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      <description><![CDATA[Finde die besten 10 hochauflösenden Inclined Fotos auf cizucu. Alle sind lizenzfrei, kostenlos herunterladbar und ideal für jedes Projekt ohne Quellenangabe.]]></description>
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          <title><![CDATA[坂道をのぼるネコ  にんげんだと、ちょっとした坂道だけど ネコからすれば、なかなかの急勾配かもしれない  #AKS #坂道 #路地 #街ネコ | つばさ製作所]]></title>
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          <pubDate>Mon, 19 Aug 2024 22:19:03 GMT</pubDate>
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          <title><![CDATA[Parklandschaft mit einer Grasrampe | Kayokophotos]]></title>
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          <pubDate>Thu, 04 Apr 2024 15:58:54 GMT</pubDate>
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          <title><![CDATA[自転車がスロープをのぼっていく  #bicycle #slope #cityscape | つばさ製作所]]></title>
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          <pubDate>Thu, 13 Feb 2025 22:51:09 GMT</pubDate>
          <atom:updated>2026-01-19T08:46:56+09:00</atom:updated>
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          <title><![CDATA[steiler Bergabhang und felsiger Hang, von Nebel und Wolken umhüllt | 山男熊五郎]]></title>
          <link>https://www.cizucu.com/de/photos/M9KQnuIkaPneLu24YNzA</link>
          <description><![CDATA[Laden Sie auf cizucu das kostenlose hochwertige Bild „steiler Bergabhang und felsiger Hang, von Nebel und Wolken umhüllt“ von 山男熊五郎 herunter.]]></description>
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          <pubDate>Tue, 03 Dec 2024 00:06:25 GMT</pubDate>
          <atom:updated>2026-01-20T12:19:14+09:00</atom:updated>
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          <title><![CDATA[verschneite Skiliftmasten mit Gondeln auf einer Winterpiste | 𝐾.𝑈𝑚𝑒𝑑𝑎]]></title>
          <link>https://www.cizucu.com/de/photos/nRx1luBfQOupJtjqknbK</link>
          <description><![CDATA[Laden Sie auf cizucu das kostenlose hochwertige Bild „verschneite Skiliftmasten mit Gondeln auf einer Winterpiste“ von 𝐾.𝑈𝑚𝑒𝑑𝑎 herunter.]]></description>
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            <name>𝐾.𝑈𝑚𝑒𝑑𝑎</name>
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          <pubDate>Mon, 17 Feb 2025 12:11:02 GMT</pubDate>
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          <title><![CDATA[Treppe an einem felsigen Hang unter nächtlichen Straßenlaternen | モト。]]></title>
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          <description><![CDATA[Laden Sie auf cizucu das kostenlose hochwertige Bild „Treppe an einem felsigen Hang unter nächtlichen Straßenlaternen“ von モト。 herunter.]]></description>
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            <name>モト。</name>
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          <pubDate>Sat, 25 May 2024 18:38:23 GMT</pubDate>
          <atom:updated>2026-01-21T18:43:51+09:00</atom:updated>
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            <media:description><![CDATA[Laden Sie auf cizucu das kostenlose hochwertige Bild „Treppe an einem felsigen Hang unter nächtlichen Straßenlaternen“ von モト。 herunter.]]></media:description>
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          <title><![CDATA[Neigung Wald mit Bäumen und gefallenen Ästen | daichichi]]></title>
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          <description><![CDATA[Laden Sie auf cizucu das kostenlose hochwertige Bild „Neigung Wald mit Bäumen und gefallenen Ästen“ von daichichi herunter.]]></description>
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          <pubDate>Mon, 15 Apr 2024 08:03:42 GMT</pubDate>
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          <title><![CDATA[『京都の夜桜』  Camera: Nikon Z9 Lens: NIKKOR Z 24-120mm f/4 S  Location：京都府 蹴上インクライン  | MiuRa]]></title>
          <link>https://www.cizucu.com/de/photos/98WZqv26wOqLZUZyXRf1</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von MiuRa auf cizucu an.]]></description>
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            <name>MiuRa</name>
            <uri>https://www.cizucu.com/de/sung_chang3</uri>
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          <pubDate>Wed, 09 Apr 2025 22:47:15 GMT</pubDate>
          <atom:updated>2026-02-07T12:03:46+09:00</atom:updated>
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          <title><![CDATA[Puffins on the Great Saltee, Ireland  In the summer of 2024, I finally had the chance to go on a trip that included puffin-watching. One thing led to another. My obsession with puffins spiralled into a profound interest in birds as a whole.  Birds are a sentinel species. Their wellbeing is indicative of the health of the environment. They play a vital role in biodiversity. Caring about them leads to caring about other beings and the environment, and this sentiment is crucial in this climate, whether in the literal or political sense. | Pieng-Or P.]]></title>
          <link>https://www.cizucu.com/de/photos/zQFTBTKiwqDU7FxTtr7M</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Pieng-Or P. auf cizucu an.]]></description>
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            <name>Pieng-Or P.</name>
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          <pubDate>Sun, 08 Feb 2026 17:53:35 GMT</pubDate>
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            <media:title><![CDATA[Puffins on the Great Saltee, Ireland  In the summer of 2024, I finally had the chance to go on a trip that included puffin-watching. One thing led to another. My obsession with puffins spiralled into a profound interest in birds as a whole.  Birds are a sentinel species. Their wellbeing is indicative of the health of the environment. They play a vital role in biodiversity. Caring about them leads to caring about other beings and the environment, and this sentiment is crucial in this climate, whether in the literal or political sense. | Pieng-Or P.]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Pieng-Or P. auf cizucu an.]]></media:description>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Yash Rane auf cizucu an.]]></description>
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            <name>Yash Rane</name>
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          <pubDate>Fri, 13 Mar 2026 17:52:43 GMT</pubDate>
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            <media:title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Yash Rane auf cizucu an.]]></media:description>
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