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          <title><![CDATA[Small white flowers growing through concrete cracks with dry grass | しろくてしろい]]></title>
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          <description><![CDATA[Download this high-quality free Small white flowers growing through concrete cracks with dry grass image by しろくてしろい on cizucu.]]></description>
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          <pubDate>Thu, 29 Feb 2024 13:27:00 GMT</pubDate>
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          <title><![CDATA[Small plants and dried stems emerging from a concrete crack | みのりの]]></title>
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          <pubDate>Thu, 04 Apr 2024 00:56:33 GMT</pubDate>
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          <title><![CDATA[Purple flower and green leaves emerging from a crack in concrete | あさ]]></title>
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          <description><![CDATA[Download this high-quality free Purple flower and green leaves emerging from a crack in concrete image by あさ on cizucu.]]></description>
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          <pubDate>Fri, 29 Mar 2024 16:10:51 GMT</pubDate>
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          <title><![CDATA[たんぽぽ | れむ-remm-]]></title>
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          <description><![CDATA[Download this high-quality free Yellow dandelion blooming through asphalt cracks image by れむ-remm- on cizucu.]]></description>
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          <pubDate>Mon, 07 Apr 2025 20:29:34 GMT</pubDate>
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          <title><![CDATA[Purple flowers and green leaves growing through a crack in a stone | あさ]]></title>
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          <description><![CDATA[Download this high-quality free Purple flowers and green leaves growing through a crack in a stone image by あさ on cizucu.]]></description>
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          <pubDate>Fri, 29 Mar 2024 16:27:13 GMT</pubDate>
          <atom:updated>2024-11-20T02:22:07+09:00</atom:updated>
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          <title><![CDATA[Purple flower blooming next to a concrete wall | hhhiroooki]]></title>
          <link>https://www.cizucu.com/en/photos/AQi79d3e6RDPECwKS8ei</link>
          <description><![CDATA[Download this high-quality free Purple flower blooming next to a concrete wall image by hhhiroooki on cizucu.]]></description>
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          <pubDate>Tue, 03 Dec 2024 00:05:16 GMT</pubDate>
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          <title><![CDATA[暑さでしおれた葉  #summer #green #plant | つばさ製作所]]></title>
          <link>https://www.cizucu.com/en/photos/98hlB5IKS7NyADeDoE8O</link>
          <description><![CDATA[Download this high-quality free White flowers and dried leaves emerging from the gaps of wooden stairs image by つばさ製作所 on cizucu.]]></description>
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          <pubDate>Thu, 01 Aug 2024 00:04:43 GMT</pubDate>
          <atom:updated>2024-08-01T17:11:39+09:00</atom:updated>
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          <title><![CDATA[花を咲かす  #cityscape #tokyo #street #plant | つばさ製作所]]></title>
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          <description><![CDATA[See more of つばさ製作所's photography on cizucu.]]></description>
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          <pubDate>Wed, 21 May 2025 21:20:29 GMT</pubDate>
          <atom:updated>2025-05-21T21:20:29+09:00</atom:updated>
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          <title><![CDATA[路傍の春 | kukiken]]></title>
          <link>https://www.cizucu.com/en/photos/f9mY8nlr63OZDXEv5750</link>
          <description><![CDATA[See more of kukiken's photography on cizucu.]]></description>
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          <pubDate>Sun, 10 Mar 2024 03:18:53 GMT</pubDate>
          <atom:updated>2024-11-21T12:47:39+09:00</atom:updated>
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          <title><![CDATA[Moments in everyday life that we might otherwise overlook.  These were taken by me going for a walk. For example, flowers, plants, and everyday life. . #nature #NaturePhotography #Photography   | Take_Kuroki]]></title>
          <link>https://www.cizucu.com/en/photos/qRG0WByw1GoCWmmRIOY3</link>
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          <pubDate>Mon, 28 Apr 2025 16:26:13 GMT</pubDate>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/en/photos/wFqZnMBFteLEsFN7qFAj</link>
          <description><![CDATA[See more of Felicity Gan's photography on cizucu.]]></description>
          <author>
            <name>Felicity Gan</name>
            <uri>https://www.cizucu.com/en/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2</uri>
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          <pubDate>Sun, 05 Apr 2026 17:23:19 GMT</pubDate>
          <atom:updated>2026-04-05T17:23:19+09:00</atom:updated>
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            <media:title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></media:title>
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            <media:description><![CDATA[See more of Felicity Gan's photography on cizucu.]]></media:description>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/en/photos/J6oW6BgNDWFx3cYDNu8e</link>
