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          <title><![CDATA[macro of flies perched on a green leaf | うえさん]]></title>
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          <pubDate>Thu, 02 Jan 2025 13:08:49 GMT</pubDate>
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          <title><![CDATA[spider web with insects hanging in grass | Yuya]]></title>
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          <description><![CDATA[Download a free, high-quality image of spider web with insects hanging in grass by Yuya on cizucu.]]></description>
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          <pubDate>Sun, 09 Nov 2025 00:26:25 GMT</pubDate>
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          <title><![CDATA[#秋#ノゲイトウ＃秋の花   | 1979and]]></title>
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          <description><![CDATA[Download a free, high-quality image of Autumn love-lies-bleeding flower heads swaying in the breeze by 1979and on cizucu.]]></description>
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          <pubDate>Sat, 02 Nov 2024 10:29:52 GMT</pubDate>
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          <title><![CDATA[A massive cargo ship lies stranded on the quiet Tainan shore. The beach stretches empty under a muted sky, waves gently lapping at the hull, as if the world has forgotten this giant. Salted air mixes with the faint rust of metal, and in the stillness, the ship feels like a solitary monument, suspended between land and sea. | Lawrence Liou]]></title>
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          <description><![CDATA[Download a free, high-quality image of A stranded massive cargo ship hull on the quiet Tainan shore with gentle waves by Lawrence Liou on cizucu.]]></description>
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          <pubDate>Sat, 28 Mar 2026 21:23:56 GMT</pubDate>
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            <media:title><![CDATA[A massive cargo ship lies stranded on the quiet Tainan shore. The beach stretches empty under a muted sky, waves gently lapping at the hull, as if the world has forgotten this giant. Salted air mixes with the faint rust of metal, and in the stillness, the ship feels like a solitary monument, suspended between land and sea. | Lawrence Liou]]></media:title>
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          <title><![CDATA[Photography Never Lies? #展覧会 #写真展 | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/en/photos/iPQL15ciXfnkfXnj2G95</link>
          <description><![CDATA[See more of YuKoreeda 's photography on cizucu.]]></description>
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            <name>YuKoreeda </name>
            <uri>https://www.cizucu.com/en/yu___koreeda</uri>
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          <pubDate>Sat, 13 Jul 2024 01:24:18 GMT</pubDate>
          <atom:updated>2026-05-06T23:34:25+09:00</atom:updated>
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            <media:title><![CDATA[Photography Never Lies? #展覧会 #写真展 | YuKoreeda ]]></media:title>
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            <media:description><![CDATA[See more of YuKoreeda 's photography on cizucu.]]></media:description>
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          <title><![CDATA[タガメ or ゲンゴロウ どちらかはわからない | Jang Kumi]]></title>
          <link>https://www.cizucu.com/en/photos/SpNd4y35MIPsmOySjPNp</link>
          <description><![CDATA[See more of Jang Kumi's photography on cizucu.]]></description>
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            <name>Jang Kumi</name>
            <uri>https://www.cizucu.com/en/users/75y6y4wfsKg1bchWCNP4FlmVLpJ3</uri>
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          <pubDate>Mon, 19 Aug 2024 16:45:37 GMT</pubDate>
          <atom:updated>2026-01-21T06:44:56+09:00</atom:updated>
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            <media:title><![CDATA[タガメ or ゲンゴロウ どちらかはわからない | Jang Kumi]]></media:title>
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          <title><![CDATA[Photography Never Lies #展覧会 #写真展 | YuKoreeda ]]></title>
          <link>https://www.cizucu.com/en/photos/U7Kvw6IhYnlca2ogNGG8</link>
          <description><![CDATA[See more of YuKoreeda 's photography on cizucu.]]></description>
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            <name>YuKoreeda </name>
            <uri>https://www.cizucu.com/en/yu___koreeda</uri>
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          <pubDate>Sat, 13 Jul 2024 01:23:38 GMT</pubDate>
          <atom:updated>2026-05-06T23:34:30+09:00</atom:updated>
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          <title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></title>
          <link>https://www.cizucu.com/en/photos/mXCKJcjBdjZJvYzybHbi</link>
          <description><![CDATA[Download a free, high-quality image of yellow umbrella covering a shopping basket at a street crossing by Wee on cizucu.]]></description>
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            <uri>https://www.cizucu.com/en/users/canqHYy9pXY5B11gyQqx3jcPe5z1</uri>
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          <pubDate>Sun, 22 Feb 2026 16:57:32 GMT</pubDate>
          <atom:updated>2026-05-03T14:44:45+09:00</atom:updated>
