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          <title><![CDATA[A piece of paper with text illuminated by orange light near a window | 上村窓]]></title>
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          <pubDate>Tue, 03 Oct 2023 10:04:03 GMT</pubDate>
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          <title><![CDATA[A wooden drawer containing neatly arranged fabric boxes in various colors and a small wooden box | まるう]]></title>
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          <pubDate>Tue, 27 Feb 2024 23:51:19 GMT</pubDate>
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          <title><![CDATA[輝くレモンティーに心奪われた瞬間    #fujifilm | 月うさぎ | Runa]]></title>
          <link>https://www.cizucu.com/en/photos/JaledGcwe1xMfHb35Q7O</link>
          <description><![CDATA[See more of 月うさぎ | Runa's photography on cizucu.]]></description>
          <author>
            <name>月うさぎ | Runa</name>
            <uri>https://www.cizucu.com/en/users/sFB5XyRyvEURKDVHyC0Bh2otcB23</uri>
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          <pubDate>Sat, 19 Apr 2025 22:56:56 GMT</pubDate>
          <atom:updated>2025-04-19T22:57:17+09:00</atom:updated>
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            <media:description><![CDATA[See more of 月うさぎ | Runa's photography on cizucu.]]></media:description>
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          <title><![CDATA[Sandwich with visible filling wrapped in purple bread | るる]]></title>
          <link>https://www.cizucu.com/en/photos/UN8AL9qMyialhixDE969</link>
          <description><![CDATA[Download this high-quality free Sandwich with visible filling wrapped in purple bread image by るる on cizucu.]]></description>
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            <name>るる</name>
            <uri>https://www.cizucu.com/en/ruru3030</uri>
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          <pubDate>Wed, 04 Dec 2024 14:53:21 GMT</pubDate>
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            <media:description><![CDATA[Download this high-quality free Sandwich with visible filling wrapped in purple bread image by るる on cizucu.]]></media:description>
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          <title><![CDATA[Rainbow watchers  📍兼六園 / 金沢 Kebrokuen / Kanazawa  I'm always lucky. This time, too, I saw a spectacular rainbow at Kenrokuen Garden.  Rainbows give me a sense of melancholy and excitement.  #kenrokuen #kanazawa #japan  #rainbow #naturephotography  #landscapephotography #streetphotography  #ignant #contemporaryart  #兼六園 #虹 #自然 #金沢 | Shimakou]]></title>
          <link>https://www.cizucu.com/en/photos/niYS2UyYKQIP1QLZgpMS</link>
          <description><![CDATA[Download this high-quality free Two people sitting on a bench under a rainbow overlooking a scenic landscape image by Shimakou on cizucu.]]></description>
          <author>
            <name>Shimakou</name>
            <uri>https://www.cizucu.com/en/kousukeshimasaki</uri>
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          <pubDate>Tue, 28 Mar 2023 09:21:12 GMT</pubDate>
          <atom:updated>2024-09-09T15:50:08+09:00</atom:updated>
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            <media:title><![CDATA[Rainbow watchers  📍兼六園 / 金沢 Kebrokuen / Kanazawa  I'm always lucky. This time, too, I saw a spectacular rainbow at Kenrokuen Garden.  Rainbows give me a sense of melancholy and excitement.  #kenrokuen #kanazawa #japan  #rainbow #naturephotography  #landscapephotography #streetphotography  #ignant #contemporaryart  #兼六園 #虹 #自然 #金沢 | Shimakou]]></media:title>
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            <media:description><![CDATA[Download this high-quality free Two people sitting on a bench under a rainbow overlooking a scenic landscape image by Shimakou on cizucu.]]></media:description>
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          <title><![CDATA[Two champagne glasses with sparkling contents and gold ornaments hanging above | kasa]]></title>
          <link>https://www.cizucu.com/en/photos/TxJWkpFG7vtUWH4YkDbU</link>
          <description><![CDATA[Download this high-quality free Two champagne glasses with sparkling contents and gold ornaments hanging above image by kasa on cizucu.]]></description>
          <author>
            <name>kasa</name>
            <uri>https://www.cizucu.com/en/kasa</uri>
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          <pubDate>Sat, 13 Jan 2024 19:51:06 GMT</pubDate>
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            <media:title><![CDATA[Two champagne glasses with sparkling contents and gold ornaments hanging above | kasa]]></media:title>
