Introduction

Since childhood, my father's camera was always nearby.

Photography was never something special, but simply a natural part of my surroundings.
During my student days, I captured ordinary moments of daily life with a disposable camera. After entering the workforce, I got my own camera and connected with fellow photographers through social media.

The turning point came when I received a film camera from my supervisor at work.
A serendipitous mistake led to my first multiple exposure. I was deeply captivated by the unpredictable overlaps it created.

The act of shooting with intention, and the encounters with chance.
I continue to photograph while cherishing the moments that arise between these two.

This time, from Saturday, February 21, 2026, I will hold my first solo exhibition at gallery 2-16 in Okayama.

Namida Akizuki

Film-based multiple exposures | Humanity and nature |
Capturing tenderness and melancholy, and their lingering resonance in photographs

2022
Published the photobook "Awai — Two Worlds Overlapping" (Azusa Publishing), featuring essays and techniques on multiple exposure

2025
Invited as an instructor by Nakai Photo Studio to lead a multiple exposure workshop

cizucu: Namida Akizuki
Instagram: @akizuki_namida

Toward the Exhibition

While I have had opportunities to participate in group exhibitions, for a long time I felt that a solo exhibition was still "too soon" for me.

I first began to consider a solo show about five years ago.
As I visited various exhibitions, I searched for a form that felt true to myself. Yet, while the desire was there, I struggled to give concrete shape to my vision.

Then, I encountered a certain gallery.
"If I ever do it, it might be here."
The moment I thought that, the once-vague image of my exhibition suddenly became vivid in my mind.

When the gallery staff encouraged me, saying, "Please do it," I felt both joy and a wave of anxiety.

If I'm going to do it, I want it to succeed.
But my confidence wavered.
There were nights when I wanted to run away, wondering, "What if no one comes?"

Even so, I came to believe that the act of taking on a challenge has meaning in itself, regardless of success or outcome. With the support of those around me, I decided to move forward with this exhibition.

To be honest, preparations were extremely challenging.
From planning the exhibition layout to handling merchandise, once the vision for the space came together, I had to tackle everything at once, and ended up shouldering most of the work alone.

Sometimes, I even dreamed that I would never finish preparing.
Yet, amidst the anxiety, there is also a definite sense of joy.

What I Hope to Convey

The title of this solo exhibition was born from the very act of taking photographs.

The moment the shutter is released, that time has already ended.
But at the same time, it feels as if something new is beginning from that very instant.

Endings and beginnings are not separate things;
they always exist, overlapping with one another.

The "ending" in this exhibition is not about severing something.
It is something that quietly seeps into the presence of what comes next.

Nor do I wish to loudly proclaim a "beginning."
By the time you notice, it has already started.
It's a sensation akin to that.

This exhibition captures that state of transition.

When you stand before the photographs,
I would be delighted if, for someone, an ending or a beginning gently overlaps with their own experience.

Exhibition Information

"Endings and Beginnings"

Exhibition Dates: Saturday, February 21 – Tuesday, February 24, 2026
Hours: 10:00 – 19:00 (until 15:00 on the final day)

Venue: gallery 2-16
Address: 2-2-16 Tomita-cho, Kita-ku, Okayama City, Okayama Prefecture | Map
Access: Approximately 10 minutes on foot from the East Exit of JR Okayama Station
*Search for "zerodonuts" on the map

Introduction

We grew up in Tairadate, Sotogahama Town, Aomori Prefecture.
The sea is close, and the sound of the wind is ever-present.

The elder sister, Mao, has pursued photography; the younger, Rio, painting.
Though our modes of expression differ, it seems we have always been looking at the same things.
The subtle presences that cannot be put into words, the sensations lingering at the edge of memory.
We have always been drawn more to what cannot be captured than to what can.

This exhibition is the first space we have created together as sisters. In February 2026, we will open the 'Prologue' in Tokyo,
and in April, the 'Main Exhibition' at the Aomori Museum of Art.

Photography and painting.
The time each of us has spent observing through our respective mediums will be presented side by side in the same space.

Mao Sakurada

Born in 1998 in Tairadate, Sotogahama Town, Aomori Prefecture.

Since childhood, Mao Sakurada has been sensitive to solitude, finding a sense of belonging in words and photography. In the 2020s, an era saturated with social media and moving images, she is a photographer who listens intently to the 'invisible.'

Her work consistently focuses on the intangible—presences, spaces, and silences that cannot be directly captured. Guided by the belief that photographing is a form of engagement and inseparable from living, she devotes equal energy to the moments when she is not photographing.

A gaze that contemplates absence. A conviction that what truly exists is found in what cannot be seen. At the same time, she deeply understands that photography cannot capture everything. This stance imbues her work with both gentleness and strength.

Rio Sakurada

Visual artist (painting, drawing)
Born in 2003 in Tairadate, Sotogahama Town, Aomori Prefecture.

Since childhood, painting has been her lifeblood. Drawing on personal memories and family narratives, she creates works primarily in oil pastel, oil paint, and pencil. This exhibition marks her first major presentation.

Exploring the 'presences' and 'traces' that emerge when engaging with family memories, she constructs quiet pictorial spaces through the layering of delicate lines. She seeks to express the accumulation of time—something words cannot fully convey—through the rhythm of her lines.

Toward the Exhibition

I still vividly remember the moment I received the call from my father telling me that our mother had collapsed.

From that instant,
“Whether she recovers or not, I will hold an exhibition for our mother.”
That was the resolve I made in my heart.

