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          <title><![CDATA[Schwarzer und weißer Mannequin in einem Modekleid, sichtbar durch die Lamellen des Rolltors | ゆう]]></title>
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          <title><![CDATA[腹ペコだぞ。  #猫 #cat #キジトラ | なっちゃんち]]></title>
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          <title><![CDATA[#retro  The everyday life of the old lanes of Mumbai. | Shradhac]]></title>
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          <title><![CDATA[The Cathedral Church of St. James No 3.  Constructed between 1850 and 1874, The Cathedral Church of St. James at 106 King St E in Toronto Canada is the fourth Anglican church on the site and was designed after the the cities first architectural competition.  View from the NW of the Cathedral.  Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #torontophotographer #blackandwhite #bnw #originalphotography #photography #architecture #cathedral #church | The Learning Curve Photography]]></title>
          <link>https://www.cizucu.com/de/photos/YJB3nFhSckPzvw8GSQuP</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von The Learning Curve Photography auf cizucu an.]]></description>
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            <name>The Learning Curve Photography</name>
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          <pubDate>Mon, 27 Oct 2025 05:44:18 GMT</pubDate>
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            <media:title><![CDATA[The Cathedral Church of St. James No 3.  Constructed between 1850 and 1874, The Cathedral Church of St. James at 106 King St E in Toronto Canada is the fourth Anglican church on the site and was designed after the the cities first architectural competition.  View from the NW of the Cathedral.  Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #torontophotographer #blackandwhite #bnw #originalphotography #photography #architecture #cathedral #church | The Learning Curve Photography]]></media:title>
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          <title><![CDATA[As the games intensify, crowds gather to watch these battles of wits. The spectators watch as if, for this brief moment, nothing else in the world matters. The person in the background wearing a cap that reads “Survival,” as if this game were a life-or-death match. | François Aubry]]></title>
          <link>https://www.cizucu.com/de/photos/JOwJqZX3hmw6nhuuoknk</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von François Aubry auf cizucu an.]]></description>
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            <name>François Aubry</name>
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          <pubDate>Sun, 30 Nov 2025 20:50:01 GMT</pubDate>
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            <media:title><![CDATA[As the games intensify, crowds gather to watch these battles of wits. The spectators watch as if, for this brief moment, nothing else in the world matters. The person in the background wearing a cap that reads “Survival,” as if this game were a life-or-death match. | François Aubry]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von François Aubry auf cizucu an.]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/de/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Saikiran Kesari auf cizucu an.]]></description>
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            <name>Saikiran Kesari</name>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Saikiran Kesari auf cizucu an.]]></media:description>
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          <title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></title>
          <link>https://www.cizucu.com/de/photos/OJq0C8tvGcOSUud9DHMx</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Justin Ignatius Seow auf cizucu an.]]></description>
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            <name>Justin Ignatius Seow</name>
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          <pubDate>Mon, 16 Mar 2026 19:36:54 GMT</pubDate>
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            <media:title><![CDATA[That day,  Smoke hung in the air.  Mahjong tiles cracked against the table like small acts of violence.  Under a single lamp, the players emerged just enough to be seen, then slipped back into shadow.  No names.  No introductions.  No one cared who you were outside the light. All that matters, IS TO WIN.   This is a recreation of what it was like,  The outfits were planned to fit how it was like.  and only the lady boss of the house was the prominent one. the rest were just name less and fodder in the place. | Justin Ignatius Seow]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Justin Ignatius Seow auf cizucu an.]]></media:description>
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          <title><![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
          <link>https://www.cizucu.com/de/photos/vOfOprNBcvhNFXsHILn6</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von msquare more auf cizucu an.]]></description>
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          <pubDate>Fri, 13 Mar 2026 04:24:26 GMT</pubDate>
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            <media:title><![CDATA[I took this photo in Wakhari pandharpur right after the Ringan Sohala was over. Even after walking for so many days, the Warkari still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></media:title>
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          <title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></title>
          <link>https://www.cizucu.com/de/photos/ptgrWt5D0viXPBHMmuIv</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von shantanu sarwade auf cizucu an.]]></description>
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            <name>shantanu sarwade</name>
            <uri>https://www.cizucu.com/de/users/z0yPobGDqLSJ9surYr8iKVCRybm2</uri>
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          <pubDate>Fri, 13 Mar 2026 01:38:35 GMT</pubDate>
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            <media:title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von shantanu sarwade auf cizucu an.]]></media:description>
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          <title><![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></title>
          <link>https://www.cizucu.com/de/photos/io77e6tUt3Nu20F4uxUV</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von msquare more auf cizucu an.]]></description>
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          <pubDate>Fri, 13 Mar 2026 04:31:49 GMT</pubDate>
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            <media:title><![CDATA[I took this photo in Wakhari right after the Ringan Sohala was over. Even after walking for so many days, the Warkaris still had so much energy left to play these traditional games. I saw them starting to form these human pyramids and circles, and I knew I had to get a different view. I actually sat down on the ground and leaned back to shoot from a very low angle. I wanted to show how they look up at each other and support one another. You can see the mud and sweat on their faces, but more than that, you just see how happy they are to be together in that moment. | msquare more]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von msquare more auf cizucu an.]]></media:description>
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