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            <media:title><![CDATA[Gentleness may exist without consciousness, but loneliness must be consciously felt.  Gentle Protection and the Loneliness of Being.  An opened umbrella covers a shopping basket. From a distance, it resembles a standing figure, presenting the form of “protection.”  Yet this protection does not arise from consciousness; it is merely the accidental arrangement of objects.  Behavior can be visualized.Posture can be imitated. But understanding cannot be replicated.  The umbrella appears gentle, as if deliberately guarding what lies beneath it. Yet it does not know that it is protecting. It cannot comprehend the rain, the objects, or loneliness.  Loneliness does not belong to the unconscious. It belongs to the being that is aware of its own existence.  To be human is not defined by form or movement, but by an awareness of being — by understanding the distance between oneself and the world.  Gentleness can be observed.Loneliness must be endured. | Wee]]></media:title>
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          <title><![CDATA[woman by the seaside looking out as a bird flies overhead | KAZU]]></title>
          <link>https://www.cizucu.com/en/photos/OcqpeD4h8ETVufJyTSRb</link>
          <description><![CDATA[See more of KAZU's photography on cizucu.]]></description>
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            <name>KAZU</name>
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          <pubDate>Mon, 12 Jan 2026 17:03:48 GMT</pubDate>
          <atom:updated>2026-05-03T17:01:55+09:00</atom:updated>
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          <title><![CDATA[Bound to the battlefield it once thundered across, the cannon lies in quiet repose beneath the oaks, its fury softened by the summer sun. | Tradshooting]]></title>
          <link>https://www.cizucu.com/en/photos/WNK5NDuiSMJjlUyy12K0</link>
          <description><![CDATA[See more of Tradshooting's photography on cizucu.]]></description>
          <author>
            <name>Tradshooting</name>
            <uri>https://www.cizucu.com/en/users/gMijeFwrPfbR24WESVovWbvW1mt2</uri>
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          <pubDate>Tue, 07 Apr 2026 00:50:51 GMT</pubDate>
          <atom:updated>2026-05-03T12:23:40+09:00</atom:updated>
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          <title><![CDATA[Prismatic flight  A parent Coppersmith Barbet flying towards it's nest to feed it's chick. As the parent flies up against the sun, the light hits the feathers at a precise angle to create a rare moment of optical diffraction—transforming a frantic domestic struggle into a brilliant "rainbow wing." | Goh Dickson]]></title>
          <link>https://www.cizucu.com/en/photos/5FpD3vu30FcMd3bi2DA5</link>
          <description><![CDATA[See more of Goh Dickson's photography on cizucu.]]></description>
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            <name>Goh Dickson</name>
            <uri>https://www.cizucu.com/en/users/Ecg1BhP3GNazrI5NxVQIY8wjG0K2</uri>
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          <pubDate>Sat, 02 May 2026 10:08:28 GMT</pubDate>
          <atom:updated>2026-05-03T10:37:51+09:00</atom:updated>
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          <title><![CDATA[Prismatic Flight A composite of a parent Coppersmith Barbet flying back to it's nest to feed it's chick. As it flies up against the sun, the light hits the feathers at a precise angle to create a rare moment of optical diffraction—transforming a frantic domestic struggle into a brilliant "rainbow wing." | Goh Dickson]]></title>
          <link>https://www.cizucu.com/en/photos/wk9rz6fbxgcHenjFiqVN</link>
          <description><![CDATA[See more of Goh Dickson's photography on cizucu.]]></description>
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            <name>Goh Dickson</name>
            <uri>https://www.cizucu.com/en/users/Ecg1BhP3GNazrI5NxVQIY8wjG0K2</uri>
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          <pubDate>Sat, 02 May 2026 10:10:53 GMT</pubDate>
          <atom:updated>2026-05-03T09:43:36+09:00</atom:updated>
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          <title><![CDATA[Unlike most images that guide the eye to a single focal point, this scene resists hierarchy. Light, water, architecture, and movement compete gently for attention, inviting the viewer to wander rather than arrive. Its beauty lies in this quiet abundance, where nothing demands to be seen, yet everything is worth noticing. | Felicia Endellion Fernandez]]></title>
          <link>https://www.cizucu.com/en/photos/OmZRFThWg5DEJ1mEFKfr</link>
          <description><![CDATA[See more of Felicia Endellion Fernandez's photography on cizucu.]]></description>
          <author>
            <name>Felicia Endellion Fernandez</name>
            <uri>https://www.cizucu.com/en/users/fpNqm4uC7hdDEukZ0CMUigkt5C42</uri>
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          <pubDate>Sun, 22 Mar 2026 03:14:19 GMT</pubDate>
          <atom:updated>2026-03-22T03:14:27+09:00</atom:updated>
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            <media:title><![CDATA[Unlike most images that guide the eye to a single focal point, this scene resists hierarchy. Light, water, architecture, and movement compete gently for attention, inviting the viewer to wander rather than arrive. Its beauty lies in this quiet abundance, where nothing demands to be seen, yet everything is worth noticing. | Felicia Endellion Fernandez]]></media:title>
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            <media:description><![CDATA[See more of Felicia Endellion Fernandez's photography on cizucu.]]></media:description>