A few days after our mother passed away, I shared this intention with my sister,
and she replied, “I want to do it together.”
That was the beginning of this exhibition.

The subject matter was deeply personal.
We repeatedly paused to consider how much to offer as artwork,
constantly measuring that distance together.

There were days when emotions overwhelmed us,
and facing the process itself was a burden on both mind and body.

Even so, we kept asking ourselves, “What can we express now that only we, as sisters, can bring to form?”
It has been a year of slowly moving forward, re-examining these questions.

What We Wish to Convey

Memory, I believe, is far more ambiguous and ever-shifting than we imagine.

Precisely for that reason, rather than telling everything,
we wanted to leave space for each viewer to overlay their own memories.

This exhibition is not simply a place to look at “our mother.”
We hope it will be a space where you can quietly recall someone precious to you.

May the time spent before the works
offer a gentle opportunity to reconnect with yourself or with someone you care about.
With this wish, we open this exhibition.

Exhibition Information

Prologue | Tokyo

Exhibition Dates: February 21 (Sat) – February 23 (Mon, public holiday), 2026
Hours: 12:00 – 19:00
Venue: GALLERY IRO 1F
Address: 1-37-7-101 Kichijoji Honcho, Musashino-shi, Tokyo

Main Exhibition | Aomori

Exhibition Dates: April 18 (Sat) – April 19 (Sun), 2026
Hours: 10:00 – 17:00
Venue: Aomori Museum of Art, Community Gallery A & B
Address: 185 Yasuda Kondo, Aomori-shi, Aomori

Introduction

“I want everyone to be able to smile from the heart at the end of their lives.”

With this feeling in my heart, I picked up my camera on July 7, 2024.
What began as a daily practice of shooting and sharing has now spanned nearly two years. Through social media, I have met and exchanged words with many people, and now, I am grateful to have a community of 55,000 followers.

Now, reflecting on my origins and seeking to move to the next stage, I will hold my first solo exhibition, “Last Letter.”
The exhibition will take place on Sunday, March 8, 2026, at BENE- in Minami-Aoyama, Tokyo. In addition to the photography exhibition, there will be a talk session and workshops, making this a ticketed event.

Rather than connecting through screens, I want to share the same space and time.
I hope to create an exhibition where I can hand over the feelings I have wanted to convey over these two years, directly and in person.

kani

I create gentle dark fantasy photography.

cizucu: kani
Instagram: @kaninobouken
Website: kaninobouken.jp

Toward the Exhibition

The concept for the “Last Letter” photography exhibition faced two major challenges.

This solo exhibition is not just about viewing photographs.
I wanted to create a space where people could gather, exchange words, and share their feelings. To achieve this, I needed a venue that could accommodate 100 people at once and host talks and workshops.
However, most conventional photography galleries could not meet these requirements. I spent months researching and contacting over 800 venues and galleries in Tokyo. After more than half a year, I finally found a place where I felt I could truly convey my intentions.


The other challenge was the cost.
For a creator whose activities began on social media, organizing an event of this scale is no small feat. I often worried about how to attract visitors and whether anyone would actually come.

Even so, the people I have met and my desire to share my voice gave me the courage to move forward.

At this moment, I felt, “Maybe now, people will listen.” That is why I decided to take this step.

Feelings I Wish to Convey

The reason I began photography and sharing my work is very simple.
“I want everyone to be able to smile at the end of their lives.”

I believe that one way to make this wish come true is to express your feelings to those who matter to you.

In this solo exhibition, “Last Letter,” I will explore my own worldview through two origins: the wedding ceremony as a space for expressing feelings, and the Great East Japan Earthquake, an event where many parted without being able to share their feelings.


For those who feel lonely somewhere in their hearts.
For those who want to say “thank you” or “I love you” but cannot find the words.
For those who feel they might regret things if nothing changes.

This exhibition is especially for people carrying such feelings.

I hope this place becomes an opportunity for someone to write their own “last letter.”
With that wish, I look forward to welcoming you.

Exhibition Information

“Last Letter”

Date & Time: Sunday, March 8, 2026, 14:00 – 16:30 (Doors open at 13:00)

Venue: BENE-
Address: 3F THE PLAYHOUSE, 5-8-5 Minami-Aoyama, Minato-ku, Tokyo
Access: 3-minute walk from Omotesando Station, Exit B1

Tickets: Please purchase tickets in advance via the official website.

Introduction

After graduating from the Japan Institute of Photography and Film, photographer Country Ma'am Fujii has traveled with camera in hand, exploring the theme of 'photographing time' across Japan and abroad.
Continuing a practice of holding solo exhibitions in a different location each year, Country Ma'am Fujii will present a solo exhibition at the Irie Taikichi Memorial Museum of Photography Nara City from Wednesday, January 28 to Sunday, February 1, 2026.

This exhibition takes place at a venue long admired by the artist.
Amidst the layered histories inherent to Nara, the exhibition will showcase Fujii’s vision of 'ruins in a state of constant transformation.'

Landscapes that evolve into something new in harmony with nature.
What is captured is neither the past nor the future, but the very essence of time that once undeniably existed there.

Country Ma'am Fujii

Owner of the Kansai-based ruins photography collective “Jikuu Sharaku.” Always seeking new members residing in the Kansai region.

cizucu: Country Ma'am Fujii
Instagram: @yjp_isn

Toward the Exhibition

Country Ma'am Fujii has made it a point to hold a solo exhibition in a different location every year.
This is rooted in the belief that not only the works themselves, but also the 'exhibition space' embodies the passage of time.

