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      <title>Grue Photos | Download Royalty-Free Images &amp; High-Resolution Pictures</title>
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      <description><![CDATA[Find the best 13 high-resolution Grue photos on cizucu. All are royalty-free, free to download, and perfect for any project no attribution required.]]></description>
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          <title><![CDATA[#snapshot | 朽蓮 kyu-ren]]></title>
          <link>https://www.cizucu.com/en/photos/NzQf7pLdRQehA8ZrjrMj</link>
          <description><![CDATA[Download this high-quality free Blue street sign for Rue Lucien Dalvé with stone arch and greenery image by 朽蓮 kyu-ren on cizucu.]]></description>
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            <name>朽蓮 kyu-ren</name>
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          <pubDate>Wed, 30 Oct 2024 09:53:58 GMT</pubDate>
          <atom:updated>2024-10-31T06:35:49+09:00</atom:updated>
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            <media:title><![CDATA[#snapshot | 朽蓮 kyu-ren]]></media:title>
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            <media:description><![CDATA[Download this high-quality free Blue street sign for Rue Lucien Dalvé with stone arch and greenery image by 朽蓮 kyu-ren on cizucu.]]></media:description>
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          <title><![CDATA[It’s true that age is just a number. Looking at how everyone is so immersed in making aeroplanes. | Anamika]]></title>
          <link>https://www.cizucu.com/en/photos/bPybMfGOraoLQ6woPGuU</link>
          <description><![CDATA[See more of Anamika's photography on cizucu.]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/en/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Sat, 14 Mar 2026 02:18:03 GMT</pubDate>
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            <media:title><![CDATA[It’s true that age is just a number. Looking at how everyone is so immersed in making aeroplanes. | Anamika]]></media:title>
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            <media:description><![CDATA[See more of Anamika's photography on cizucu.]]></media:description>
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          <title><![CDATA[Sigma BF 70-200mm F2.8 DG DN OS | Sports NiSi JetMag Pro Black Mist 1/4 NiSi JetMag Pro True Color CPL #Sigma #Sigmabf  リンクはInstagramです。 | NOMURA.REO]]></title>
          <link>https://www.cizucu.com/en/photos/eyQFJqJwNU27xWGasjcg</link>
          <description><![CDATA[See more of NOMURA.REO's photography on cizucu.]]></description>
          <author>
            <name>NOMURA.REO</name>
            <uri>https://www.cizucu.com/en/nomura</uri>
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          <pubDate>Thu, 19 Jun 2025 00:27:45 GMT</pubDate>
          <atom:updated>2025-06-19T00:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Sigma BF 70-200mm F2.8 DG DN OS | Sports NiSi JetMag Pro Black Mist 1/4 NiSi JetMag Pro True Color CPL #Sigma #Sigmabf  リンクはInstagramです。 | NOMURA.REO]]></media:title>
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            <media:description><![CDATA[See more of NOMURA.REO's photography on cizucu.]]></media:description>
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          <title><![CDATA[Sigma BF 70-200mm F2.8 DG DN OS | Sports NiSi JetMag Pro Black Mist 1/4 NiSi JetMag Pro True Color CPL #sigma #sigmabf   リンクはInstagramです。 | NOMURA.REO]]></title>
          <link>https://www.cizucu.com/en/photos/DxEF1M13Ous0OwmBJk1G</link>
          <description><![CDATA[See more of NOMURA.REO's photography on cizucu.]]></description>
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            <name>NOMURA.REO</name>
            <uri>https://www.cizucu.com/en/nomura</uri>
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          <pubDate>Thu, 19 Jun 2025 00:25:14 GMT</pubDate>
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            <media:description><![CDATA[See more of NOMURA.REO's photography on cizucu.]]></media:description>
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          <title><![CDATA[美術館は少し遠めから見るのがいい。  Sigma BF 85mm F1.4 DG DN | Art NiSi JetMag Pro True Color CPL  リンクはInstagramです。 | NOMURA.REO]]></title>
          <link>https://www.cizucu.com/en/photos/0WsCPtVvFXS61kttcYFB</link>
          <description><![CDATA[See more of NOMURA.REO's photography on cizucu.]]></description>
          <author>
            <name>NOMURA.REO</name>
            <uri>https://www.cizucu.com/en/nomura</uri>
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          <pubDate>Fri, 04 Jul 2025 17:14:41 GMT</pubDate>
          <atom:updated>2025-07-04T17:14:41+09:00</atom:updated>
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            <media:title><![CDATA[美術館は少し遠めから見るのがいい。  Sigma BF 85mm F1.4 DG DN | Art NiSi JetMag Pro True Color CPL  リンクはInstagramです。 | NOMURA.REO]]></media:title>
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            <media:description><![CDATA[See more of NOMURA.REO's photography on cizucu.]]></media:description>
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          <title><![CDATA[This film photograph was taken at Old Harry Rocks, Southern England. It captures the dramatic cliffs and the rhythmic motion of ocean waves, highlighting the abstract textures crafted by nature. The journey to this site was unforgettable, amidst this scene, I was reminded of the true beauty of our Earth—a moment of awe preserved on film. | Mjay Lai]]></title>
          <link>https://www.cizucu.com/en/photos/aKidRqEPkIosp1AvrtkM</link>
          <description><![CDATA[See more of Mjay Lai's photography on cizucu.]]></description>
          <author>
            <name>Mjay Lai</name>
            <uri>https://www.cizucu.com/en/users/TMYfRCInewSEepMcdRG8jAtvw6d2</uri>
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          <pubDate>Sun, 05 Apr 2026 07:34:45 GMT</pubDate>
          <atom:updated>2026-04-05T07:34:45+09:00</atom:updated>
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            <media:title><![CDATA[This film photograph was taken at Old Harry Rocks, Southern England. It captures the dramatic cliffs and the rhythmic motion of ocean waves, highlighting the abstract textures crafted by nature. The journey to this site was unforgettable, amidst this scene, I was reminded of the true beauty of our Earth—a moment of awe preserved on film. | Mjay Lai]]></media:title>
