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      <description><![CDATA[Finde die besten 12 hochauflösenden Symbolisme Fotos auf cizucu. Alle sind lizenzfrei, kostenlos herunterladbar und ideal für jedes Projekt ohne Quellenangabe.]]></description>
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          <title><![CDATA[Wasserreflexion in Form einer Sanduhr am Strand bei Sonnenuntergang | decomp3104]]></title>
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          <pubDate>Wed, 15 Jan 2025 13:58:22 GMT</pubDate>
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          <title><![CDATA[ein Ei auf dunklem Hintergrund mit Wolken- und Regentropfen-Illustrationen | HAL]]></title>
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          <title><![CDATA[依然是照行程走的一天，在林肯紀念堂中一隅，偶然瞥見兩位異國的遊客（也或許是當地人）。身處這個對種族平權運動有相當象徵意義的場所，不禁思考雖號稱文化大熔爐的美國社會，種族隔閡問題時至今日仍是積重難返的難題。 | jeffreychen]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von jeffreychen auf cizucu an.]]></description>
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          <pubDate>Mon, 16 Feb 2026 00:01:50 GMT</pubDate>
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          <title><![CDATA[攝影師與被攝者之間存在著距離，這使得鏡頭與赤裸的胴體產生了一道無形的界線。  「物」與人體同樣構成界線；當它出現在影像中，往往代表著某種隱喻。我將其視為一種禁忌的試探，但對於觀看者而言，它或許具備多重意涵。  答案始終是開放的：意義不在於畫面呈現了什麼，而在於你被什麼所刺痛。 | iSO人物體]]></title>
          <link>https://www.cizucu.com/de/photos/VS7EaUs7uoaETKsckHs3</link>
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          <pubDate>Tue, 17 Mar 2026 13:14:51 GMT</pubDate>
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          <title><![CDATA[Cranes: Delicate yet sturdy, they symbolize construction, transformation, and new beginnings. They can be found in cities all around the world, in a wide variety of shapes and designs. Often we pass by without even noticing them, or pay them little attention despite their size and presence. Sometimes they stand alone, like guardians watching over a construction site; sometimes they dance in groups – a metallic ballet above the city’s rooftops. | kameleon]]></title>
          <link>https://www.cizucu.com/de/photos/LCYrJx0VrHNBntUbdvLY</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von kameleon auf cizucu an.]]></description>
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          <pubDate>Wed, 29 Apr 2026 22:28:56 GMT</pubDate>
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          <title><![CDATA[I did a series of photos after seeing how the Greenvines HBD Tampines had interesting colour walls and this was done as we were coming out from covid. I choose this photo because during covid I was battling through a lot of things in life, which almost defeated me. To have a friend who is like a sister to me, and who is always so willing to be my model means a lot to me. And this photo particularly means a lot because it shows how a person may be going through their own issues in life symbolize by the red glasses and plastic round tank on her head but still looking towards the light which symbolizes the future. | hy.sei.chan]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von hy.sei.chan auf cizucu an.]]></description>
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          <pubDate>Sun, 19 Apr 2026 20:56:07 GMT</pubDate>
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            <media:title><![CDATA[I did a series of photos after seeing how the Greenvines HBD Tampines had interesting colour walls and this was done as we were coming out from covid. I choose this photo because during covid I was battling through a lot of things in life, which almost defeated me. To have a friend who is like a sister to me, and who is always so willing to be my model means a lot to me. And this photo particularly means a lot because it shows how a person may be going through their own issues in life symbolize by the red glasses and plastic round tank on her head but still looking towards the light which symbolizes the future. | hy.sei.chan]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von hy.sei.chan auf cizucu an.]]></media:description>
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          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/de/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Nishikantsnaps auf cizucu an.]]></description>
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          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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