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      <title>Am Photos | Download Royalty-Free Images &amp; High-Resolution Pictures</title>
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          <title><![CDATA[時計は無言で語る、その時を  ＃原爆　＃長崎　＃時計　＃時刻　＃瞬間　＃記念館　＃戦争　＃悲しい   | Morinaga Akira]]></title>
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          <description><![CDATA[Download this high-quality free A clock displayed in a museum showing 11:02 am image by Morinaga Akira on cizucu.]]></description>
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          <pubDate>Tue, 26 Mar 2024 09:06:06 GMT</pubDate>
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          <title><![CDATA[Silver radio displaying FM and AM frequencies | TATSU]]></title>
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          <pubDate>Sun, 09 Jun 2024 16:36:12 GMT</pubDate>
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          <title><![CDATA[August 6, 1945 8:15 AM | Yosuke0312]]></title>
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          <description><![CDATA[Download this high-quality free Hiroshima Peace Memorial, historic ruin, cloudy sky, surrounding greenery, damaged structure image by Yosuke0312 on cizucu.]]></description>
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          <pubDate>Sat, 29 Mar 2025 19:29:33 GMT</pubDate>
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          <title><![CDATA[YES！I am hungry！ energy charge！ | まえぽー]]></title>
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          <description><![CDATA[Download this high-quality free Large bowl of ramen topped with slices of pork and vegetables image by まえぽー on cizucu.]]></description>
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          <pubDate>Mon, 29 Jan 2024 08:56:28 GMT</pubDate>
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          <title><![CDATA[Display of a clock showing the time 11:02 am | Morinaga Akira]]></title>
          <link>https://www.cizucu.com/en/photos/T8785MAWxTqbjSxvs6tS</link>
          <description><![CDATA[Download this high-quality free Display of a clock showing the time 11:02 am image by Morinaga Akira on cizucu.]]></description>
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            <name>Morinaga Akira</name>
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          <pubDate>Sun, 03 Mar 2024 13:21:41 GMT</pubDate>
          <atom:updated>2024-11-22T02:35:43+09:00</atom:updated>
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          <title><![CDATA[10:00 AM | yukino]]></title>
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          <description><![CDATA[See more of yukino's photography on cizucu.]]></description>
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          <pubDate>Thu, 17 Apr 2025 18:38:39 GMT</pubDate>
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          <title><![CDATA[Where am I Running?  RICOH GR3X | jelly white]]></title>
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          <description><![CDATA[See more of jelly white's photography on cizucu.]]></description>
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            <name>jelly white</name>
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          <pubDate>Wed, 04 Mar 2026 14:18:38 GMT</pubDate>
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            <media:title><![CDATA[Where am I Running?  RICOH GR3X | jelly white]]></media:title>
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          <title><![CDATA[Simple man enjoying the ocean breeze by a rocky wall.   I am learning to implement adding more in the foreground to give context. I am experimenting with having the foreground blurry instead of the typical background blur. I had an interesting experience and loads of fun. | Danial Reizmy]]></title>
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          <description><![CDATA[See more of Danial Reizmy's photography on cizucu.]]></description>
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            <name>Danial Reizmy</name>
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          <pubDate>Mon, 19 Jan 2026 00:42:26 GMT</pubDate>
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          <title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></title>
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          <description><![CDATA[Download this high-quality free Mannequins standing outdoors near a modern building in black and white tones image by つばさ製作所 on cizucu.]]></description>
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            <name>つばさ製作所</name>
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          <pubDate>Thu, 08 Aug 2024 22:19:29 GMT</pubDate>
          <atom:updated>2024-08-09T17:10:33+09:00</atom:updated>
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            <media:title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></media:title>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in morning 5:30 am and shot is taken at dusk in Mumbai, India. | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/en/photos/iOerMj75ehHjCHzlXqMM</link>
          <description><![CDATA[See more of Jeet Khagram's photography on cizucu.]]></description>
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            <name>Jeet Khagram</name>
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          <pubDate>Fri, 13 Mar 2026 20:00:07 GMT</pubDate>
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          <title><![CDATA[One of the great modern Mumbai's architecture the Bandra Worli sea link is quite a breathtaking view, joining two hubs of the greater Mumbai. Traveled to capture the beauty of bridge in Morning 5:30 am and shot is taken at dusk in Mumbai, India | Jeet Khagram]]></title>
          <link>https://www.cizucu.com/en/photos/eMTgUvcqtliN8W4NlLnm</link>
          <description><![CDATA[See more of Jeet Khagram's photography on cizucu.]]></description>
          <author>
            <name>Jeet Khagram</name>
            <uri>https://www.cizucu.com/en/users/2A1GVfWLq0hWlRz0FQnWSeK88I12</uri>
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          <pubDate>Fri, 13 Mar 2026 20:04:01 GMT</pubDate>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
          <link>https://www.cizucu.com/en/photos/AT0547TetpyjwEl35ryF</link>
          <description><![CDATA[See more of Franco Volpi's photography on cizucu.]]></description>
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            <name>Franco Volpi</name>
            <uri>https://www.cizucu.com/en/users/koYtNqNSKaZsk6JSlEAEA3jrODf2</uri>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
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            <media:description><![CDATA[See more of Franco Volpi's photography on cizucu.]]></media:description>
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          <title><![CDATA[At 7 am, on a boat approaching Pulau Ubin, the rising sun casts a near-perfect golden light across the water. The glow falls directly onto a man’s face, forcing him to raise his hand to shield his eyes. In that fleeting gesture, his expression turns quietly melancholic, as if caught between discomfort and reflection. | Njnonis]]></title>
