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      <title>Aride Photos | Download Royalty-Free Images &amp; High-Resolution Pictures</title>
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      <description><![CDATA[Find the best 15 high-resolution Aride photos on cizucu. All are royalty-free, free to download, and perfect for any project no attribution required.]]></description>
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          <title><![CDATA[Ride on dad | Yosuke0312]]></title>
          <link>https://www.cizucu.com/en/photos/ZXeLyjnGNUex2dcK0rP3</link>
          <description><![CDATA[Download this high-quality free Silhouette of a parent walking on the beach with a child against a sunset image by Yosuke0312 on cizucu.]]></description>
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            <name>Yosuke0312</name>
            <uri>https://www.cizucu.com/en/users/Wq6tVKsLfQM2RvL8nqY7YJQCtX12</uri>
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          <pubDate>Fri, 04 Apr 2025 21:19:51 GMT</pubDate>
          <atom:updated>2025-04-16T11:42:31+09:00</atom:updated>
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          <title><![CDATA[Dry landscape with rugged terrain and blue sky | AK]]></title>
          <link>https://www.cizucu.com/en/photos/1JVos7ed42fVBexx1p0L</link>
          <description><![CDATA[Download this high-quality free Dry landscape with rugged terrain and blue sky image by AK on cizucu.]]></description>
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          <pubDate>Tue, 30 Jan 2024 11:54:22 GMT</pubDate>
          <atom:updated>2024-11-24T07:47:32+09:00</atom:updated>
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          <title><![CDATA[Illustration of a lion representing The Pride of Broadway | きりーな]]></title>
          <link>https://www.cizucu.com/en/photos/JFnK2yt599QSkFUV8iLF</link>
          <description><![CDATA[Download this high-quality free Illustration of a lion representing The Pride of Broadway image by きりーな on cizucu.]]></description>
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            <name>きりーな</name>
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          <pubDate>Tue, 20 Feb 2024 15:18:41 GMT</pubDate>
          <atom:updated>2024-02-20T15:18:44+09:00</atom:updated>
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            <media:title><![CDATA[Illustration of a lion representing The Pride of Broadway | きりーな]]></media:title>
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          <title><![CDATA[JAPAN PRIDE | Yosuke0312]]></title>
          <link>https://www.cizucu.com/en/photos/fahfr21luiuVw3PvQBte</link>
          <description><![CDATA[See more of Yosuke0312's photography on cizucu.]]></description>
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            <name>Yosuke0312</name>
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          <pubDate>Sat, 24 Jan 2026 22:59:54 GMT</pubDate>
          <atom:updated>2026-01-24T22:59:54+09:00</atom:updated>
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            <media:description><![CDATA[See more of Yosuke0312's photography on cizucu.]]></media:description>
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          <title><![CDATA[Ride by | Sitti J]]></title>
          <link>https://www.cizucu.com/en/photos/blEIcK2F86MNLDgiewIa</link>
          <description><![CDATA[See more of Sitti J's photography on cizucu.]]></description>
          <author>
            <name>Sitti J</name>
            <uri>https://www.cizucu.com/en/sitti</uri>
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          <pubDate>Sat, 18 Oct 2025 20:21:39 GMT</pubDate>
          <atom:updated>2025-10-18T20:21:39+09:00</atom:updated>
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            <media:title><![CDATA[Ride by | Sitti J]]></media:title>
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            <media:description><![CDATA[See more of Sitti J's photography on cizucu.]]></media:description>
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          <title><![CDATA[Hopping on a ride.  | Big_Dins_Photos]]></title>
          <link>https://www.cizucu.com/en/photos/Q8jQ2Af229GsYRZ73gKX</link>
          <description><![CDATA[See more of Big_Dins_Photos's photography on cizucu.]]></description>
          <author>
            <name>Big_Dins_Photos</name>
            <uri>https://www.cizucu.com/en/users/gJbHvWrvqbed5w1B2kcf9iwiKCB3</uri>
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          <pubDate>Thu, 22 Jan 2026 00:35:11 GMT</pubDate>
          <atom:updated>2026-01-22T00:35:11+09:00</atom:updated>
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            <media:title><![CDATA[Hopping on a ride.  | Big_Dins_Photos]]></media:title>
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            <media:description><![CDATA[See more of Big_Dins_Photos's photography on cizucu.]]></media:description>
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          <title><![CDATA[Last ride before night / enjoying the last lights  | Pikanchor]]></title>
          <link>https://www.cizucu.com/en/photos/t6do7ks28F7vCaFZehvY</link>
          <description><![CDATA[See more of Pikanchor's photography on cizucu.]]></description>
          <author>
            <name>Pikanchor</name>
            <uri>https://www.cizucu.com/en/users/BGZ8WhAoOLbR8IbStD2ON5jI9wo1</uri>
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          <pubDate>Tue, 31 Mar 2026 16:30:00 GMT</pubDate>
          <atom:updated>2026-03-31T16:30:00+09:00</atom:updated>
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            <media:title><![CDATA[Last ride before night / enjoying the last lights  | Pikanchor]]></media:title>
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            <media:description><![CDATA[See more of Pikanchor's photography on cizucu.]]></media:description>
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          <title><![CDATA[( ride into the sun )  Olympus 35 DC ILFORD PAN 400 | uni.z3]]></title>
          <link>https://www.cizucu.com/en/photos/cC7HQoX4m8bs7f5HzkVd</link>
          <description><![CDATA[See more of uni.z3's photography on cizucu.]]></description>
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            <name>uni.z3</name>
            <uri>https://www.cizucu.com/en/uniz3</uri>
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          <pubDate>Thu, 26 Mar 2026 20:11:53 GMT</pubDate>
          <atom:updated>2026-03-26T20:11:53+09:00</atom:updated>
