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          <title><![CDATA[寄り添う夫婦  #way #life #respect #period  | 20RyanKino24]]></title>
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          <title><![CDATA[Große blaue Gletscherkante mit Bergen im Hintergrund | fyonetsu]]></title>
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          <pubDate>Tue, 16 Jan 2024 21:27:38 GMT</pubDate>
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          <title><![CDATA[Blauer Gletscher umgeben von Bergen und See | fyonetsu]]></title>
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          <description><![CDATA[Laden Sie die hochwertigen und kostenlosen Blauer Gletscher umgeben von Bergen und See-Fotos von fyonetsu auf cizucu herunter.]]></description>
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          <pubDate>Tue, 16 Jan 2024 21:27:37 GMT</pubDate>
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          <title><![CDATA[Eiswand eines Gletschers mit Blautönen und Wasseroberfläche | fyonetsu]]></title>
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          <title><![CDATA[Eine blaue Gletscherwand mit Touristen im Vordergrund | fyonetsu]]></title>
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          <description><![CDATA[Laden Sie die hochwertigen und kostenlosen Eine blaue Gletscherwand mit Touristen im Vordergrund-Fotos von fyonetsu auf cizucu herunter.]]></description>
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          <pubDate>Tue, 16 Jan 2024 21:27:37 GMT</pubDate>
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          <title><![CDATA[Florence Italy. First time travelling alone for an extended period of time. Very much miss the slower pace of living. | Marco Seah]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Marco Seah auf cizucu an.]]></description>
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          <pubDate>Sun, 18 Jan 2026 23:01:21 GMT</pubDate>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von a.da.md auf cizucu an.]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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