Seri Photos | Download Royalty-Free Images & High-Resolution Pictures https://www.cizucu.com/en/explore/photos/seri en 2026-04-18T18:25:06+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. en https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA["Hey Siri. Im lost in Japan." #art #lost #snap | はくらく]]> https://www.cizucu.com/en/photos/hpAuShVYrX8oL3gV8WQr はくらく https://www.cizucu.com/en/hkrk0000 https://www.cizucu.com/en/photos/hpAuShVYrX8oL3gV8WQr Fri, 06 Sep 2024 15:18:20 GMT 2024-09-07T12:07:18+09:00 https://cdn.cizucu.com/images/photos/hpAuShVYrX8oL3gV8WQr.jpg?auto=compress,format <![CDATA[White temple tower and wall in Kandy, Sri Lanka | fyonetsu]]> https://www.cizucu.com/en/photos/aek6fUfP8zQKLVBfuPq1 fyonetsu https://www.cizucu.com/en/users/axdz6UovsTVPhSTai5jh28JIQe62 https://www.cizucu.com/en/photos/aek6fUfP8zQKLVBfuPq1 Wed, 24 Jan 2024 00:58:24 GMT 2024-11-25T01:28:07+09:00 https://cdn.cizucu.com/images/photos/aek6fUfP8zQKLVBfuPq1.jpg?auto=compress,format <![CDATA[Stairs leading to Sigiriya Rock with large stone hands | fyonetsu]]> https://www.cizucu.com/en/photos/t3KIajOPXAqDwUuZ19Mx fyonetsu https://www.cizucu.com/en/users/axdz6UovsTVPhSTai5jh28JIQe62 https://www.cizucu.com/en/photos/t3KIajOPXAqDwUuZ19Mx Wed, 24 Jan 2024 00:58:26 GMT 2024-11-25T01:25:24+09:00 https://cdn.cizucu.com/images/photos/t3KIajOPXAqDwUuZ19Mx.jpg?auto=compress,format <![CDATA[Two women standing in a narrow alley One wears a pink outfit and the other wears an orange sari | Ann]]> https://www.cizucu.com/en/photos/bjTJr7O1AkUKOViy4zrN Ann https://www.cizucu.com/en/users/G2wKHsU9V3haG9QNQL9OOJgkN8A3 https://www.cizucu.com/en/photos/bjTJr7O1AkUKOViy4zrN Wed, 04 Mar 2026 23:10:48 GMT 2026-03-04T23:10:48+09:00 https://cdn.cizucu.com/images/photos/bjTJr7O1AkUKOViy4zrN.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/en/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/en/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/en/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[Taken during a sunset in Sri Lanka, this image blends the fading light with handwritten traces from that moment, an attempt to hold onto something fleeting, where place and memory quietly overlap. | tiffany]]> https://www.cizucu.com/en/photos/yBGtHfObRxatszZkUjsq tiffany https://www.cizucu.com/en/users/0qDKYnh46fXYfjY4eqI0bqBk3Tw2 https://www.cizucu.com/en/photos/yBGtHfObRxatszZkUjsq Sat, 04 Apr 2026 03:47:32 GMT 2026-04-04T03:47:32+09:00 https://cdn.cizucu.com/images/photos/yBGtHfObRxatszZkUjsq.jpg?auto=compress,format <![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand. After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]> https://www.cizucu.com/en/photos/1Kl9GX36axe5C6q3oIK8 Amsyar Ashaary https://www.cizucu.com/en/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2 https://www.cizucu.com/en/photos/1Kl9GX36axe5C6q3oIK8 Sun, 22 Mar 2026 21:53:43 GMT 2026-03-22T21:53:43+09:00 https://cdn.cizucu.com/images/photos/1Kl9GX36axe5C6q3oIK8.jpg?auto=compress,format <![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand. After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]> https://www.cizucu.com/en/photos/0dwoPbHAGQlxMTLop6kw Amsyar Ashaary https://www.cizucu.com/en/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2 https://www.cizucu.com/en/photos/0dwoPbHAGQlxMTLop6kw Sun, 22 Mar 2026 23:15:29 GMT 2026-03-22T23:15:29+09:00 https://cdn.cizucu.com/images/photos/0dwoPbHAGQlxMTLop6kw.jpg?auto=compress,format <![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season. At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future. Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]> https://www.cizucu.com/en/photos/pFQEsppBNxxk6rpAASrB Streetwala https://www.cizucu.com/en/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82 https://www.cizucu.com/en/photos/pFQEsppBNxxk6rpAASrB Wed, 25 Feb 2026 14:36:03 GMT 2026-02-25T14:36:03+09:00 https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?auto=compress,format