The Irie Taikichi Memorial Museum of Photography Nara City, the venue for this exhibition, holds special significance for Fujii.
To realize an exhibition at the museum, it was necessary—due to the nature of the subject matter—to have the works reviewed directly by the museum director, beginning with arranging an appointment.
With the director’s busy schedule, coordinating dates was far from simple, but the time spent in preparation has become an integral part of this exhibition’s story.

Message to Visitors

“I hope you will create your own narrative within these works.”

Ruins are not merely remnants of the past.
They continue to transform in the present moment, coexisting with nature. The sense of time you discover within them is unique to each viewer.

There is no single answer or solution.
When the 'time' captured in the photographs intersects with your own memories and perceptions, a new story is born.

We invite you to engage with this exhibition from your own perspective.

Exhibition Details

“Haikyo”

Exhibition Dates: Wednesday, January 28 – Sunday, February 1, 2026
Opening Hours: 9:30 am – 5:00 pm (Last admission: 4:30 pm)
* Closes at 3:00 pm on the final day

Venue: Irie Taikichi Memorial Museum of Photography Nara City, General Exhibition Gallery | HP
Address: 600-1 Takabatake-cho, Nara City, Nara Prefecture
Access: From Kintetsu Nara Station or JR Nara Station, take the Nara Kotsu Bus “City Loop (Outer Route)” and alight at “Wariishicho”; approximately 7 minutes on foot from the stop.

Introduction

Glass artist Caroline, who is also a colleague, and I gradually began sharing our thoughts about our works and expressions during our daily work.

One day, she asked me, 'Would you like to hold an exhibition together?' I was surprised and delighted, and I immediately replied, 'Yes!' That was the beginning.

What kind of space would be created by displaying her glass works alongside my landscape photography? My heart raced at the thought of this first-ever attempt that no one had seen before.

noliette

Based in Osaka. Received a camera from her father in the year she started working. Although it remained unused for a while, she began taking photos after visiting a photography exhibition in 2020. She focuses on capturing landscapes, aiming to convey the beauty of moments she experiences in nature. She has participated multiple times in 'ppp,' organized by cizucu. This is her first two-person exhibition.

cizucu: noliette
Instagram: @noliette_s

caronoglass

While working in product development at a manufacturer in Osaka, she began creating blown glass works in 2020. In 2024, she held her first solo exhibition, 'Transparency and Turbidity.' She mainly creates glassware for enjoying drinks, showcasing a free-spirited style inspired by the beautiful scenery reflected in her heart and the natural forms created by transparent glass.

Instagram: @caroline.co.ltd

Preparing for the Exhibition

As we prepared for the exhibition, Caroline, the gallery owner, and I reflected on last year's glass exhibition and brainstormed ideas like 'What kind of space would it create if we incorporated photography?' Ideas kept flowing, such as 'Should we display the photos and glass separately?' or 'What if we place glass within the photos?' However, we also faced challenges in figuring out how to integrate unfinished works into the exhibition.

Even when I took landscape photos, something felt missing. I couldn't go back to retake those moments, and I struggled with the limitations of where to place the glass. I continued exploring my own concept of 'Photo Glass.'

Message to Visitors

Caroline's glassworks are all handmade, each with unique colors and shapes. The way the material creates ripples and the way light passes through are incredibly beautiful, making you want to hold them up to the light or view them from different angles.

What kind of photos could be taken if Caroline's works were placed in nature? I experimented with changing compositions and angles of the glass. I hope you enjoy 'Photo Glass.'

[ PHOTO-GLASS ]

Event Dates:
September 27 (Sat): 11:00 AM ~ 5:00 PM / 6:00 PM ~ 8:00 PM (Opening Party)
September 28 (Sun): 10:00 AM ~ 5:00 PM

Venue: -lull- sharestudio
Address: 2nd Floor South, 2-4-6 Awajimachi, Chuo Ward, Osaka City, Osaka Prefecture
Access: 10-minute walk from 'Hommachi Station' on the Midosuji Line

Introduction

On Sunday, August 24, a special event will be held where you can experience the 'Afghan Box Camera,' an instant photography technique over 100 years old.
Experience the slow, analog process of photography, a stark contrast to digital photography. Enjoy the anticipation and excitement of creating a single photograph, along with the unique atmosphere of classical techniques.

The venue is the 2nd floor of , located in the heart of Sakae, Nagoya, at . In this wonderful space, not only will there be photography demonstrations and hands-on experiences, but also opportunities for participants to interact with each other.

Preparing for the Event

The 'Afghan Box Camera,' created over 100 years ago, is a unique camera that combines shooting and developing in a single device.

In today's world where digital photography is the norm, we want to share the value of the time and process it takes to create a single photograph.
We hope you will join us to experience the joy of photography and the charm of analog techniques.

Event Details

Discover the World of Afghan Box Cameras: 'Classical Photography Demonstration and Workshop'

Date and Time: Sunday, August 24, 2025
① 12:00 ~ / ② 14:30 ~ / ③ 17:00 ~ (Each session lasts approximately 1 hour and 30 minutes)
Event Content:
① Photography Demonstration / ② Hands-on Photography Experience
Capacity: 5 groups per session
Participation Fee: 1,000 yen (500 yen for participants aged 25 and under, free for high school students and younger)
Venue: SLOW ART CENTER NAGOYA 2F SLOW ART LAB | Map
Address: 3-16-5 Nishiki, Naka-ku, Nagoya, Aichi Prefecture

Introduction

‘Haikyomamire,’ a group exhibition by Country Ma’am Fujii, who travels across regions in search of abandoned places under the theme of ‘Capturing Time,’ will be held from Wednesday, July 16 to Sunday, July 21 at in Osaka City.

