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      <description><![CDATA[Finde die besten 19 hochauflösenden Weingut Fotos auf cizucu. Alle sind lizenzfrei, kostenlos herunterladbar und ideal für jedes Projekt ohne Quellenangabe.]]></description>
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          <title><![CDATA[Ein altes Schloss umgeben von schönen Weinbergen | fyonetsu]]></title>
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          <title><![CDATA[Großes Holzfass mit der Nummer 214 | Giostudio]]></title>
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          <title><![CDATA[Weingutsschild auf einem grünen Hügel mit Weinreben | akira tomiguchi]]></title>
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          <title><![CDATA[Innensicht eines Zuges mit einer weinroten Bank und Türen | みぃこ＊]]></title>
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          <title><![CDATA[1歳の誕生日 大泣き | ザトウクジラ]]></title>
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          <title><![CDATA[四番目と五番目 | shoji masahiro]]></title>
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          <title><![CDATA[Ein Vater liegt auf dem Boden mit einem Kind, das spielt und weint | Roy and Lia ]]></title>
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          <title><![CDATA["The weight of love"  A small life crossing a vast frame-my backyard.  #love #goose #shape #photography #composition #mood  | CLori]]></title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von CLori auf cizucu an.]]></media:description>
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        <item>
          <title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
          <link>https://www.cizucu.com/de/photos/zeQBG1PWRCcLsqxhUIaK</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Sam Ting auf cizucu an.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/de/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
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          <pubDate>Wed, 04 Mar 2026 21:51:13 GMT</pubDate>
          <atom:updated>2026-03-04T21:51:13+09:00</atom:updated>
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            <media:title><![CDATA[Midnight The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Sam Ting auf cizucu an.]]></media:description>
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        <item>
          <title><![CDATA[Title: Midnight  The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></title>
          <link>https://www.cizucu.com/de/photos/wVpXzN0qEuF4aZ4VjKcX</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Sam Ting auf cizucu an.]]></description>
          <author>
            <name>Sam Ting</name>
            <uri>https://www.cizucu.com/de/users/S4JiP3bMWXdhjAT70s84hhyZHQE3</uri>
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          <pubDate>Wed, 04 Mar 2026 21:49:14 GMT</pubDate>
          <atom:updated>2026-03-04T21:49:14+09:00</atom:updated>
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            <media:title><![CDATA[Title: Midnight  The day is over, and the city is quiet. Between the end of work and the drive home, there is only the cold glow of the machine and the weight of a long day. It is a solitary moment of transition—the silent, steady effort of a life built on showing up, time and time after. | Sam Ting]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?fm=jpg" type="image/jpeg" width="3464" height="4850" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wVpXzN0qEuF4aZ4VjKcX.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Sam Ting auf cizucu an.]]></media:description>
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          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
          <link>https://www.cizucu.com/de/photos/9kCJljqc2Dn8wVHzN9lG</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Anamika auf cizucu an.]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/de/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
          <atom:updated>2026-03-14T01:57:30+09:00</atom:updated>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Anamika auf cizucu an.]]></media:description>
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          <title><![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down.  I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky.  For a moment, I didn’t move. I let the city perform.  The world rushes forward. Dreamers stay grounded.  Alan Ng— chasing light in the weight of night. | Alan Ng]]></title>
          <link>https://www.cizucu.com/de/photos/81r3xqsW6KWsDWn7AIQ1</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Alan Ng auf cizucu an.]]></description>
          <author>
            <name>Alan Ng</name>
            <uri>https://www.cizucu.com/de/5fivegraphy</uri>
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          <pubDate>Tue, 17 Feb 2026 16:26:55 GMT</pubDate>
          <atom:updated>2026-02-17T16:26:55+09:00</atom:updated>
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            <media:title><![CDATA[That night wasn’t about the building. It was about stillness in a city that never slows down.  I stood at the crossing as headlights carved through the dark, engines humming like a restless pulse. Steel and glass towered above like a portal in the sky.  For a moment, I didn’t move. I let the city perform.  The world rushes forward. Dreamers stay grounded.  Alan Ng— chasing light in the weight of night. | Alan Ng]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/81r3xqsW6KWsDWn7AIQ1.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/81r3xqsW6KWsDWn7AIQ1.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Alan Ng auf cizucu an.]]></media:description>
