Permanent Photos | Download Royalty-Free Images & High-Resolution Pictures https://www.cizucu.com/en/explore/photos/permanent en 2026-04-19T08:47:49+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. en https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[This vertical shaft is a drainage shaft said to drain water approximately 100 meters below into a permanent tunnel | モノヒョー]]> https://www.cizucu.com/en/photos/qxKkifshQ0ZYMuUQFmzr モノヒョー https://www.cizucu.com/en/monohyo https://www.cizucu.com/en/photos/qxKkifshQ0ZYMuUQFmzr Wed, 20 Mar 2024 15:23:01 GMT 2024-11-20T18:14:03+09:00 https://cdn.cizucu.com/images/photos/qxKkifshQ0ZYMuUQFmzr.jpg?auto=compress,format <![CDATA[Exterior of a building with a cut perm sign | m4n4c]]> https://www.cizucu.com/en/photos/QnWAJ3aFczHnmirlKqzZ m4n4c https://www.cizucu.com/en/m4n4c https://www.cizucu.com/en/photos/QnWAJ3aFczHnmirlKqzZ Mon, 25 Nov 2024 23:49:23 GMT 2024-11-25T23:49:50+09:00 https://cdn.cizucu.com/images/photos/QnWAJ3aFczHnmirlKqzZ.jpg?auto=compress,format <![CDATA[Allan Gardens Conservatory Palm House No 4 Old Film Version. The Allan Gardens Conservatory Palm House at 19 Horticultural Ave in Toronto Canada. The conservatory was built in 1879. In 1902, a fire destroyed the Horticultural Pavilion and parts of the conservatory. It's replacement, the cast iron and glass domed Palm House opened in 1910 and stands on the site today. It hosts a permanent collection of exotic plants and presents seasonal flower shows. Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Analog EFEX Pro 2 as a Lightroom plugin for the Old Film effect. Brian Carson The Learning Curve Photography https://linktr.ee/thelearningcurvephotography #toronto #streetsoftoronto #blackandwhitephotography #bnw #originalphotography #photo #photography #architecture #building | The Learning Curve Photography]]> https://www.cizucu.com/en/photos/vu4zdB7aHSjhUMaVasXH The Learning Curve Photography https://www.cizucu.com/en/users/wFGodvFnMXe8zuo86nPboGZQaff1 https://www.cizucu.com/en/photos/vu4zdB7aHSjhUMaVasXH Mon, 27 Oct 2025 05:33:26 GMT 2025-10-27T05:33:26+09:00 https://cdn.cizucu.com/images/photos/vu4zdB7aHSjhUMaVasXH.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/en/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/en/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/en/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[The Last Interred I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]> https://www.cizucu.com/en/photos/p4nmJi7ozAJ0V0pp0po0 Kitty Chirapongse https://www.cizucu.com/en/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/en/photos/p4nmJi7ozAJ0V0pp0po0 Mon, 06 Apr 2026 13:35:44 GMT 2026-04-06T13:35:44+09:00 https://cdn.cizucu.com/images/photos/p4nmJi7ozAJ0V0pp0po0.jpg?auto=compress,format <![CDATA[Title: Sea of Flowers Beneath The Lenticular Cloud Beneath a sky draped in soft hues and crowned by a rare lenticular cloud, Mount Fuji rises with quiet majesty above a vast sea of blooming flowers— a symbol of permanence amidst fleeting beauty. 柔らかな色合いに覆われ、珍しいレンズ雲を冠した空の下、広大な花の海の上に静かな威厳をもってそびえる富士山は、はかない美しさの中にある永続性の象徴です。 | Raku satsu]]> https://www.cizucu.com/en/photos/XJdVSwQV67tldwCD6wcw Raku satsu https://www.cizucu.com/en/raku https://www.cizucu.com/en/photos/XJdVSwQV67tldwCD6wcw Fri, 30 Jan 2026 01:25:53 GMT 2026-01-30T01:25:53+09:00 https://cdn.cizucu.com/images/photos/XJdVSwQV67tldwCD6wcw.jpg?auto=compress,format <![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly. The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm. This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]> https://www.cizucu.com/en/photos/wrp6m3nBJ201XnfheCWK Nishikantsnaps https://www.cizucu.com/en/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2 https://www.cizucu.com/en/photos/wrp6m3nBJ201XnfheCWK Fri, 13 Mar 2026 13:29:26 GMT 2026-03-13T13:29:26+09:00 https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format