          <description><![CDATA[See more of Felicity Gan's photography on cizucu.]]></description>
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            <name>Felicity Gan</name>
            <uri>https://www.cizucu.com/en/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2</uri>
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          <pubDate>Sat, 04 Apr 2026 23:27:00 GMT</pubDate>
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            <media:title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></media:title>
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            <media:description><![CDATA[See more of Felicity Gan's photography on cizucu.]]></media:description>
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          <title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | keithwee]]></title>
          <link>https://www.cizucu.com/en/photos/cB57oP00GBolvl17Bqt2</link>
          <description><![CDATA[See more of keithwee's photography on cizucu.]]></description>
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            <name>keithwee</name>
            <uri>https://www.cizucu.com/en/users/fxdhdPm0AKY0fV1ane3AERkTCXk2</uri>
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          <pubDate>Tue, 13 Jan 2026 22:38:30 GMT</pubDate>
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            <media:title><![CDATA[Years of ballet are built quietly, repeating the fundamentals until they become instinct. Before pointe comes patience: the strength no one sees, the discipline no one applauds, the resilience that keeps showing up.  This was her first pair of pointe shoes, a milestone earned and a photograph she asked for to celebrate the moment. | keithwee]]></media:title>
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            <media:description><![CDATA[See more of keithwee's photography on cizucu.]]></media:description>
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          <title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></title>
          <link>https://www.cizucu.com/en/photos/trC4T1git609KqNYjLla</link>
          <description><![CDATA[See more of Chawin Terk's photography on cizucu.]]></description>
          <author>
            <name>Chawin Terk</name>
            <uri>https://www.cizucu.com/en/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3</uri>
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          <pubDate>Mon, 02 Feb 2026 18:05:46 GMT</pubDate>
          <atom:updated>2026-02-02T18:05:46+09:00</atom:updated>
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            <media:title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></media:title>
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            <media:description><![CDATA[See more of Chawin Terk's photography on cizucu.]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/en/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[See more of Shawn Lim's photography on cizucu.]]></description>
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            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/en/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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            <media:description><![CDATA[See more of Shawn Lim's photography on cizucu.]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/en/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[See more of Urasha's photography on cizucu.]]></description>
          <author>
            <name>Urasha</name>
            <uri>https://www.cizucu.com/en/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
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            <media:description><![CDATA[See more of Urasha's photography on cizucu.]]></media:description>
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          <title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></title>
          <link>https://www.cizucu.com/en/photos/blvZqys7p3C6BXz4owuH</link>
          <description><![CDATA[See more of Bombay Noir's photography on cizucu.]]></description>
          <author>
            <name>Bombay Noir</name>
            <uri>https://www.cizucu.com/en/users/tay5ia7oZ0M8Hk3zKpy8CxmZQ0g2</uri>
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          <pubDate>Sat, 14 Mar 2026 13:27:45 GMT</pubDate>
          <atom:updated>2026-03-14T13:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></media:title>
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            <media:description><![CDATA[See more of Bombay Noir's photography on cizucu.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/en/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[See more of Lucho Dávila's photography on cizucu.]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/en/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[See more of Lucho Dávila's photography on cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[See more of Arthur Liew's photography on cizucu.]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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            <media:description><![CDATA[See more of Arthur Liew's photography on cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/en/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[See more of Arthur Liew's photography on cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/en/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
          <atom:updated>2026-03-22T16:32:12+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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