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        <item>
          <title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></title>
          <link>https://www.cizucu.com/de/photos/trC4T1git609KqNYjLla</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Chawin Terk auf cizucu an.]]></description>
          <author>
            <name>Chawin Terk</name>
            <uri>https://www.cizucu.com/de/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3</uri>
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          <pubDate>Mon, 02 Feb 2026 18:05:46 GMT</pubDate>
          <atom:updated>2026-02-02T18:05:46+09:00</atom:updated>
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            <media:title><![CDATA[Title: The Moment In Between.  It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence.  These images are not about where people are going. They are about where they pause. | Chawin Terk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Chawin Terk auf cizucu an.]]></media:description>
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          <title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></title>
          <link>https://www.cizucu.com/de/photos/c4l8EClWI13vYtOt0C54</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Urasha auf cizucu an.]]></description>
          <author>
            <name>Urasha</name>
            <uri>https://www.cizucu.com/de/users/Tg8TYJOeO8hOTqB24cbHJsJ9RmD3</uri>
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          <pubDate>Fri, 13 Feb 2026 01:37:10 GMT</pubDate>
          <atom:updated>2026-02-13T01:37:10+09:00</atom:updated>
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            <media:title><![CDATA[Agony  Agony rarely announces itself. It does not always erupt into visibility. More often, it settles quietly beneath the surface.  In this work, the body floats in suspension, poised between endurance and release. Water serves as both cradle and weight, holding the figure while evoking emotional depth and psychological gravity. The surrounding landscape remains serene, almost indifferent, intensifying the contrast between inner turbulence and outward calm.  This image reflects on the fragile threshold between surrender and survival. Agony is not presented as spectacle, but as an intimate and interior condition. The act of remaining afloat becomes an assertion of resilience, a quiet persistence within unseen currents. | Urasha]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/c4l8EClWI13vYtOt0C54.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Urasha auf cizucu an.]]></media:description>
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          <title><![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | keithwee]]></title>
          <link>https://www.cizucu.com/de/photos/bPTnOCwkXSKamWI4XYCz</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von keithwee auf cizucu an.]]></description>
          <author>
            <name>keithwee</name>
            <uri>https://www.cizucu.com/de/users/fxdhdPm0AKY0fV1ane3AERkTCXk2</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/de/photos/bPTnOCwkXSKamWI4XYCz</guid>
          <pubDate>Mon, 16 Feb 2026 21:28:40 GMT</pubDate>
          <atom:updated>2026-02-16T21:28:40+09:00</atom:updated>
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            <media:title><![CDATA[Today I want to share this portrait I made at Singapore Japanese Cemetery Park, a place most people associate with quietness and memory. It’s not where you’d normally go looking for “pretty”, and yet that’s exactly the point: beauty often hides in the least expected places, waiting for us to slow down enough to notice it. The afternoon light was gentle, the bougainvillea was in bloom, and in that stillness, her expression felt even more tender, like a small moment of life whispering back into a space meant for remembrance. I love how photography can do that: it doesn’t erase the weight of a place, but it lets grace exist alongside it. | keithwee]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?fm=jpg" type="image/jpeg" width="5039" height="7620" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/bPTnOCwkXSKamWI4XYCz.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von keithwee auf cizucu an.]]></media:description>
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          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/de/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Nishikantsnaps auf cizucu an.]]></description>
          <author>
            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/de/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
          <atom:updated>2026-03-13T13:29:26+09:00</atom:updated>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/de/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Tristan Tan auf cizucu an.]]></description>
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            <name>Tristan Tan</name>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Tristan Tan auf cizucu an.]]></media:description>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/de/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von analogbysissi auf cizucu an.]]></description>
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            <name>analogbysissi</name>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von analogbysissi auf cizucu an.]]></media:description>
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