Country Ma’am Fujii

A graduate of the Japan Institute of Photography and Film. Winner of awards such as JPS and APA.
Travels across regions in search of abandoned places under the theme of ‘Capturing Time.’

cizucu: Country Ma’am Fujii
Instagram: @yjp_isn

Message to Visitors

Abandoned places, especially their interiors, are something most people rarely get to see. What kind of image comes to mind when you hear the word ‘abandoned place’?

Scary?
Sad?
Dirty?

We invite you to view the works and share your thoughts and emotions with us.

Event Information

‘Haikyomamire’

Event Dates: Wednesday, July 16 – Sunday, July 21
Opening Hours: 12:00 PM – 8:00 PM
* Closes at 6:00 PM on the final day

Venue: Irorimura | Map
Address: 1-4-15 Nakazaki, Kita-ku, Osaka City, Osaka Prefecture, 530-0016

Introduction

A space that captures the quiet breathing of time and the invisible presence—The group exhibition 'A To Ka Ta,' featuring three artists, will be held at Sanjiroan in Komatsu City, Ishikawa Prefecture.

This exhibition brings together Remi Hayashi, Kota, and Koyuki, who delve into the concept of 'A To Ka Ta' through their respective mediums of sound, photography, and poetry, resonating with the memories of the space. The exhibition runs from June 14 to 21, 2025 (closed on Sundays), with free admission. The venue will also host occasional sitar performances and poetry readings.

Remi Hayashi

Graduated from the Department of Musical Creativity and the Environment at Tokyo University of the Arts. Currently enrolled in the Graduate School of Fine Arts, Global Art Practice program at the same university. She creates works using various methods, including video, sound, and drawing. In today's world, where easily replicable images and videos dominate daily life, she explores where her reality lies.

Instagram: @_probablement

Kota

Born in Chiba Prefecture in 1999. Discovered the Indian sitar during a study abroad program in the United States in 2018. Currently practices the sitar in Tokyo while creating poetry as part of his daily routine.

Instagram: @kota.sitar

Koyuki

Born in 2001 in Komatsu City, Ishikawa Prefecture. Based in both Ishikawa and Tokyo, she focuses her photography on the landscapes of her roots, including forests and satoyama. Her work explores the theme of 'landscapes of memory' through photography, video, and acrylic expressions.

cizucu: Koyuki
Instagram: @_smallsnow
Website: https://www.smallsnow.ooo

Towards the Exhibition

Koyuki
The inspiration for this exhibition came when I guided Kota around Ishikawa. It was his first visit, so I showed him my hometown of Komatsu City. Sharing the landscapes I had seen since childhood made me a bit nervous, but he appreciated each place with reverence and sincerity, which made me truly happy.

After Kota returned to Tokyo, we reminisced about Ishikawa, and he expressed his desire to give back to the place and do something meaningful there. This led to the idea for this exhibition.

Remi was introduced to me by Kota, and we discussed sound performance and technical aspects. When I shared the exhibition concept, Remi expressed her interest in creating works inspired by Sanjiroan, the venue. We then visited Sanjiroan together for a meeting.

Sanjiroan offers a view of the tea garden from its tea room. We spent about an hour observing the scenery and listening to the sounds with our eyes closed, aligning our senses. Both artists have unique perspectives that go beyond imagination, and I hope we can express Komatsu as a place from both 'inside' and 'outside' perspectives.

Our Message

This exhibition is a collaboration of three artists. Centered around the concept of 'A To Ka Ta,' each artist presents their unique expressions.

Remi Hayashi
This exhibition takes place in Sanjiroan, a historic building that has accumulated time over the years. In this era of rapidly changing information and technology, I sometimes lose track of when and where I am. That’s why exhibiting in a place layered with so much time, under the theme of 'A To Ka Ta,' allows me to reflect on how I live in the present. I hope visitors can also feel the contours of time.

Kota
The poems I’m exhibiting are mostly born from my daily life. I’d be happy if viewers resonate with them in some way. Exhibitions allow for immediate feedback from people, so I look forward to hearing their honest impressions.

Koyuki
My work is inspired by the collective behavior of crows, known as 'pre-roost gatherings,' which I’ve observed since childhood. I aim to capture invisible communication among living beings. I’m also excited to explore the unique communication that emerges in the space of Sanjiroan.

Additionally, Kota will perform sitar music and poetry readings spontaneously at the venue. We hope you’ll join us!

Event Details

3 Artists Exhibition at Sanjiroan 'A To Ka Ta'

Event Dates: Saturday, June 14, 2025 ~ Saturday, June 21, 2025 (Closed on Sundays)
Opening Hours: 10:00 AM ~ 6:00 PM (Closes at 7:00 PM on June 14)
Artist Attendance:
Remi Hayashi: June 14, 20, 21
Kota: June 14, 16, 17
Koyuki: Present every day
Venue: Sanjiroan, Wine and Local Sake Moritaka Inner Parlor
Address: 51 Yawata-cho, Komatsu City, Ishikawa Prefecture (20-minute walk or 10-minute bus ride from Komatsu Station)

Introduction

Photographer Masahiro Nishiura / mar00ram, who dedicates his life to the dynamic photography of fireworks, will hold his solo exhibition 'Kiseki 4' from May 5 (Mon, Holiday) to May 10 (Sat) at Masago Gallery in Osaka.

