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          <title><![CDATA[#カメラ #レンズ #大判カメラ #4x5 | mar00ram]]></title>
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          <description><![CDATA[Download a free, high-quality image of large format camera on a tripod in an outdoor nature setting by mar00ram on cizucu.]]></description>
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          <title><![CDATA[錦繍の称名滝  #称名滝 #錦繍 #立山 #富山 #中部山岳国立公園  | takigawa_kris_s]]></title>
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          <description><![CDATA[Download a free, high-quality image of Togetsu Falls stream with a riverside walkway amid autumn foliage by takigawa_kris_s on cizucu.]]></description>
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          <title><![CDATA[不安定ながらも　なんとか働いていた 自分と同世代の中判フィルムカメラ  突然ミラーが戻らなくなってしまった… 「おい兄弟！　必ず治してやるからな」 どこが悪い？　ここか？　どうだ？ と　語りかけながら修理に臨む秋の夜長   #オールドカメラ #修理 #機械仕掛け #ゼンザブロニカC  | mar00ram]]></title>
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          <description><![CDATA[Download a free, high-quality image of Zenza Bronica C medium-format film camera internals with densely packed mechanical parts by mar00ram on cizucu.]]></description>
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          <pubDate>Sat, 11 Oct 2025 23:02:46 GMT</pubDate>
          <atom:updated>2026-01-18T03:12:36+09:00</atom:updated>
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          <title><![CDATA[mossy stream and rocky flow through a forest ravine | メイとン]]></title>
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          <description><![CDATA[Download a free, high-quality image of mossy stream and rocky flow through a forest ravine by メイとン on cizucu.]]></description>
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          <pubDate>Thu, 11 Jul 2024 11:23:36 GMT</pubDate>
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          <title><![CDATA[＃ゴビ砂漠のラクダ | to333mm]]></title>
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          <description><![CDATA[Download a free, high-quality image of Gobi Desert camels standing in a sandy fenced enclosure by to333mm on cizucu.]]></description>
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          <pubDate>Tue, 17 Dec 2024 15:28:58 GMT</pubDate>
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          <title><![CDATA[#飴 #フルーツ飴 #出店 #可愛い #食べたい | saciiiko]]></title>
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          <description><![CDATA[Download a free, high-quality image of fruit candy cups at a street stall with price sign by saciiiko on cizucu.]]></description>
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          <pubDate>Sat, 22 Jun 2024 20:04:48 GMT</pubDate>
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            <media:description><![CDATA[Download a free, high-quality image of fruit candy cups at a street stall with price sign by saciiiko on cizucu.]]></media:description>
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          <title><![CDATA[渦の中でにゃん。  オールドレンズの癖を中判センサーでさらに強調。  にゃんダブルなBokeh  #中判 #GFX50S #オールドレンズ  #猫 | 好 | Kodai Yamashita]]></title>
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          <description><![CDATA[Download a free, high-quality image of side view of a black-and-white cat among plants by 好 | Kodai Yamashita on cizucu.]]></description>
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            <name>好 | Kodai Yamashita</name>
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          <pubDate>Tue, 10 Sep 2024 20:05:41 GMT</pubDate>
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          <title><![CDATA[#カメラ #レンズ #大判カメラ #4x5 #新緑 | mar00ram]]></title>
          <link>https://www.cizucu.com/en/photos/ZXSaRqwFYPFRfBYn3UIe</link>
          <description><![CDATA[Download a free, high-quality image of Large format camera against lush green forest by mar00ram on cizucu.]]></description>
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          <pubDate>Fri, 09 May 2025 21:04:04 GMT</pubDate>
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          <title><![CDATA[卵を水に沈める  綺麗に形の揃った卵を、不揃いに沈めて沸かす。出来上がりまでの間、ついでに撮って撮影。  中判デジタルだから、、とついつい肩に力が入ってしまうけど、こんな日常も写していいよねと思わせてくれた。  #中判 #GFX50S #オールドレンズ | 好 | Kodai Yamashita]]></title>
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          <description><![CDATA[Download a free, high-quality image of eggs submerged in water with visible steam during cooking by 好 | Kodai Yamashita on cizucu.]]></description>
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            <name>好 | Kodai Yamashita</name>
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          <pubDate>Wed, 11 Sep 2024 12:53:55 GMT</pubDate>
          <atom:updated>2026-01-21T05:20:07+09:00</atom:updated>
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          <title><![CDATA[部屋で落とした光を拾う  何を撮るか、光を撮ろう。 部屋にもいくつか落ちてた気がする。  それを拾ってシャッター切る。 中盤センサーで切り取りSDカードに閉じ込める。  その一瞬がささやかな幸せだ。  #GFX50S #中判 #オールドレンズ | 好 | Kodai Yamashita]]></title>
          <link>https://www.cizucu.com/en/photos/Z5VCx1Ha7QG2rr2GlEFp</link>
          <description><![CDATA[Download a free, high-quality image of Interior moment where window light falls onto a reflective floor by 好 | Kodai Yamashita on cizucu.]]></description>
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            <name>好 | Kodai Yamashita</name>
            <uri>https://www.cizucu.com/en/hao</uri>
