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      <title>Am Photos | Download Royalty-Free Images &amp; High-Resolution Pictures</title>
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          <title><![CDATA[時計は無言で語る、その時を  ＃原爆　＃長崎　＃時計　＃時刻　＃瞬間　＃記念館　＃戦争　＃悲しい   | Morinaga Akira]]></title>
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          <description><![CDATA[Download this high-quality free A clock displayed in a museum showing 11:02 am image by Morinaga Akira on cizucu.]]></description>
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          <pubDate>Tue, 26 Mar 2024 09:06:06 GMT</pubDate>
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          <title><![CDATA[Silver radio displaying FM and AM frequencies | TATSU]]></title>
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          <pubDate>Sun, 09 Jun 2024 16:36:12 GMT</pubDate>
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          <title><![CDATA[August 6, 1945 8:15 AM | Yosuke0312]]></title>
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          <description><![CDATA[Download this high-quality free Hiroshima Peace Memorial, historic ruin, cloudy sky, surrounding greenery, damaged structure image by Yosuke0312 on cizucu.]]></description>
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          <pubDate>Sat, 29 Mar 2025 19:29:33 GMT</pubDate>
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          <title><![CDATA[YES！I am hungry！ energy charge！ | まえぽー]]></title>
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          <description><![CDATA[Download this high-quality free Large bowl of ramen topped with slices of pork and vegetables image by まえぽー on cizucu.]]></description>
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          <pubDate>Mon, 29 Jan 2024 08:56:28 GMT</pubDate>
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          <title><![CDATA[Display of a clock showing the time 11:02 am | Morinaga Akira]]></title>
          <link>https://www.cizucu.com/en/photos/T8785MAWxTqbjSxvs6tS</link>
          <description><![CDATA[Download this high-quality free Display of a clock showing the time 11:02 am image by Morinaga Akira on cizucu.]]></description>
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            <name>Morinaga Akira</name>
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          <pubDate>Sun, 03 Mar 2024 13:21:41 GMT</pubDate>
          <atom:updated>2024-11-22T02:35:43+09:00</atom:updated>
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          <title><![CDATA[10:00 AM | yukino]]></title>
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          <description><![CDATA[See more of yukino's photography on cizucu.]]></description>
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          <pubDate>Thu, 17 Apr 2025 18:38:39 GMT</pubDate>
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          <title><![CDATA[Where am I Running?  RICOH GR3X | jelly white]]></title>
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          <description><![CDATA[See more of jelly white's photography on cizucu.]]></description>
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            <name>jelly white</name>
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          <pubDate>Wed, 04 Mar 2026 14:18:38 GMT</pubDate>
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            <media:title><![CDATA[Where am I Running?  RICOH GR3X | jelly white]]></media:title>
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          <title><![CDATA[Simple man enjoying the ocean breeze by a rocky wall.   I am learning to implement adding more in the foreground to give context. I am experimenting with having the foreground blurry instead of the typical background blur. I had an interesting experience and loads of fun. | Danial Reizmy]]></title>
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          <description><![CDATA[See more of Danial Reizmy's photography on cizucu.]]></description>
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            <name>Danial Reizmy</name>
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          <pubDate>Mon, 19 Jan 2026 00:42:26 GMT</pubDate>
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          <title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></title>
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          <description><![CDATA[Download this high-quality free Mannequins standing outdoors near a modern building in black and white tones image by つばさ製作所 on cizucu.]]></description>
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          <pubDate>Thu, 08 Aug 2024 22:19:29 GMT</pubDate>
          <atom:updated>2024-08-09T17:10:33+09:00</atom:updated>
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            <media:title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></media:title>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in morning 5:30 am and shot is taken at dusk in Mumbai, India. | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/en/photos/iOerMj75ehHjCHzlXqMM</link>
          <description><![CDATA[See more of Jeet Khagram's photography on cizucu.]]></description>
          <author>
            <name>Jeet Khagram</name>
            <uri>https://www.cizucu.com/en/users/2A1GVfWLq0hWlRz0FQnWSeK88I12</uri>
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          <pubDate>Fri, 13 Mar 2026 20:00:07 GMT</pubDate>
          <atom:updated>2026-03-13T20:00:07+09:00</atom:updated>
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            <media:description><![CDATA[See more of Jeet Khagram's photography on cizucu.]]></media:description>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in Morning 5:30 am and shot is taken at dusk in Mumbai, India | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/en/photos/eMTgUvcqtliN8W4NlLnm</link>
          <description><![CDATA[See more of Jeet Khagram's photography on cizucu.]]></description>
          <author>
            <name>Jeet Khagram</name>
            <uri>https://www.cizucu.com/en/users/2A1GVfWLq0hWlRz0FQnWSeK88I12</uri>
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          <pubDate>Fri, 13 Mar 2026 20:04:01 GMT</pubDate>
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            <media:description><![CDATA[See more of Jeet Khagram's photography on cizucu.]]></media:description>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
          <link>https://www.cizucu.com/en/photos/AT0547TetpyjwEl35ryF</link>
          <description><![CDATA[See more of Franco Volpi's photography on cizucu.]]></description>
          <author>
            <name>Franco Volpi</name>
            <uri>https://www.cizucu.com/en/users/koYtNqNSKaZsk6JSlEAEA3jrODf2</uri>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
          <atom:updated>2026-03-31T02:52:38+09:00</atom:updated>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