The first solo exhibition came about when I showed some of my unique photos to a senior colleague. Since the senior's family ran a gallery, I was introduced, and unexpectedly, a solo exhibition was organized.

Because it was not a specialized photo gallery but a long-established art gallery, the audience was diverse, and I received various feedback.
Visiting a gallery I had never been to before allowed me to see paintings, calligraphy, and sculptures, and talk with artists, which was a great learning experience.

Following the same concept, the second and third exhibitions were held, and this is the fourth.

Masahiro Nishiura / mar00ram

Started photography seriously in the 1980s, joining the photography club upon entering high school.
Enjoyed developing images and spent days capturing landscapes and snapshots.
Transitioned from black and white to color, and from analog to digital, continuing to capture scenes as they appeared.
In the 2000s, developed an interest in special expressions, making the dynamic photography of fireworks his life's work.
During the off-season for fireworks, enjoys street photography.

cizucu: mar00ram
Instagram: @mar00ram

Towards the Exhibition

Being a complete novice at exhibitions, I was clueless at first, rushing through selecting works, printing, and framing.

The most challenging part was framing. I rented frames, and framing about 30 works the day before installation was extremely difficult, resulting in an almost all-nighter. From the second exhibition onwards, I allowed more rental days and completed matting early.

Message to Convey

The vibrant colors and flashes of fireworks that adorn the summer night sky create large blooms that fade away...

It was to give such light art a new dynamism and expression that 'Kiseki' began.

'ki.se.ki' was named to represent the brilliance of fireworks trails, the miracle of holding a solo exhibition for the first time, the photographs I have continued to take, and the trajectory of my creative activities.

Fireworks photos are dynamically captured and finished in a unique kinetic art style.
Photography is not just about taking pictures; it's about selecting and recreating them, allowing for enjoyment two or three times over.

As abstract works, the thoughts of the creator and the viewer may not always align.

Therefore, I hope you will freely imagine, interpret, and enjoy as you wish.

Exhibition Information

'Kiseki 4'

Date: May 5 (Mon, Holiday) ~ May 10 (Sat), 2025
Opening Hours: 11:00 ~ 18:00
* Closes at 16:00 on the last day

Venue: Masago Gallery | Map
Address: 2-2-4 Nishitenma, Kita-ku, Osaka, 530-0047, Japan

Introduction

The installation exhibition 'here', themed around the word 'here (being here)', will be held for a limited four days from April 18, 2025, at in Fussa City, Tokyo, showcasing expressions from three different perspectives.

This exhibition is a joint display by three artists working in different media such as photography, spatial, and experiential installations, each embedding their sense of 'being here' into the space. The venue, HOUSE, is a house slated for demolition, providing a unique location where past and present intersect.

Akihiro Yamaguchi

Multidisciplinary Art
Born in Odawara City, Kanagawa Prefecture. His main subjects are flowers and women, and the landscapes they encompass. He records everything he is involved with using a camera and creates works based on these records.

Instagram: @yamaguchi_akihiro
Website: https://yamaguchiakihiro.com

Kocoro Katoh

Spatial Expression
Born in Komatsu City, Ishikawa Prefecture. Studied spatial expression with a focus on the sense of wonder at Kanazawa College of Art and its graduate school, currently working as an in-house spatial designer.

Instagram: @kocoro_katoh

Koyuki

Photographic Expression
Born in winter in Komatsu City, Ishikawa Prefecture. Engages in photography activities centered around the mountains and satoyama, the roots of her work, based in both Ishikawa and Tokyo. Continues photographic expression through photos and videos with the theme of landscapes of memory.

cizucu: Koyuki
Instagram: @_smallsnow
Website: https://www.smallsnow.ooo

Towards the Exhibition | Koyuki

The beginning was when I visited Akihiro Yamaguchi's solo exhibition in January this year with Kocoro Katoh. The venue was a house in Fussa, scheduled for demolition. After experiencing the atmosphere and air of the place, we were invited to do something together there.

Exactly one year ago in March, the three of us held a joint exhibition called 'Hello World', and now we are holding another exhibition together after a year.

The Message We Want to Convey

This exhibition is a joint display by three artists.
Centered around the word 'here (being here)', each artist will present their expression.

Akihiro Yamaguchi will exhibit an application that allows visitors to experience the meaning of 'here' through their choices. It's an experiential installation where each choice leads to a different outcome. Other works aligned with the concept will also be displayed. Experience the 'here' created by the act of choosing.

Kocoro Katoh observes the meaning of 'here' from a step back, creating an installation that subtly hints at the presence of something from afar. Carefully search for the whispers throughout the space.

Koyuki creates works inspired by the first impression of the word 'here' and the space 'HOUSE', focusing on the theme of 'traces of memory'. By feeling the 'traces' left after people have gone, the exhibition aims to make you realize 'here', being here once again. Enjoy the works as if picking up fragments of forgotten memories.

Three unique interpretations of 'here (being here)'.

We look forward to your visit.