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          <pubDate>Thu, 12 Sep 2024 21:31:58 GMT</pubDate>
          <atom:updated>2026-01-21T05:16:25+09:00</atom:updated>
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            <media:title><![CDATA[部屋で落とした光を拾う  何を撮るか、光を撮ろう。 部屋にもいくつか落ちてた気がする。  それを拾ってシャッター切る。 中盤センサーで切り取りSDカードに閉じ込める。  その一瞬がささやかな幸せだ。  #GFX50S #中判 #オールドレンズ | 好 | Kodai Yamashita]]></media:title>
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          <title><![CDATA[【mimicry】 #blackandwhite #monochrome | KBT]]></title>
          <link>https://www.cizucu.com/en/photos/bT761U7SdjrF4tHKwoLb</link>
          <description><![CDATA[Download a free, high-quality image of black-and-white shopping carts lined up in a parking lot by KBT on cizucu.]]></description>
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            <name>KBT</name>
            <uri>https://www.cizucu.com/en/kbt_bnw</uri>
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          <pubDate>Tue, 25 Mar 2025 22:38:28 GMT</pubDate>
          <atom:updated>2026-01-18T22:35:59+09:00</atom:updated>
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            <media:description><![CDATA[Download a free, high-quality image of black-and-white shopping carts lined up in a parking lot by KBT on cizucu.]]></media:description>
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          <title><![CDATA[大河原峡 | kenny]]></title>
          <link>https://www.cizucu.com/en/photos/M6EbfXBw4o1ZZ5KbulM8</link>
          <description><![CDATA[See more of kenny's photography on cizucu.]]></description>
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            <name>kenny</name>
            <uri>https://www.cizucu.com/en/users/sQD86n6PYOPpa3DD3LC0pCOAp8s2</uri>
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          <pubDate>Mon, 15 Jul 2024 19:59:07 GMT</pubDate>
          <atom:updated>2026-01-21T08:26:40+09:00</atom:updated>
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            <media:title><![CDATA[大河原峡 | kenny]]></media:title>
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          <title><![CDATA[大分県・黄牛の滝 | shuu]]></title>
          <link>https://www.cizucu.com/en/photos/OEJU2gVswKmPTrEpwuPe</link>
          <description><![CDATA[See more of shuu's photography on cizucu.]]></description>
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            <name>shuu</name>
            <uri>https://www.cizucu.com/en/users/IKYqVXZduXeBIvjZgwvS0uOKkID2</uri>
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          <pubDate>Sun, 29 Mar 2026 23:07:32 GMT</pubDate>
          <atom:updated>2026-05-03T13:00:22+09:00</atom:updated>
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            <media:description><![CDATA[See more of shuu's photography on cizucu.]]></media:description>
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          <title><![CDATA[中判レンズ×スマホで撮影しています📸 | haru__stop]]></title>
          <link>https://www.cizucu.com/en/photos/tmlPu6NfknTkDITlA8qn</link>
          <description><![CDATA[See more of haru__stop's photography on cizucu.]]></description>
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            <name>haru__stop</name>
            <uri>https://www.cizucu.com/en/users/chKsfvdAthTNQfXw3SZ3A7q55WE3</uri>
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          <pubDate>Mon, 12 Jan 2026 11:34:47 GMT</pubDate>
          <atom:updated>2026-05-03T17:02:57+09:00</atom:updated>
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            <media:title><![CDATA[中判レンズ×スマホで撮影しています📸 | haru__stop]]></media:title>
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            <media:description><![CDATA[See more of haru__stop's photography on cizucu.]]></media:description>
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          <title><![CDATA[#ZenzaBronicaS2 #Film #Snap #京都 #フィルムカメラ #中判 #オールドカメラ・フィルム専門 | 白河夜船]]></title>
          <link>https://www.cizucu.com/en/photos/adwoWI9W5UjYeR4E4xmG</link>
          <description><![CDATA[See more of 白河夜船's photography on cizucu.]]></description>
          <author>
            <name>白河夜船</name>
            <uri>https://www.cizucu.com/en/users/PY1BDXoz0Tfj90E2CeqwTSOhA5z2</uri>
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          <pubDate>Sat, 20 Sep 2025 15:31:56 GMT</pubDate>
          <atom:updated>2026-01-18T04:23:58+09:00</atom:updated>
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            <media:title><![CDATA[#ZenzaBronicaS2 #Film #Snap #京都 #フィルムカメラ #中判 #オールドカメラ・フィルム専門 | 白河夜船]]></media:title>
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            <media:description><![CDATA[See more of 白河夜船's photography on cizucu.]]></media:description>
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          <title><![CDATA[Full sized photo of my submission as it had to be cropped for the exhibition. Cropping can never do any justice to a medium format photograph. | Kitty Chirapongse]]></title>
          <link>https://www.cizucu.com/en/photos/bu7fk0l4mbjINwy1AfcF</link>
          <description><![CDATA[See more of Kitty Chirapongse's photography on cizucu.]]></description>
          <author>
            <name>Kitty Chirapongse</name>
            <uri>https://www.cizucu.com/en/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2</uri>
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          <pubDate>Mon, 06 Apr 2026 13:39:36 GMT</pubDate>
          <atom:updated>2026-05-03T12:25:33+09:00</atom:updated>