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            <media:description><![CDATA[Download this high-quality free Two champagne glasses with sparkling contents and gold ornaments hanging above image by kasa on cizucu.]]></media:description>
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          <title><![CDATA[A plate of fried croquettes with a cut piece showing the filling | くまもりこ]]></title>
          <link>https://www.cizucu.com/en/photos/UyEe1bT701ZVguFxmvDT</link>
          <description><![CDATA[Download this high-quality free A plate of fried croquettes with a cut piece showing the filling image by くまもりこ on cizucu.]]></description>
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            <name>くまもりこ</name>
            <uri>https://www.cizucu.com/en/users/TTTnLWjDLVeDxkeU9Y7qnzoa0GM2</uri>
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          <pubDate>Mon, 04 Mar 2024 16:14:15 GMT</pubDate>
          <atom:updated>2024-11-21T20:40:38+09:00</atom:updated>
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            <media:description><![CDATA[Download this high-quality free A plate of fried croquettes with a cut piece showing the filling image by くまもりこ on cizucu.]]></media:description>
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          <title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></title>
          <link>https://www.cizucu.com/en/photos/TNon9gQsrRUcEDkkbmvm</link>
          <description><![CDATA[See more of Brennan Chin (Visual Moments)'s photography on cizucu.]]></description>
          <author>
            <name>Brennan Chin (Visual Moments)</name>
            <uri>https://www.cizucu.com/en/users/4z7hnzu4eLWVA8srEIi98U62JHT2</uri>
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          <pubDate>Wed, 14 Jan 2026 03:41:32 GMT</pubDate>
          <atom:updated>2026-01-14T03:41:32+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></media:title>
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            <media:description><![CDATA[See more of Brennan Chin (Visual Moments)'s photography on cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken at The Bombay Samachar building during a photo walk with my friend, Senora. Having been on several photo walks earlier, I always aimed for perfect, symmetrical shots. However, on this day, at this instant, I let go and asked her to pose casually. We captured a photo that incorporated symmetry with a human touch of asymmetry. | Abhijit Dey]]></title>
          <link>https://www.cizucu.com/en/photos/ky7N7KQJjPoiSOJYPkZW</link>
          <description><![CDATA[See more of Abhijit Dey's photography on cizucu.]]></description>
          <author>
            <name>Abhijit Dey</name>
            <uri>https://www.cizucu.com/en/users/TPD0GRObOPSIHHvd4VARi6aVy0J2</uri>
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          <pubDate>Sat, 14 Mar 2026 19:20:51 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken at The Bombay Samachar building during a photo walk with my friend, Senora. Having been on several photo walks earlier, I always aimed for perfect, symmetrical shots. However, on this day, at this instant, I let go and asked her to pose casually. We captured a photo that incorporated symmetry with a human touch of asymmetry. | Abhijit Dey]]></media:title>
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            <media:description><![CDATA[See more of Abhijit Dey's photography on cizucu.]]></media:description>
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          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
          <link>https://www.cizucu.com/en/photos/9kCJljqc2Dn8wVHzN9lG</link>
          <description><![CDATA[See more of Anamika's photography on cizucu.]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/en/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[See more of Anamika's photography on cizucu.]]></media:description>
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          <title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></title>
          <link>https://www.cizucu.com/en/photos/bITb7ULYlXIwtideTst0</link>
          <description><![CDATA[See more of thebirdingdude's photography on cizucu.]]></description>
          <author>
            <name>thebirdingdude</name>
            <uri>https://www.cizucu.com/en/users/uumn11m9lkgtduPibPPUk24xETm2</uri>
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          <pubDate>Thu, 12 Mar 2026 22:48:04 GMT</pubDate>
          <atom:updated>2026-03-12T22:48:04+09:00</atom:updated>
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            <media:title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></media:title>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
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          <pubDate>Fri, 13 Mar 2026 13:43:41 GMT</pubDate>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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