Exhibition Information

here 3 Artists Exhibition at HOUSE

Exhibition Dates: April 18 (Friday) ~ April 21 (Monday), 2025
Opening Hours: 12:00 ~ 19:00 / Only on the last day 11:00-16:00
Presence Days: To be updated on each Instagram ( @yamaguchi_akihiro @kocoro_katoh @_smallsnow )
Venue: HOUSE
Venue Address: 899-2 Kumagawa, Fussa City, Tokyo (5-minute walk from Ushihama Station on the JR Ome Line)

Introduction

The group exhibition 'Photography Connections in Biei', created by 12 members with 4 to 10 years of camera experience, ranging in age from teens to 60s, will be held from Wednesday, April 9 to Sunday, April 27 at the Hill Town Exchange Center 'bi.yell'.

Photographers who capture Biei Town and connect through photo contests and social media gathered with the desire to 'try a photo exhibition with printed photos', marking the beginning of this exhibition.

This year marks the 4th 'Photography Connections in Biei', where all members aim to create a place for connections with everyone who visits the venue.

K.2SSD

I started using a camera when I switched from a video camera to a mirrorless camera to record my children's growth. My camera experience will reach four years in May.
I have been photographing landscapes and children mainly in the areas from Minami Furano to Biei.
Inspired by starry sky photography, I have won several local photo contests in Furano, Biei, Minami Furano, and Shimukappu Village with starry sky and landscape photos.

cizucu: k.2SSD
Instagram: @klearn_jp

Towards the Exhibition

When we first held the photo exhibition, we had no experience and prepared through trial and error with the members.
We struggled with task distribution and opinion adjustments, but through improvements, we have reached the fourth exhibition.

This time, we proposed a new exhibition method with the perspective of the viewers in mind.

We value the awareness of creating together with all members while balancing individual expression and overall harmony. We continue to grow through teamwork, turning failures into enjoyment.

The Message We Want to Deliver

The members participating in 'Photography Connections in Biei' this time are 12 people with 4 to 10 years of camera experience, ranging in age from teens to 60s.

All members have a history of winning various photo contests.

As the name 'Photography Connections in Biei' suggests, we hope this venue will become a place where connections are made.
All exhibitors are looking forward to meeting you.

Exhibition Overview

Photography Connections in Biei

Event Dates: Wednesday, April 9, 2025 ~ Sunday, April 27, 2025
Opening Hours: 10:00 ~ 19:00
※ Closed on Mondays

Venue: Hill Town Exchange Center 'bi.yell' | Map
Venue Address: 1-5-8 Honcho, Biei-cho, Kamikawa-gun, Hokkaido, 071-0208

Overview

Cizucu Corporation, in collaboration with the prominent Hub accounts 'Art of Japan' and 'Raw Japan', is hosting a photo contest on Instagram. The deadline is November 10, 2024. The theme is 'My Favorite Season'. Six winners will receive luxurious prizes. We encourage you to participate.

Participation Requirements

To participate, follow these three accounts on Instagram: @cizucu_photo, @art_of_japan, and @raw_japan_.

How to Submit Your Work

Include two hashtags, #cizucu and #cizucu_raw_art_of_japan_2024, in the caption of your Instagram feed post.

Eligible posts must be published between July 1, 2024, and November 10, 2024. You can enter the contest by adding these hashtags to posts made after July 1, 2024.

There is no limit to the number of entries.

Prizes

The six winners, including one Grand Prize winner, two Excellence Award winners, and three Honorable Mentions, can choose one prize each. See the image for details.

【Prize List】
・SDXC Card ProGrade Digital 128GB
・Neck Holder FOTOPRO GP-03+
・Camera Bag K&F Concept
・Backpack PGYTECH OneMo Lite Backpack 22L
・Instant Camera & Photo Printer KODAK Mini Shot 2
・Mini Photo Printer Canon iNSPiC PV-223

※ Winners will be contacted by the cizucu team to collect personal information such as address. See our privacy policy here.

Participating Organizations

About cizucu

The community and stock photo service promotes 'Inspire Your (Photo) Creativity', offering a platform for all photography enthusiasts. Available on iOS, Android, and the web, allows participation in photo contests and circles, reading photography magazines, and using it as a portfolio.

About Art of Japan

'Art of Japan' is a Feature Hub account showcasing heartwarming photos enjoyed by both professionals and amateurs. A Feature Hub solicits posts on specific themes on Instagram and highlights outstanding photos. Read the interview with founder Dainosuke at the link below.

About Raw Japan

'Raw Japan' is a Feature Hub account, like 'Art of Japan', focusing on showcasing Japan's natural beauty. Read the interview with founder Takahiro at the link below.

Introduction

Photographer Kousuke Shimasaki, known for expressing a unique worldview through his original digital techniques, presents his long-awaited solo exhibition "Chain of memories" from Sunday, January 14 to Sunday, January 28 at the café tefu lounge Shimokitazawa “grass”.

Photography continues to evolve as a medium that captures and preserves fragments of our memories. However, with the advent of digital photography, countless images accumulate in our camera rolls, often becoming lost. Yet, these lost memories can suddenly resurface, triggered by the scent of a particular place.

Shimasaki attempts to capture the intersection of "memory and place" through his photographs. This solo exhibition invites visitors to reconsider the connection between memory and place through the power of photography, presenting new possibilities for digital photography.

Kousuke Shimasaki

Born in Kochi Prefecture in 1997. After graduating from the Faculty of Economics at Matsuyama University, he has been based in Tokyo as a photographer since 2022. His work explores the theme of "the scent of place and the link to memory," investigating the connection between the invisible scent (memory) of specific locations and his own recollections through his artwork. At the core of his practice lies a reverence for nature and the memories of his hometown. Currently, he creates works while moving his body through various locations, with Tokyo as his base.
cizucu: Shimakou
Instagram: kosukeshimasaki
Website: Kousuke Shimasaki

Message to Visitors

Photography is deeply intertwined with memory; a single captured moment can vividly revive past recollections in our minds. In this solo exhibition, I fuse multiple memories from the photo data left in my camera roll, connecting past and future from a new perspective.