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            <media:title><![CDATA[( ride into the sun )  Olympus 35 DC ILFORD PAN 400 | uni.z3]]></media:title>
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          <title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></title>
          <link>https://www.cizucu.com/en/photos/fKjDjBEVTpOETCfW4SAz</link>
          <description><![CDATA[See more of beanuptosomething's photography on cizucu.]]></description>
          <author>
            <name>beanuptosomething</name>
            <uri>https://www.cizucu.com/en/users/yNaVBlQLbLayxpnViBhjAvASoMo1</uri>
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          <pubDate>Sat, 17 Jan 2026 00:37:10 GMT</pubDate>
          <atom:updated>2026-01-17T00:37:10+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in Yunnan at a place called Lugu Lake. It's home to the Mosuo, an ethnic matriarchal tribe.  The subject is a Mosuo boat rower enjoying a smoke while waiting for his next ride. Each boat ride is physically demanding, as the boats are hand-rowed and the total distance spans just over a kilometer. To prevent exhaustion, each rower is limited to 6 trips a week and all proceeds are pooled into the village's communal fund to be distributed equally. | beanuptosomething]]></media:title>
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          <title><![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun.   I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]></title>
          <link>https://www.cizucu.com/en/photos/WzdwId8Hycik6J0VwAQS</link>
          <description><![CDATA[See more of _jotriessomething's photography on cizucu.]]></description>
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            <name>_jotriessomething</name>
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          <pubDate>Sat, 21 Mar 2026 16:36:00 GMT</pubDate>
          <atom:updated>2026-03-21T16:36:00+09:00</atom:updated>
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            <media:title><![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun.   I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]></media:title>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
          <link>https://www.cizucu.com/en/photos/mXCKJcjBdjZJvYzybHbi</link>
          <description><![CDATA[See more of Wee's photography on cizucu.]]></description>
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            <name>Wee</name>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-02-22T16:57:32+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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          <title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></title>
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          <description><![CDATA[See more of Danish Yaqin's photography on cizucu.]]></description>
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            <name>Danish Yaqin</name>
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          <pubDate>Thu, 15 Jan 2026 17:03:51 GMT</pubDate>
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            <media:description><![CDATA[See more of Danish Yaqin's photography on cizucu.]]></media:description>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
          <link>https://www.cizucu.com/en/photos/NyOeA5jkS61gAiFAZGZE</link>
          <description><![CDATA[See more of Shikhar Bafna's photography on cizucu.]]></description>
          <author>
            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/en/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
          <atom:updated>2026-03-15T02:16:04+09:00</atom:updated>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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            <media:description><![CDATA[See more of Shikhar Bafna's photography on cizucu.]]></media:description>
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          <title><![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]></title>
          <link>https://www.cizucu.com/en/photos/sOoasdotjJpjFnWuEqRS</link>
          <description><![CDATA[See more of Kareem Berjaoui's photography on cizucu.]]></description>
          <author>
            <name>Kareem Berjaoui</name>
            <uri>https://www.cizucu.com/en/users/0fsUXs83nuesmcNc2p8jL7bOmD02</uri>
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          <pubDate>Mon, 09 Feb 2026 19:31:18 GMT</pubDate>
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            <media:title><![CDATA[This photograph marks the first friendship I made on my first trip to Japan. This is Ujiie Yoshihiro, owner of Black Sun Jazz Club in Kabukicho, Shinjuku. On my first evening in Shinjuku, I stumbled into his bar by chance. From our very first interaction, it became my local—somewhere I returned to every day. I took his portrait that first night, and it meant so much to him that when I returned to Japan, I made a second portrait. This image will always remind me of the warmth and kindness I experienced in a place I knew nothing about, completely on my own. I always admired Hiro’s pride in his work and the camaraderie he created around him. Hiro, as he likes to be called, welcomed me in on my first night and unknowingly gave me a place to belong. His warmth and kindness, turned a chance encounter into a lasting reason to return. | Kareem Berjaoui]]></media:title>
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            <media:description><![CDATA[See more of Kareem Berjaoui's photography on cizucu.]]></media:description>
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          <title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></title>
          <link>https://www.cizucu.com/en/photos/SaattyEITUWZ19MyOfcT</link>
          <description><![CDATA[See more of Shetty Karthik's photography on cizucu.]]></description>
          <author>
            <name>Shetty Karthik</name>
            <uri>https://www.cizucu.com/en/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232</uri>
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          <pubDate>Tue, 24 Feb 2026 18:17:48 GMT</pubDate>
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            <media:title><![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words.  Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come.  The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life.  Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]></media:title>
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