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            <media:description><![CDATA[See more of Franco Volpi's photography on cizucu.]]></media:description>
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          <title><![CDATA[At 7 am, on a boat approaching Pulau Ubin, the rising sun casts a near-perfect golden light across the water. The glow falls directly onto a man’s face, forcing him to raise his hand to shield his eyes. In that fleeting gesture, his expression turns quietly melancholic, as if caught between discomfort and reflection. | Njnonis]]></title>
          <link>https://www.cizucu.com/en/photos/PvnKDAsI8qaHedrBv5ZU</link>
          <description><![CDATA[See more of Njnonis's photography on cizucu.]]></description>
          <author>
            <name>Njnonis</name>
            <uri>https://www.cizucu.com/en/users/EnGgNdwxw9f0BUhJ38BDsNVjCEl2</uri>
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          <pubDate>Sat, 21 Mar 2026 00:19:07 GMT</pubDate>
          <atom:updated>2026-03-21T00:19:07+09:00</atom:updated>
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            <media:title><![CDATA[At 7 am, on a boat approaching Pulau Ubin, the rising sun casts a near-perfect golden light across the water. The glow falls directly onto a man’s face, forcing him to raise his hand to shield his eyes. In that fleeting gesture, his expression turns quietly melancholic, as if caught between discomfort and reflection. | Njnonis]]></media:title>
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            <media:description><![CDATA[See more of Njnonis's photography on cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/en/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[See more of Lousycameraman's photography on cizucu.]]></description>
          <author>
            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/en/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
          <atom:updated>2026-01-20T16:30:45+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[See more of Lousycameraman's photography on cizucu.]]></media:description>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
          <link>https://www.cizucu.com/en/photos/Zj6P1fgkM9oPCMFAGuev</link>
          <description><![CDATA[See more of Adisatrya Johari's photography on cizucu.]]></description>
          <author>
            <name>Adisatrya Johari</name>
            <uri>https://www.cizucu.com/en/adisatryajohari</uri>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
          <atom:updated>2026-03-16T13:12:44+09:00</atom:updated>
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            <media:title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></media:title>
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            <media:description><![CDATA[See more of Adisatrya Johari's photography on cizucu.]]></media:description>
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          <title><![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]></title>
          <link>https://www.cizucu.com/en/photos/Z0hY2Gi2z60hWW1ApyKb</link>
          <description><![CDATA[See more of Nic Harris's photography on cizucu.]]></description>
          <author>
            <name>Nic Harris</name>
            <uri>https://www.cizucu.com/en/users/Jn1OiKohyBeljT9LRxsrenDFUK93</uri>
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          <pubDate>Sat, 21 Mar 2026 01:03:25 GMT</pubDate>
          <atom:updated>2026-03-21T01:03:25+09:00</atom:updated>
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            <media:title><![CDATA[This came from the idea of reminiscing on your life. I was looking at these flowers in a state of death but not yet dead. I am posing the idea that they could look back on their lives, yearning to be in the greenhouses they grew in or indulging to be moving from the literal and metaphorical vessel's that they are contained in. | Nic Harris]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Z0hY2Gi2z60hWW1ApyKb.jpg?fm=jpg" type="image/jpeg" width="4908" height="6940" />
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            <media:description><![CDATA[See more of Nic Harris's photography on cizucu.]]></media:description>
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          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
          <link>https://www.cizucu.com/en/photos/9kCJljqc2Dn8wVHzN9lG</link>
          <description><![CDATA[See more of Anamika's photography on cizucu.]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/en/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/en/photos/9kCJljqc2Dn8wVHzN9lG</guid>
          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
          <atom:updated>2026-03-14T01:57:30+09:00</atom:updated>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[See more of Anamika's photography on cizucu.]]></media:description>
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          <title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></title>
          <link>https://www.cizucu.com/en/photos/qP7OA9AsJIst197jfDw4</link>
          <description><![CDATA[See more of camphra's photography on cizucu.]]></description>
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            <name>camphra</name>
            <uri>https://www.cizucu.com/en/users/ynl2XtaUDrV1gJOMs7gskXpLV5w2</uri>
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          <pubDate>Sat, 25 Oct 2025 18:47:41 GMT</pubDate>
          <atom:updated>2025-10-25T18:47:41+09:00</atom:updated>
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            <media:title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></media:title>
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            <media:description><![CDATA[See more of camphra's photography on cizucu.]]></media:description>
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          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/en/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[See more of Kentledger's photography on cizucu.]]></description>
          <author>
            <name>Kentledger</name>
            <uri>https://www.cizucu.com/en/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/en/photos/PX9Bj4iUmBnjDhCqkLVD</guid>
          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
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            <media:description><![CDATA[See more of Kentledger's photography on cizucu.]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/en/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[See more of Lee Mia's photography on cizucu.]]></description>
          <author>
            <name>Lee Mia</name>
            <uri>https://www.cizucu.com/en/users/MknbfnePALYkgmaciy5ZWKr2Hi22</uri>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
          <atom:updated>2026-01-11T20:20:38+09:00</atom:updated>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[See more of Lee Mia's photography on cizucu.]]></media:description>
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