My previous exhibition, "TOKYO UTOPIA," focused on reconstructing images of Tokyo. This time, rather than simply recreating illusions or imagined visions, I aim to evoke the intense moments of memory etched in our minds, giving them new form as they intersect with tangible spaces. I invite all visitors to experience firsthand the sensation of memory particles intertwining and reviving with place.

This exhibition offers a fascinating exploration of the mysterious power of photography, rediscovered through digital techniques. Experience the ever-evolving world of Shimasaki's work in real time.

Exhibition Overview

"Chain of memories"

Exhibition Dates: January 14 (Sun) – January 28 (Sun), 2024
Opening Hours: 9:00 – 21:00 (On January 14, open from 12:00 – 21:00 due to the reception party)
Artist in Attendance: January 14 and 28 (all day)
Venue: 2nd floor café "grass" at tefu lounge Shimokitazawa
Venue Address: 2F grass, 2-21-22 Kitazawa, Setagaya-ku, Tokyo 155-0031 | Map

Introduction

The mountains, the sea, and the sky—
The distant places are pale and blue.

If memories had a color,
perhaps they too would be blue.

What shade of blue do the memories and recollections of that day hold?

These are the words woven by the photographers Koki Manju, Kento Hirasue, and Utaumi, who are jointly presenting the Setouchi Living Photography Exhibition 'Distant Blue.' Through the landscapes of the Seto Inland Sea, this exhibition offers a special time—a journey through memories. From December 1 to 25, 2023, the group exhibition 'Setouchi Living Photography Exhibition: Distant Blue' will be held at ONOMICHI U2 in Onomichi, Hiroshima. We interviewed Manju, Hirasue, and Utaumi about the message behind this exhibition—please enjoy reading their insights.

Koki Manju

Born in 1998. Currently living between Okinawa and Okayama. Released the photobook 'Beyond Ripple,' which encapsulates all the feelings, tremors, and expansiveness experienced in Okayama, and includes a limited recording of Hideyuki Hashimoto's improvisational piece 'hamon,' which was featured in the exhibition 'Ripple.'

Instagram: @manju_koki
Website: https://bio.site/manju_koki

Kento Hirasue

Born in 1997. Works as a barista at Kinoshita Shoten while pursuing photography based in the Setouchi region. Through his work, he explores what should be preserved for the future from the present moment. Currently hosts the podcast 'Setouchi no Kaze.'

Instagram: @_kentohirasue
Website: https://kentohirasue.studio.site

Utaumi

Born in 1999. Originally from Yamaguchi Prefecture, drawn to the tranquil sea of Setouchi, relocated to Okayama. Captures photographs that accompany people's emotions and daily lives, while cherishing a lifestyle close to nature. Enjoys going barefoot by the sea and savoring delicious food.

Instagram: @utau_mi
Website: https://utaumi-photo.com/

Toward the Group Exhibition

Q. Was there a particular reason or catalyst for the three of you deciding to hold this exhibition together?

Manju: Someone from U2 approached me and Utaumi about holding an exhibition, and at that moment, I thought it would be great to include Hirasue as well and do it as a trio. Hirasue and I form the photography unit 'calm,' and as I work with Utaumi as a photography partner, we naturally spent more time together as three. The idea came from wanting to leave something behind that represents the three of us.

The three of us met in Okayama because of our shared love for the sea, and together we have accumulated many memories. As time passes and our daily thoughts gradually shift, when we sought a common form of expression, the phrase 'the distant blue sea' came to mind.

Hirasue: I've always liked the word 'distant,' and Utaumi added, 'The distance is blue, isn't it...?' Although it's rare for the three of us to gather, it's almost miraculous that we can hold an exhibition with a theme that naturally resonates with all of us. At the same time, it also feels like an extension of our everyday lives. I'm happy that we can do this together, and it brings a sense of calm.

Messages We Wish to Convey

Q. Is there a message you would like to share with visitors to the exhibition?
Hirasue: I've come to think of blue as a color connected to memory. For example, youth. Blue is a color that evokes youthfulness and brings back memories of the past. But even within 'blue,' there are countless gradations. I would like to ask visitors, 'What shade of blue is yours?'

Utaumi: That's right. The overarching theme of this exhibition is to express the atmosphere that exists alongside daily life in Okayama and the Seto Inland Sea. Of course, I would be happy if visitors take their time to appreciate the photographs, but I also hope they can relax and enjoy the space and music with a drink in hand, experiencing the exhibition as an extension of daily life.

Manju: I believe that the experience of viewing photographs outside of social media is extremely valuable in today's world. The photographs we take are intentionally subtle in color, focusing on the gentleness of everyday life rather than strong, striking images. That's why we chose to present our works in an exhibition space that feels close to daily living.

I think it's already significant that our generation, who came up through social media, is now holding a physical exhibition. As Utaumi mentioned, I hope people will drop by casually and spend a pleasant time here. The photographs on display, especially those from Onomichi and the Seto Inland Sea region, depict everyday scenes, but I hope that visitors will discover the beauty of reflecting on the ordinary.

