Konserve Photos | Download Royalty-Free Images & High-Resolution Pictures https://www.cizucu.com/en/explore/photos/Konserve en 2026-04-06T08:44:48+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. en https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Brown bird perched on a branch | kawase45]]> https://www.cizucu.com/en/photos/U0WKvkf84UTy8Q7a3EG8 kawase45 https://www.cizucu.com/en/kawase45 https://www.cizucu.com/en/photos/U0WKvkf84UTy8Q7a3EG8 Tue, 05 Nov 2024 20:54:03 GMT 2024-11-05T20:54:17+09:00 https://cdn.cizucu.com/images/photos/U0WKvkf84UTy8Q7a3EG8.jpg?auto=compress,format <![CDATA[Emu seen through a fence with distinctive features | ぽりんクス]]> https://www.cizucu.com/en/photos/OTKGsPM9Nlh226fgaI8T ぽりんクス https://www.cizucu.com/en/users/C5FLnGpepIcvwJRzKHt1vJSXdAw1 https://www.cizucu.com/en/photos/OTKGsPM9Nlh226fgaI8T Fri, 29 Mar 2024 16:50:23 GMT 2024-11-20T00:56:23+09:00 https://cdn.cizucu.com/images/photos/OTKGsPM9Nlh226fgaI8T.jpg?auto=compress,format <![CDATA[A thinking gorilla sitting in front of a rock | おいしいみそしる]]> https://www.cizucu.com/en/photos/Dni4qTOgjxjcnkS7pymD おいしいみそしる https://www.cizucu.com/en/users/AE9AT4rkoSUz9GdZbvnVsJJe6sF2 https://www.cizucu.com/en/photos/Dni4qTOgjxjcnkS7pymD Fri, 15 Mar 2024 19:13:03 GMT 2024-11-21T02:02:38+09:00 https://cdn.cizucu.com/images/photos/Dni4qTOgjxjcnkS7pymD.jpg?auto=compress,format <![CDATA[Two monkeys inside a cage showing distinct features | daichichi]]> https://www.cizucu.com/en/photos/91Ct4fphOSM1BgAljIfi daichichi https://www.cizucu.com/en/users/r0492eAeuGYbDzavN3wdFdMnSHb2 https://www.cizucu.com/en/photos/91Ct4fphOSM1BgAljIfi Wed, 10 Apr 2024 16:39:48 GMT 2024-11-19T11:00:11+09:00 https://cdn.cizucu.com/images/photos/91Ct4fphOSM1BgAljIfi.jpg?auto=compress,format <![CDATA[Panda walking near glass enclosure | きりーな]]> https://www.cizucu.com/en/photos/58ltAZK9Py5mKzgVeww9 きりーな https://www.cizucu.com/en/users/nUui6CNkxnTGpCrL1QzVh3D9lWs2 https://www.cizucu.com/en/photos/58ltAZK9Py5mKzgVeww9 Mon, 19 Feb 2024 14:14:45 GMT 2024-02-19T14:14:51+09:00 https://cdn.cizucu.com/images/photos/58ltAZK9Py5mKzgVeww9.jpg?auto=compress,format <![CDATA[Child using a blue snorkel to observe underwater | haru]]> https://www.cizucu.com/en/photos/cxDuWtX2wUzHzFtPMMuj haru https://www.cizucu.com/en/users/0whjYoEMBVaLEmAofJU8NlMzl5d2 https://www.cizucu.com/en/photos/cxDuWtX2wUzHzFtPMMuj Sat, 17 Feb 2024 12:06:17 GMT 2024-11-23T02:33:54+09:00 https://cdn.cizucu.com/images/photos/cxDuWtX2wUzHzFtPMMuj.jpg?auto=compress,format <![CDATA[Rudra Yogini - Two striking art forms, striding parallelly towards oneness, as the traverse, creates a consecrated path to observe. | Keya Atul Padalkar]]> https://www.cizucu.com/en/photos/X18TNNXUO0o38OQtlBD6 Keya Atul Padalkar https://www.cizucu.com/en/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/en/photos/X18TNNXUO0o38OQtlBD6 Mon, 16 Mar 2026 21:19:36 GMT 2026-03-17T15:30:22+09:00 https://cdn.cizucu.com/images/photos/X18TNNXUO0o38OQtlBD6.jpg?auto=compress,format <![CDATA[#動物園#フラミンゴ | 幸地 協子 ]]> https://www.cizucu.com/en/photos/OLzh90L6ZiM7fzfLEfhS 幸地 協子 https://www.cizucu.com/en/users/fXi1x0R4C9RWhOhXLUrbo0kOmjl2 https://www.cizucu.com/en/photos/OLzh90L6ZiM7fzfLEfhS Thu, 10 Jul 2025 08:45:50 GMT 2025-07-10T08:45:50+09:00 https://cdn.cizucu.com/images/photos/OLzh90L6ZiM7fzfLEfhS.jpg?auto=compress,format <![CDATA[Rudra Yogini Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe. Starring~ Parvathy Baul & Ustād Mohi Bahauddin Dagar. Location~ Birbhum/West Bengal | Keya Atul Padalkar]]> https://www.cizucu.com/en/photos/VhzfW1Mz7RsirwHmW2kF Keya Atul Padalkar https://www.cizucu.com/en/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/en/photos/VhzfW1Mz7RsirwHmW2kF Tue, 17 Mar 2026 10:49:09 GMT 2026-03-17T10:49:09+09:00 https://cdn.cizucu.com/images/photos/VhzfW1Mz7RsirwHmW2kF.jpg?auto=compress,format <![CDATA[Rudra Yogini - Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe. Starring~ Parvathy Baul & Ustād Baha'ud-din Dagar. Location~ Birbhum/West Bengal | Keya Atul Padalkar]]> https://www.cizucu.com/en/photos/NEjlXFebVc9HPkBW4dXl Keya Atul Padalkar https://www.cizucu.com/en/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/en/photos/NEjlXFebVc9HPkBW4dXl Tue, 17 Mar 2026 23:21:13 GMT 2026-03-17T23:21:13+09:00 https://cdn.cizucu.com/images/photos/NEjlXFebVc9HPkBW4dXl.jpg?auto=compress,format <![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe. Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar Location~ Birbhum/West Bengal | Keya Atul Padalkar]]> https://www.cizucu.com/en/photos/J9dkG0RFMP2JK34DkveE Keya Atul Padalkar https://www.cizucu.com/en/users/JlNKZfVdVIVHEnmfCmhgewRL3892 https://www.cizucu.com/en/photos/J9dkG0RFMP2JK34DkveE Tue, 17 Mar 2026 13:20:43 GMT 2026-03-17T13:20:43+09:00 https://cdn.cizucu.com/images/photos/J9dkG0RFMP2JK34DkveE.jpg?auto=compress,format <![CDATA[My neighborhood is very calm, my house faces a little bridge connecting the two sides of a canal that merges into the Sumida River. The canal is small but beautiful, framed by sakura trees that mark the seasons. On the weekends, I like to observe the comings and goings of life on the bridge, being inspired by its colors and vivacity from my window. #Tokyo #neighborhood #Monzennakacho #bike #bridge #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]> https://www.cizucu.com/en/photos/touRY4TNnzSE0MQgM3hl Giuliana E. Miceli https://www.cizucu.com/en/users/X0Uppurh6OXofv9sRiTUGtUb9x73 https://www.cizucu.com/en/photos/touRY4TNnzSE0MQgM3hl Sat, 06 Dec 2025 14:07:53 GMT 2025-12-06T14:07:53+09:00 https://cdn.cizucu.com/images/photos/touRY4TNnzSE0MQgM3hl.jpg?auto=compress,format <![CDATA[Opposite to my hometown in Vietnam, Beppu’s peace and slow pace of life is so hard to get used to. But in that peace, people’s inner selves seem to stand out more instead of getting drowned by the chaotic noises and the bustling streets, and it’s really easy to spot too. Over the 3 years I spent here, Beppu gave me the chance to observe not only people but also myself, to understand my thoughts better. I point my lens outward to the world, to have a peek into my own. | vemuon]]> https://www.cizucu.com/en/photos/3pap5Q8kJc7BiyDWPBo7 vemuon https://www.cizucu.com/en/vemuon https://www.cizucu.com/en/photos/3pap5Q8kJc7BiyDWPBo7 Tue, 20 Jan 2026 00:22:24 GMT 2026-01-20T00:22:24+09:00 https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format <![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]> https://www.cizucu.com/en/photos/FOivrtLqJYASxtRrBAel Joshua Chiew https://www.cizucu.com/en/users/lsHOdpuaCKci2liwdAwjQsD2Rja2 https://www.cizucu.com/en/photos/FOivrtLqJYASxtRrBAel Sun, 22 Mar 2026 23:07:39 GMT 2026-03-22T23:07:39+09:00 https://cdn.cizucu.com/images/photos/FOivrtLqJYASxtRrBAel.jpg?auto=compress,format <![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]> https://www.cizucu.com/en/photos/O9au9ySiwGPQG4TZBOsg ylint https://www.cizucu.com/en/users/iHw53gEfltarEIvJWOpFJmxiwUF2 https://www.cizucu.com/en/photos/O9au9ySiwGPQG4TZBOsg Tue, 13 Jan 2026 15:23:46 GMT 2026-01-13T15:23:46+09:00 https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/en/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/en/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/en/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/en/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/en/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/en/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/en/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/en/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/en/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[Title: Dining with her Series: Dreams Status: On-going About: This is the first entry in this series, this as part of photo-essay will have a total of 15 main pictorial works and supporting supplements. “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage. REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief. This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function. I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations. - - - Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100 Fomadon LQN Year: August, 2025 - present Photo: November 2025 *** | Eli Mastaine]]> https://www.cizucu.com/en/photos/lLVqB9q7T3gHEIJx8LId Eli Mastaine https://www.cizucu.com/en/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3 https://www.cizucu.com/en/photos/lLVqB9q7T3gHEIJx8LId Mon, 09 Mar 2026 02:16:10 GMT 2026-03-09T02:16:10+09:00 https://cdn.cizucu.com/images/photos/lLVqB9q7T3gHEIJx8LId.jpg?auto=compress,format