/en/users/WwwcAoWygLdf1FAiexi44qhI5Gz2</uri>
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          <pubDate>Tue, 17 Mar 2026 21:05:49 GMT</pubDate>
          <atom:updated>2026-05-03T13:40:36+09:00</atom:updated>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/en/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[See more of Jasmine Ee (Wildlife with Jas)'s photography on cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/en/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-05-03T13:44:32+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[See more of Jasmine Ee (Wildlife with Jas)'s photography on cizucu.]]></media:description>
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        <item>
          <title><![CDATA[This is the man hanging out in Prague. I feel like this depicts our daily struggle to survive in our cut throat working culture. | Jonathan Hosea]]></title>
          <link>https://www.cizucu.com/en/photos/KEo7lQWTiNz5MNSK5bCT</link>
          <description><![CDATA[See more of Jonathan Hosea's photography on cizucu.]]></description>
          <author>
            <name>Jonathan Hosea</name>
            <uri>https://www.cizucu.com/en/users/ruGhhlOJk8PXxwvQok30IK0W8JE3</uri>
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          <pubDate>Mon, 23 Mar 2026 00:12:05 GMT</pubDate>
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            <media:description><![CDATA[See more of Jonathan Hosea's photography on cizucu.]]></media:description>
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          <title><![CDATA[As the games intensify, crowds gather to watch these battles of wits. The spectators watch as if, for this brief moment, nothing else in the world matters. The person in the background wearing a cap that reads “Survival,” as if this game were a life-or-death match. | François Aubry]]></title>
          <link>https://www.cizucu.com/en/photos/JOwJqZX3hmw6nhuuoknk</link>
          <description><![CDATA[See more of François Aubry's photography on cizucu.]]></description>
          <author>
            <name>François Aubry</name>
            <uri>https://www.cizucu.com/en/users/gXllw3idrBZuCqVXPhdOtGLxigK2</uri>
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          <pubDate>Sun, 30 Nov 2025 20:50:01 GMT</pubDate>
          <atom:updated>2026-03-08T09:30:10+09:00</atom:updated>
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            <media:description><![CDATA[See more of François Aubry's photography on cizucu.]]></media:description>
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          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/en/photos/1eyhxZQn4uTXWO7fHhv6</link>
          <description><![CDATA[See more of Jasmine Ee (Wildlife with Jas)'s photography on cizucu.]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
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          <pubDate>Sat, 24 Jan 2026 20:08:23 GMT</pubDate>
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          <title><![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]></title>
          <link>https://www.cizucu.com/en/photos/lUrE5MibITOs7WRzW9cq</link>
          <description><![CDATA[See more of DORI's photography on cizucu.]]></description>
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            <name>DORI</name>
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          <pubDate>Sat, 10 Jan 2026 14:29:13 GMT</pubDate>
          <atom:updated>2026-05-03T17:08:06+09:00</atom:updated>
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            <media:description><![CDATA[See more of DORI's photography on cizucu.]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/en/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[See more of Urasha's photography on cizucu.]]></description>
          <author>
            <name>Urasha</name>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:16+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[See more of Urasha's photography on cizucu.]]></media:description>
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