Fotos von Traditionell | Lizenzfreie und hochauflösende Bilder herunterladen https://www.cizucu.com/de/explore/photos/traditionell de 2026-04-04T15:27:29+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. de https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Letters from traditional | herohero228]]> https://www.cizucu.com/de/photos/KZrGSTXGA5Vp82W28MUd herohero228 https://www.cizucu.com/de/users/Hhs7et4XfbVRLvpUD0m8fsVP2I42 https://www.cizucu.com/de/photos/KZrGSTXGA5Vp82W28MUd Sat, 01 Jun 2024 18:51:47 GMT 2024-06-02T17:21:08+09:00 https://cdn.cizucu.com/images/photos/KZrGSTXGA5Vp82W28MUd.jpg?auto=compress,format <![CDATA[#frame 日枝神社 #HIE #shrine #gate #NGC #CYD #tokyo #Traditional culture #japan | つばさ製作所]]> https://www.cizucu.com/de/photos/Yi33YiXlsYAkWjj7j01r つばさ製作所 https://www.cizucu.com/de/tsubasa_mfg https://www.cizucu.com/de/photos/Yi33YiXlsYAkWjj7j01r Mon, 17 Feb 2025 21:17:25 GMT 2025-03-27T23:58:02+09:00 https://cdn.cizucu.com/images/photos/Yi33YiXlsYAkWjj7j01r.jpg?auto=compress,format <![CDATA[Origami is a traditional Japanese art. You can play with just one sheet of paper. Please come to Japan and experience Origami ! | bikkya]]> https://www.cizucu.com/de/photos/O4QKX14iBOci4WSaGvUW bikkya https://www.cizucu.com/de/users/KqVuwDUWy6PnZGMNa3SYPgcd0Pi2 https://www.cizucu.com/de/photos/O4QKX14iBOci4WSaGvUW Sun, 26 May 2024 15:52:21 GMT 2025-03-27T23:52:37+09:00 https://cdn.cizucu.com/images/photos/O4QKX14iBOci4WSaGvUW.jpg?auto=compress,format <![CDATA[遠く離れる私に友人が贈ってくれた可愛いおひなさま。毎年飾ってお祝いするたびに一つ歳を重ねる。 ＃おひなさま ＃贈り物 ＃お祝い ＃誕生日 #hinamatsuri #hina-dolls #doll'sday #traditional #still-life #march #birthday | littlekiss photography]]> https://www.cizucu.com/de/photos/IH0uk22hjDZHA4DTF2is littlekiss photography https://www.cizucu.com/de/users/QX8v0O7G4OctkDoy71O5UDQjxpq2 https://www.cizucu.com/de/photos/IH0uk22hjDZHA4DTF2is Thu, 28 Mar 2024 03:32:05 GMT 2024-11-20T04:51:39+09:00 https://cdn.cizucu.com/images/photos/IH0uk22hjDZHA4DTF2is.jpg?auto=compress,format <![CDATA[Traditional juice vendor in Taiwan | Sullivan]]> https://www.cizucu.com/de/photos/LE8rlzssfDiVHDuom7yG Sullivan https://www.cizucu.com/de/users/w7jQow7RjxeYJJGaTlxyyHRKfXY2 https://www.cizucu.com/de/photos/LE8rlzssfDiVHDuom7yG Sun, 01 Feb 2026 14:55:44 GMT 2026-02-01T14:55:44+09:00 https://cdn.cizucu.com/images/photos/LE8rlzssfDiVHDuom7yG.jpg?auto=compress,format <![CDATA[早池峰神社例大祭 岳神楽 #日本　#伝統芸能　#神楽 #岩手県　#早池峰神楽 #japanese #culture #traditional | kodashimylife]]> https://www.cizucu.com/de/photos/GrnUjCzcv9RrQzyc4TlY kodashimylife https://www.cizucu.com/de/kodashima_11 https://www.cizucu.com/de/photos/GrnUjCzcv9RrQzyc4TlY Mon, 04 Aug 2025 17:01:09 GMT 2025-08-04T17:01:09+09:00 https://cdn.cizucu.com/images/photos/GrnUjCzcv9RrQzyc4TlY.jpg?auto=compress,format <![CDATA[In the Altay Mountains of Xinjiang Uyghur Autonomous Region, a Kazakh man blows a sybyzgy (a traditional Kazakh wind instrument) on a frozen lake. | Rudy]]> https://www.cizucu.com/de/photos/MkSbvygLFumzK0CSRB4p Rudy https://www.cizucu.com/de/users/iGrdYECmLLh3PJGenioghC2kpSg1 https://www.cizucu.com/de/photos/MkSbvygLFumzK0CSRB4p Tue, 10 Mar 2026 22:09:16 GMT 2026-03-10T22:09:16+09:00 https://cdn.cizucu.com/images/photos/MkSbvygLFumzK0CSRB4p.jpg?auto=compress,format <![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]> https://www.cizucu.com/de/photos/vOfOprNBcvhNFXsHILn6 msquare more https://www.cizucu.com/de/users/8LGtWpKS5AUrfGB03etTTcj6NqV2 https://www.cizucu.com/de/photos/vOfOprNBcvhNFXsHILn6 Fri, 13 Mar 2026 04:24:26 GMT 2026-03-13T04:24:26+09:00 https://cdn.cizucu.com/images/photos/vOfOprNBcvhNFXsHILn6.jpg?auto=compress,format <![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]> https://www.cizucu.com/de/photos/ptgrWt5D0viXPBHMmuIv shantanu sarwade https://www.cizucu.com/de/users/z0yPobGDqLSJ9surYr8iKVCRybm2 https://www.cizucu.com/de/photos/ptgrWt5D0viXPBHMmuIv Fri, 13 Mar 2026 01:38:35 GMT 2026-03-13T01:38:35+09:00 https://cdn.cizucu.com/images/photos/ptgrWt5D0viXPBHMmuIv.jpg?auto=compress,format <![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]> https://www.cizucu.com/de/photos/io77e6tUt3Nu20F4uxUV msquare more https://www.cizucu.com/de/users/8LGtWpKS5AUrfGB03etTTcj6NqV2 https://www.cizucu.com/de/photos/io77e6tUt3Nu20F4uxUV Fri, 13 Mar 2026 04:31:49 GMT 2026-03-13T04:31:49+09:00 https://cdn.cizucu.com/images/photos/io77e6tUt3Nu20F4uxUV.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/de/photos/Ytnb12FBlbK88ss0n1aC Ek Cheeze Dikhau https://www.cizucu.com/de/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/de/photos/Ytnb12FBlbK88ss0n1aC Thu, 05 Mar 2026 03:55:29 GMT 2026-03-05T03:55:29+09:00 https://cdn.cizucu.com/images/photos/Ytnb12FBlbK88ss0n1aC.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery — cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/de/photos/Jnx8ZtJKhekws72e8Vrq Ek Cheeze Dikhau https://www.cizucu.com/de/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/de/photos/Jnx8ZtJKhekws72e8Vrq Thu, 26 Feb 2026 19:22:02 GMT 2026-02-26T19:22:02+09:00 https://cdn.cizucu.com/images/photos/Jnx8ZtJKhekws72e8Vrq.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/de/photos/IemCQRfOA2gw9KrhLd3m Ek Cheeze Dikhau https://www.cizucu.com/de/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/de/photos/IemCQRfOA2gw9KrhLd3m Thu, 05 Mar 2026 03:14:04 GMT 2026-03-05T03:14:04+09:00 https://cdn.cizucu.com/images/photos/IemCQRfOA2gw9KrhLd3m.jpg?auto=compress,format <![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour. Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India. I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative. This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]> https://www.cizucu.com/de/photos/BTPbTcVh6XvRHMAZaqsB Ek Cheeze Dikhau https://www.cizucu.com/de/users/00CTOcHKkbg095lQR8c5mSQ258H3 https://www.cizucu.com/de/photos/BTPbTcVh6XvRHMAZaqsB Thu, 26 Feb 2026 18:25:42 GMT 2026-02-26T18:25:42+09:00 https://cdn.cizucu.com/images/photos/BTPbTcVh6XvRHMAZaqsB.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/de/photos/FGecy4iXa0FxyLmFPs1x Serene Teo https://www.cizucu.com/de/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/de/photos/FGecy4iXa0FxyLmFPs1x Sun, 15 Mar 2026 16:26:26 GMT 2026-03-15T16:26:26+09:00 https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/de/photos/4ZXYEpJisBKlm4YA82Qu Serene Teo https://www.cizucu.com/de/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/de/photos/4ZXYEpJisBKlm4YA82Qu Mon, 16 Mar 2026 23:54:50 GMT 2026-03-16T23:54:50+09:00 https://cdn.cizucu.com/images/photos/4ZXYEpJisBKlm4YA82Qu.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/de/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/de/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/de/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/de/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/de/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/de/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/de/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/de/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/de/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/de/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/de/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/de/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format