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          <title><![CDATA[OK Commuter I: Dissolved Hours  Ghosted in blue and white, the commuter exists only as a trace—neither arriving nor leaving, but endlessly passing through. Time slips here, stretched and smeared, ungraspable. In this blur lies a familiar truth: whole portions of our lives dissolve in transit, unmarked and unremembered, carried away in the rhythm of getting somewhere else. | Paddy]]></title>
          <link>https://www.cizucu.com/en/photos/wGXzElHr1eBGOoHwptoM</link>
          <description><![CDATA[See more of Paddy's photography on cizucu.]]></description>
          <author>
            <name>Paddy</name>
            <uri>https://www.cizucu.com/en/users/1GGRwG7jDWNBYbt5kpsLVjwWOAl2</uri>
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          <pubDate>Mon, 20 Apr 2026 21:05:50 GMT</pubDate>
          <atom:updated>2026-05-03T11:21:30+09:00</atom:updated>
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            <media:title><![CDATA[OK Commuter I: Dissolved Hours  Ghosted in blue and white, the commuter exists only as a trace—neither arriving nor leaving, but endlessly passing through. Time slips here, stretched and smeared, ungraspable. In this blur lies a familiar truth: whole portions of our lives dissolve in transit, unmarked and unremembered, carried away in the rhythm of getting somewhere else. | Paddy]]></media:title>
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            <media:description><![CDATA[See more of Paddy's photography on cizucu.]]></media:description>
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          <title><![CDATA[The Lion’s Awakening: A Legacy in Motion  Once a vibrant thread woven into the fabric of daily life, the Lion Dance is becoming a fading echo of the past. The thunder of the drums has grown distant, and the kaleidoscopic flicker of the lion is a rarer sight on our modern streets.  Yet, beneath the silk and fur lies a timeless narrative. The performance is more than a spectacle; it is a story of resilience. It follows the lion as it awakens, navigates treacherous terrain, and crosses mountains and rivers in a symbolic quest for meaning and purpose.  Documenting this art is a form of preservation. By capturing the spirit of the dance, we ensure that its identity isn't lost to time. It is a quiet and hopeful bridge that carries the stories of our ancestors into the light of the future, ensuring the lion continues to roar for generations to come. | snapsbyxavier]]></title>
          <link>https://www.cizucu.com/en/photos/mGaSMUo72Va9G9aRQKpq</link>
          <description><![CDATA[See more of snapsbyxavier's photography on cizucu.]]></description>
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            <name>snapsbyxavier</name>
            <uri>https://www.cizucu.com/en/snapsbyxavier</uri>
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          <pubDate>Tue, 14 Apr 2026 21:36:49 GMT</pubDate>
          <atom:updated>2026-05-03T11:58:09+09:00</atom:updated>
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            <media:title><![CDATA[The Lion’s Awakening: A Legacy in Motion  Once a vibrant thread woven into the fabric of daily life, the Lion Dance is becoming a fading echo of the past. The thunder of the drums has grown distant, and the kaleidoscopic flicker of the lion is a rarer sight on our modern streets.  Yet, beneath the silk and fur lies a timeless narrative. The performance is more than a spectacle; it is a story of resilience. It follows the lion as it awakens, navigates treacherous terrain, and crosses mountains and rivers in a symbolic quest for meaning and purpose.  Documenting this art is a form of preservation. By capturing the spirit of the dance, we ensure that its identity isn't lost to time. It is a quiet and hopeful bridge that carries the stories of our ancestors into the light of the future, ensuring the lion continues to roar for generations to come. | snapsbyxavier]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/mGaSMUo72Va9G9aRQKpq.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[See more of snapsbyxavier's photography on cizucu.]]></media:description>
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          <title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></title>
          <link>https://www.cizucu.com/en/photos/KxmYJu8uTx7YorZUymnh</link>
          <description><![CDATA[See more of Joanne Sun's photography on cizucu.]]></description>
          <author>
            <name>Joanne Sun</name>
            <uri>https://www.cizucu.com/en/users/V3yZQQPOmCV388zQun7pQGQnn1L2</uri>
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          <pubDate>Thu, 07 May 2026 02:19:00 GMT</pubDate>
          <atom:updated>2026-05-07T02:20:37+09:00</atom:updated>
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            <media:title><![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。  這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。  我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。  當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。  在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。  During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments.  This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture.  By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy.  Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role.  Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]></media:title>
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            <media:description><![CDATA[See more of Joanne Sun's photography on cizucu.]]></media:description>
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