          <link>https://www.cizucu.com/en/photos/PvnKDAsI8qaHedrBv5ZU</link>
          <description><![CDATA[See more of Njnonis's photography on cizucu.]]></description>
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            <name>Njnonis</name>
            <uri>https://www.cizucu.com/en/users/EnGgNdwxw9f0BUhJ38BDsNVjCEl2</uri>
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          <pubDate>Sat, 21 Mar 2026 00:19:07 GMT</pubDate>
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            <media:description><![CDATA[See more of Njnonis's photography on cizucu.]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/en/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[See more of Lousycameraman's photography on cizucu.]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/en/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[See more of Lousycameraman's photography on cizucu.]]></media:description>
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          <title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></title>
          <link>https://www.cizucu.com/en/photos/Zj6P1fgkM9oPCMFAGuev</link>
          <description><![CDATA[See more of Adisatrya Johari's photography on cizucu.]]></description>
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            <name>Adisatrya Johari</name>
            <uri>https://www.cizucu.com/en/adisatryajohari</uri>
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          <pubDate>Mon, 16 Mar 2026 13:12:44 GMT</pubDate>
          <atom:updated>2026-03-16T13:12:44+09:00</atom:updated>
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            <media:title><![CDATA[A shoreline moment where proximity and distance coexist.  I am drawn to the subtle tension between togetherness and solitude. My work often returns to everyday scenes where human presence feels both connected and isolated within the same frame.  Moving forward, I hope to continue exploring how minimal gestures and simple compositions can reveal deeper emotional tensions within everyday life. | Adisatrya Johari]]></media:title>
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            <media:description><![CDATA[See more of Adisatrya Johari's photography on cizucu.]]></media:description>
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          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
          <link>https://www.cizucu.com/en/photos/9kCJljqc2Dn8wVHzN9lG</link>
          <description><![CDATA[See more of Anamika's photography on cizucu.]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/en/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
          <atom:updated>2026-03-14T01:57:30+09:00</atom:updated>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
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            <media:description><![CDATA[See more of Anamika's photography on cizucu.]]></media:description>
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          <title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></title>
          <link>https://www.cizucu.com/en/photos/qP7OA9AsJIst197jfDw4</link>
          <description><![CDATA[See more of camphra's photography on cizucu.]]></description>
          <author>
            <name>camphra</name>
            <uri>https://www.cizucu.com/en/users/ynl2XtaUDrV1gJOMs7gskXpLV5w2</uri>
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          <pubDate>Sat, 25 Oct 2025 18:47:41 GMT</pubDate>
          <atom:updated>2025-10-25T18:47:41+09:00</atom:updated>
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            <media:title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></media:title>
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            <media:description><![CDATA[See more of camphra's photography on cizucu.]]></media:description>
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          <title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></title>
          <link>https://www.cizucu.com/en/photos/PX9Bj4iUmBnjDhCqkLVD</link>
          <description><![CDATA[See more of Kentledger's photography on cizucu.]]></description>
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            <name>Kentledger</name>
            <uri>https://www.cizucu.com/en/users/VAX9ZsNxAsUqISCWDLI5s5TwTWp2</uri>
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          <pubDate>Mon, 06 Apr 2026 07:52:56 GMT</pubDate>
          <atom:updated>2026-04-06T07:52:56+09:00</atom:updated>
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            <media:title><![CDATA[This piece came from a time where I did not really know who I was or where my life was going. I felt very isolated and I was dealing with a lot. During a night out I booked a solo trip to Berlin. I had never been on a plane or abroad on my own. My first night there was cold and I could not sleep so I decided to get my camera out and take some photos to pass the time. A car sped through a set of traffic lights and this is the image that was created. It gave me a sense of clarity within my life and the trip as a whole helped me move forward and moulded me. I look back on this image often when I am feeling rudderless or that I am not achieving personal goals.  Although this is not a fond memory it is one that has gained a positive meaning over time. | Kentledger]]></media:title>
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            <media:description><![CDATA[See more of Kentledger's photography on cizucu.]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/en/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[See more of Lee Mia's photography on cizucu.]]></description>
          <author>
            <name>Lee Mia</name>
            <uri>https://www.cizucu.com/en/users/MknbfnePALYkgmaciy5ZWKr2Hi22</uri>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
          <atom:updated>2026-01-11T20:20:38+09:00</atom:updated>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[See more of Lee Mia's photography on cizucu.]]></media:description>
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          <title><![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it.  Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]></title>
          <link>https://www.cizucu.com/en/photos/EKKQ5MTzVzOirTLL0gk0</link>
          <description><![CDATA[See more of enzos.fotography's photography on cizucu.]]></description>
          <author>
            <name>enzos.fotography</name>
            <uri>https://www.cizucu.com/en/users/vQqlrmDO12aAZj6YfRZtkRgZ3FO2</uri>
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          <pubDate>Fri, 20 Feb 2026 12:33:31 GMT</pubDate>
          <atom:updated>2026-02-20T12:33:31+09:00</atom:updated>
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            <media:title><![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it.  Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]></media:title>
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            <media:description><![CDATA[See more of enzos.fotography's photography on cizucu.]]></media:description>
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