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            <media:title><![CDATA[Full sized photo of my submission as it had to be cropped for the exhibition. Cropping can never do any justice to a medium format photograph. | Kitty Chirapongse]]></media:title>
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            <media:description><![CDATA[See more of Kitty Chirapongse's photography on cizucu.]]></media:description>
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          <title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></title>
          <link>https://www.cizucu.com/en/photos/p4nmJi7ozAJ0V0pp0po0</link>
          <description><![CDATA[See more of Kitty Chirapongse's photography on cizucu.]]></description>
          <author>
            <name>Kitty Chirapongse</name>
            <uri>https://www.cizucu.com/en/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2</uri>
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          <pubDate>Mon, 06 Apr 2026 13:35:44 GMT</pubDate>
          <atom:updated>2026-04-06T13:42:30+09:00</atom:updated>
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            <media:title><![CDATA[The Last Interred  I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]></media:title>
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            <media:description><![CDATA[See more of Kitty Chirapongse's photography on cizucu.]]></media:description>
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          <title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></title>
          <link>https://www.cizucu.com/en/photos/TZwAqaxggJkW3ZVK8vLW</link>
          <description><![CDATA[See more of Bhavik Solanki's photography on cizucu.]]></description>
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            <name>Bhavik Solanki</name>
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          <pubDate>Sat, 14 Mar 2026 11:37:09 GMT</pubDate>
          <atom:updated>2026-05-03T13:52:18+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dream Job  They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar.  Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]></media:title>
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          <title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></title>
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          <description><![CDATA[See more of Don Lim's photography on cizucu.]]></description>
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            <name>Don Lim</name>
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          <pubDate>Thu, 15 Jan 2026 16:03:31 GMT</pubDate>
          <atom:updated>2026-05-03T16:54:45+09:00</atom:updated>
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            <media:title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></media:title>
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            <media:description><![CDATA[See more of Don Lim's photography on cizucu.]]></media:description>
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          <title><![CDATA[Finding solitary  Shot at the Lover’s Bridge in Tamsui Fisherman’s Wharf during a heavy storm, this piece represents a pivotal moment in my photography journey.   After finishing a session with clients, I saw my girlfriend walking across the bridge in the pouring rain and captured the frame instinctively.   The mood was just perfect, the harshness of the weather created a natural isolation that I hadn't expected. While originally shot in a grainy landscape format, the true magic emerged during editing, where I discovered the striking minimalism of the orange umbrella against the white void.  This high-key composition serves as a study of how a single point of warmth can ground a vast, rigid structure even amidst the chaos of a storm.  It remains a deeply special piece for me, marking the discovery of beauty in an unplanned, candid moment. | ftgrafiee]]></title>
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          <description><![CDATA[See more of ftgrafiee's photography on cizucu.]]></description>
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          <pubDate>Sat, 02 May 2026 00:21:55 GMT</pubDate>
          <atom:updated>2026-05-03T09:46:29+09:00</atom:updated>
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            <media:title><![CDATA[Finding solitary  Shot at the Lover’s Bridge in Tamsui Fisherman’s Wharf during a heavy storm, this piece represents a pivotal moment in my photography journey.   After finishing a session with clients, I saw my girlfriend walking across the bridge in the pouring rain and captured the frame instinctively.   The mood was just perfect, the harshness of the weather created a natural isolation that I hadn't expected. While originally shot in a grainy landscape format, the true magic emerged during editing, where I discovered the striking minimalism of the orange umbrella against the white void.  This high-key composition serves as a study of how a single point of warmth can ground a vast, rigid structure even amidst the chaos of a storm.  It remains a deeply special piece for me, marking the discovery of beauty in an unplanned, candid moment. | ftgrafiee]]></media:title>
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            <media:description><![CDATA[See more of ftgrafiee's photography on cizucu.]]></media:description>
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