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            <media:description><![CDATA[See more of Mjay Lai's photography on cizucu.]]></media:description>
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          <title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></title>
          <link>https://www.cizucu.com/en/photos/JpBL1xNfUyJEXEAjQECk</link>
          <description><![CDATA[See more of Petratheactionsuperstar's photography on cizucu.]]></description>
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            <name>Petratheactionsuperstar</name>
            <uri>https://www.cizucu.com/en/users/cGhdI6z90hf12ObxDv2NMx2pUms2</uri>
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          <pubDate>Wed, 18 Mar 2026 04:11:12 GMT</pubDate>
          <atom:updated>2026-03-18T04:11:12+09:00</atom:updated>
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            <media:title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></media:title>
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            <media:description><![CDATA[See more of Petratheactionsuperstar's photography on cizucu.]]></media:description>
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          <title><![CDATA[It has always been my dream to see Sakura at night. My dream came true a few weeks ago. I hope the beauty I see is translated well through my photo. Please enjoy.   夜の桜を見ることは、長年の夢でした。数週間前、その夢が叶いました。この写真を通して、私の見た美しさが伝われば幸いです。どうぞご高覧ください。 | Rachel Sachs]]></title>
          <link>https://www.cizucu.com/en/photos/yFNxy8M9mUh6qN7E6k7W</link>
          <description><![CDATA[See more of Rachel Sachs's photography on cizucu.]]></description>
          <author>
            <name>Rachel Sachs</name>
            <uri>https://www.cizucu.com/en/users/8ei9eVRzkyYveVXkLixlMFmDSn22</uri>
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          <pubDate>Thu, 02 Apr 2026 00:10:57 GMT</pubDate>
          <atom:updated>2026-04-02T00:10:57+09:00</atom:updated>
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            <media:title><![CDATA[It has always been my dream to see Sakura at night. My dream came true a few weeks ago. I hope the beauty I see is translated well through my photo. Please enjoy.   夜の桜を見ることは、長年の夢でした。数週間前、その夢が叶いました。この写真を通して、私の見た美しさが伝われば幸いです。どうぞご高覧ください。 | Rachel Sachs]]></media:title>
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            <media:description><![CDATA[See more of Rachel Sachs's photography on cizucu.]]></media:description>
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          <title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></title>
          <link>https://www.cizucu.com/en/photos/O797H3ePbKxuqGDdvLjo</link>
          <description><![CDATA[See more of Anamika's photography on cizucu.]]></description>
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            <name>Anamika</name>
            <uri>https://www.cizucu.com/en/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Wed, 18 Feb 2026 11:16:35 GMT</pubDate>
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            <media:title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></media:title>
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          <title><![CDATA[Sometimes we find beauty in the outer landscapes, yet it is within our small singularities, in the everyday present of our lives and homes, that we discover the true breath of life. Nights have always enchanted me, they were my refuge for so long, with their silence, their absence, the feeling of belonging not to a place but to a moment in time. The fullness of simply being there, present, as shadows embrace the fragile cracks of light.  The theme "Uniquely you" carries this meaning, a rhythm of daily life where I found beauty, where I lingered for so long, and which speaks profoundly of who I am. Refuge, comfort, belonging, and the sense of wholeness even amid many absences. And in this photo, I felt complete, a singularity revealed between myself and life, in the feeling that comforts me most: solitude. | Rebecca Doracio]]></title>
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            <name>Rebecca Doracio</name>
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          <pubDate>Thu, 19 Feb 2026 05:23:57 GMT</pubDate>
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            <media:title><![CDATA[Sometimes we find beauty in the outer landscapes, yet it is within our small singularities, in the everyday present of our lives and homes, that we discover the true breath of life. Nights have always enchanted me, they were my refuge for so long, with their silence, their absence, the feeling of belonging not to a place but to a moment in time. The fullness of simply being there, present, as shadows embrace the fragile cracks of light.  The theme "Uniquely you" carries this meaning, a rhythm of daily life where I found beauty, where I lingered for so long, and which speaks profoundly of who I am. Refuge, comfort, belonging, and the sense of wholeness even amid many absences. And in this photo, I felt complete, a singularity revealed between myself and life, in the feeling that comforts me most: solitude. | Rebecca Doracio]]></media:title>
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          <title><![CDATA[[Let My Dreams Come True] (ノイズ除去無しバージョン)  US3 https://youtu.be/_DTJALsT8G8?si=YABHM1BKYjK69OOY   ここから向こうの扉まで７ｍといったところか  悪人Ａ君の未来はその扉の向こう側にある  さぁ、俺が１０数える間に未来を掴め  俺が引き金を引いて飛び出す弾丸との競争だ  準備はいいか、悪人Ａ君  １０　９　８　７　パンッ！！  お前１０秒といったよ・・な・・・  悪人に常識は使わないんだよ  どうだいレディ―、俺クールだった？  フフ  あっ！俺のワイン残しておいてよ（涙  #ポートレート #セルフポートレート  | me..]]></title>
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          <pubDate>Mon, 15 Jul 2024 07:57:49 GMT</pubDate>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
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            <name>John Hupa</name>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/en/photos/cI8eCjEr7pTX08wnzCdu</link>
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            <name>John Hupa</name>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
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