Exhibition Overview

INFORMATION

Setouchi Living Photography Exhibition 'Distant Blue'
Exhibition Dates: Friday, December 1, 2023 ~ Monday, December 25, 2023
Opening Hours: 10:00 ~ 18:00
Artist Attendance: To be updated in each artist's profile highlights [Exhibition]
Instagram: @manju_koki @_kentohirasue @utau_mi
Venue: ONOMICHI U2
Address: 5-11 Nishigosho-cho, Onomichi, Hiroshima, ONOMICHI U2 | Map

Introduction

Based in Kyoto and working internationally, Mitsuru Wakabayashi is known for capturing fleeting moments and rendering poetic landscapes interwoven with human presence. His solo exhibition, Mitsuru Wakabayashi Photo Exhibition #01, will be held at GALLERY METABO in Kyoto from Sunday, December 3 to Saturday, December 9.

With a focus on materializing photography and creating lasting memories, this exhibition aims to leave a profound impression. Featuring previously unreleased works not shown on social media, the show is curated with a commitment to an immersive exhibition space that transcends conventional display methods and lingers in the memory.

Mitsuru Wakabayashi

Born in Kyoto, Mitsuru Wakabayashi transitioned from the apparel industry to photography after acquiring a camera while preparing for a working holiday in Toronto. He regularly shares his work on Instagram and now works with a diverse range of clients both in Japan and abroad, including commissions for Kifune Shrine, advertising, magazines, and social media platforms. His distinctive style captures the beauty of everyday life, often featuring people within broader scenic compositions, and he approaches his practice with an intent to create a photographic legacy.

Instagram: @mitsuru_wakabayashi
Website: Mitsuru Wakabayashi

Toward the Solo Exhibition

In preparing for this solo exhibition, my aim is to create a memorable and unforgettable experience for visitors. While the conventional image of a photography exhibition is framed prints on display, I sought a more resonant approach, inspired by conversations with colleagues, to offer a unique and lasting experience. The exhibition will utilize two spaces, with one gallery room featuring an unprecedented display. To enhance the immersive quality, music for the space was composed by Ayami Yasai (@bud_envi). I hope that everyone who visits will discover a new perspective on the joy of photography.

Message to Visitors

During the COVID-19 pandemic from 2020 to 2022, I kept a photographic diary for two years, walking around my neighborhood daily. This period made me acutely aware of the beauty and transience of everyday life, and led me to reconsider the documentary nature of photography, fundamentally changing my relationship with the medium.

By not only sharing photographs on social media but also printing and exhibiting them, I hope visitors can more deeply engage with the intention and care behind each work. I will be exhibiting pieces that I have revisited and printed many times, inviting viewers to experience them as tangible objects. If you have time, I would be delighted if you could enjoy the exhibition at your leisure, perhaps with a coffee or a glass of wine in hand.

Exhibition Overview

Mitsuru Wakabayashi Photo Exhibition #01

Dates: Sunday, December 3 – Saturday, December 9
Hours: 11:00 – 18:00
Venue: GALLERY METABO
Address: 18 Metabo Okazaki, Shogoin Sannocho, Sakyo-ku, Kyoto | Map

The Okazaki area, where the exhibition is held, is especially tranquil in the afternoon, making it an ideal place to relax and unwind. We invite you to experience Mitsuru’s solo exhibition, imbued with his vision and dedication!

Introduction

Contemporary urban life is filled with complexity. Among the world's great metropolises, Tokyo stands out for its unique blend of bustle and tranquility. The beauty of Tokyo, the intricate system of the city, and the relationship between human presence and urban dissonance—these are the themes explored by photographer Kousuke Shimasaki. His solo exhibition, 'TOKYO UTOPIA,' which delves into the uncanny urban images woven by photography and digital technology, will be held at Auba Jaconelli in Asakusa, Taito Ward, from Saturday, July 22 to Sunday, July 30.
Be sure to also read our interview with Shimasaki.

Kousuke Shimasaki

Kousuke Shimasaki / With the theme of 'the connection between the scent of a place and memory,' he poetically expresses through photography the invisible scents and emotions he experiences in specific locations. At the core of his practice is a reverence for nature, cultivated in his hometown, which informs his daily work—particularly his attention to color, light, and the contrast of shadows.

cizucu: Shimakou
Instagram: kosukeshimasaki
Website: Kousuke Shimasaki

Toward the Solo Exhibition

I have long discussed the idea of holding a solo exhibition with the owner of Auba Jaconelli, a select apparel shop in Asakusabashi with whom I regularly collaborate on product photography. Thanks to this connection, we were able to move forward with the exhibition this July.

With only a few days left until the opening, I am immersed in a whirlwind of preparations—arranging frames, printing, and finalizing the works. I am confident this solo exhibition will be an enjoyable experience for all visitors!

Message I Wish to Convey

This body of work is inspired by an imaginary Tokyo landscape that appeared to me in a dream two years ago.
I hope you will experience the uncanny new vision of the city that emerges from the fusion of contemporary digital technology and traditional photographic practice.

Exhibition Overview

TOKYO UTOPIA

Exhibition Dates: Saturday, July 22 – Sunday, July 30
Artist in Gallery: Saturday, July 22 & Sunday, July 23, 13:00 – 19:00
Closed: Wednesdays and Thursdays
Venue: Auba Jaconelli
Address: 3-4-8 Asakusabashi, Taito-ku, Tokyo 1F | Map

The rich color palette and distinctive noise in Shimasaki's photographs create a dreamlike world that paradoxically overflows with reality. Take this opportunity to experience his works in person!