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          <title><![CDATA[Schild des Ramenladens Hakata Tenjin mit Innenansicht | ゆう]]></title>
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          <title><![CDATA[朝の強い光が美しい影を映し出してくれた。一期一会。  #sun shrine #morning #buildings #shadow #tree #sakura #A vending machine #CYD #NGC #tokyo #cityscape | つばさ製作所]]></title>
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          <title><![CDATA[Tenjin,Fukuoka,Japan | masaya]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von masaya auf cizucu an.]]></description>
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          <title><![CDATA[Light Bending 📷 Olympus Pen EED 🌟🌀Lens Filter 🎞 800T 📅 Dec 2025 📍 Tokyo, Japan #Halfframe #FilmPhotography #35mmFilm | JuskoLiy]]></title>
          <link>https://www.cizucu.com/de/photos/DAJnTyPvPyOgY3ouqb4x</link>
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          <pubDate>Mon, 12 Jan 2026 13:05:54 GMT</pubDate>
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          <title><![CDATA[Darkness, forcing truth, revealing hidden strength or ending illusions. | Anamika]]></title>
          <link>https://www.cizucu.com/de/photos/bWLXzbfcJdKXUgsNpMbK</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Anamika auf cizucu an.]]></description>
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          <pubDate>Sun, 22 Feb 2026 11:18:47 GMT</pubDate>
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          <title><![CDATA[A rainy day in Tenjin   #urban #rain #snap #福岡 | Yuki]]></title>
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          <pubDate>Fri, 13 Feb 2026 08:50:36 GMT</pubDate>
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          <title><![CDATA[vending machines  #vendingmachines #winter #snow #night #自動販売機 #冬 #夜 #shotoniphone #iphone  | daphoto]]></title>
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          <pubDate>Wed, 04 Feb 2026 22:46:24 GMT</pubDate>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von daphoto auf cizucu an.]]></media:description>
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          <title><![CDATA[Initially, when I took this photo, I only noticed the vending machine right across the road while I was at the bus stop waiting for my bus. It felt like such a rare sight in Singapore to see a vending machine standing in the middle of nowhere, tucked under some of the new HDB flats.  While editing the photo later, I realised there was also a gentleman standing there holding his doggo, which gave this photo a cute and unexpected touch. | Miki]]></title>
          <link>https://www.cizucu.com/de/photos/WshxbtFtXkx2xtkP1WkM</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Miki auf cizucu an.]]></description>
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            <name>Miki</name>
            <uri>https://www.cizucu.com/de/mikiarchives</uri>
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          <pubDate>Tue, 17 Feb 2026 20:01:28 GMT</pubDate>
          <atom:updated>2026-02-17T20:01:28+09:00</atom:updated>
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            <media:title><![CDATA[Initially, when I took this photo, I only noticed the vending machine right across the road while I was at the bus stop waiting for my bus. It felt like such a rare sight in Singapore to see a vending machine standing in the middle of nowhere, tucked under some of the new HDB flats.  While editing the photo later, I realised there was also a gentleman standing there holding his doggo, which gave this photo a cute and unexpected touch. | Miki]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Miki auf cizucu an.]]></media:description>
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        <item>
          <title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></title>
          <link>https://www.cizucu.com/de/photos/g88J64lQJj6l7N8jfLy9</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von kevouthere auf cizucu an.]]></description>
          <author>
            <name>kevouthere</name>
            <uri>https://www.cizucu.com/de/users/vAKSb90hfjR5d00YSCW8pmxtTHp2</uri>
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          <pubDate>Wed, 18 Feb 2026 20:05:35 GMT</pubDate>
          <atom:updated>2026-02-18T20:05:35+09:00</atom:updated>
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            <media:title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von kevouthere auf cizucu an.]]></media:description>
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          <title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></title>
          <link>https://www.cizucu.com/de/photos/TNon9gQsrRUcEDkkbmvm</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Brennan Chin (Visual Moments) auf cizucu an.]]></description>
          <author>
            <name>Brennan Chin (Visual Moments)</name>
            <uri>https://www.cizucu.com/de/users/4z7hnzu4eLWVA8srEIi98U62JHT2</uri>
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          <pubDate>Wed, 14 Jan 2026 03:41:32 GMT</pubDate>
          <atom:updated>2026-01-14T03:41:32+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?fm=jpg" type="image/jpeg" width="3630" height="5082" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Brennan Chin (Visual Moments) auf cizucu an.]]></media:description>
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          <title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></title>
          <link>https://www.cizucu.com/de/photos/y4dUsQS7SWFJtsiebLQ6</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von JuskoLiy auf cizucu an.]]></description>
          <author>
            <name>JuskoLiy</name>
            <uri>https://www.cizucu.com/de/juskoliy</uri>
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          <pubDate>Sat, 21 Mar 2026 09:11:14 GMT</pubDate>
          <atom:updated>2026-03-21T09:11:14+09:00</atom:updated>
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            <media:title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/y4dUsQS7SWFJtsiebLQ6.jpg?fm=jpg" type="image/jpeg" width="4800" height="6300" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/y4dUsQS7SWFJtsiebLQ6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/y4dUsQS7SWFJtsiebLQ6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von JuskoLiy auf cizucu an.]]></media:description>
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          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/de/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Vanness Choon auf cizucu an.]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/de/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:26:51+09:00</atom:updated>
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            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?fm=jpg" type="image/jpeg" width="3194" height="4800" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Vanness Choon auf cizucu an.]]></media:description>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
          <link>https://www.cizucu.com/de/photos/AT0547TetpyjwEl35ryF</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Franco Volpi auf cizucu an.]]></description>
          <author>
            <name>Franco Volpi</name>
            <uri>https://www.cizucu.com/de/users/koYtNqNSKaZsk6JSlEAEA3jrODf2</uri>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
          <atom:updated>2026-03-31T02:52:38+09:00</atom:updated>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?fm=jpg" type="image/jpeg" width="6346" height="9000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/AT0547TetpyjwEl35ryF.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Franco Volpi auf cizucu an.]]></media:description>
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