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          <title><![CDATA[New Yorker Skyline mit den Zwillings Türmen des World Trade Centers und umliegenden Gebäuden | ゆう]]></title>
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          <title><![CDATA[Gebäude der Metropolitangouvernements von Tokio mit Zwillings Türmen und moderner Architektur | nextphoto55]]></title>
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          <title><![CDATA[Gothische Kirche mit Zwillings Türmen und großem Rosettenfenster | fyonetsu]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von kim eunhyeok auf cizucu an.]]></description>
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          <title><![CDATA[Tokio Hochhäuser bei Nacht mit den beleuchteten Zwillings-Türmen des Gebäudes der Stadtregierung von Tokio | creampasta]]></title>
          <link>https://www.cizucu.com/de/photos/41AwzOAjV8t6o68ry4dW</link>
          <description><![CDATA[Laden Sie die hochwertigen und kostenlosen Tokio Hochhäuser bei Nacht mit den beleuchteten Zwillings-Türmen des Gebäudes der Stadtregierung von Tokio-Fotos von creampasta auf cizucu herunter.]]></description>
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          <pubDate>Mon, 25 Mar 2024 23:47:07 GMT</pubDate>
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            <media:description><![CDATA[Laden Sie die hochwertigen und kostenlosen Tokio Hochhäuser bei Nacht mit den beleuchteten Zwillings-Türmen des Gebäudes der Stadtregierung von Tokio-Fotos von creampasta auf cizucu herunter.]]></media:description>
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          <title><![CDATA[in the falling rain  | Akito Iwanaga]]></title>
          <link>https://www.cizucu.com/de/photos/mIJ4g2TYWtymUHU1dRHk</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Akito Iwanaga auf cizucu an.]]></description>
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            <name>Akito Iwanaga</name>
            <uri>https://www.cizucu.com/de/users/wLASP8PdbIP1idMl7A8qM3NgcIS2</uri>
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          <pubDate>Mon, 02 Jun 2025 23:18:27 GMT</pubDate>
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          <title><![CDATA[I believe that: To be a photographer is to be willing to give up the opportunity of admiring the present moment, to exclude ourselves from reality, in order to immortalize a fraction of a second.  As the shutter opens and the viewfinder dims, all what is left of that moment in our memory is pitch black, but is also immortalized on the film. | vemuon]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von vemuon auf cizucu an.]]></description>
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          <pubDate>Tue, 20 Feb 2024 20:58:35 GMT</pubDate>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von vemuon auf cizucu an.]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/de/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Lousycameraman auf cizucu an.]]></description>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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          <title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/de/photos/ONcdjCaE4a7tXO0fGQKO</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Giuliana E. Miceli auf cizucu an.]]></description>
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            <name>Giuliana E. Miceli</name>
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          <pubDate>Sat, 06 Dec 2025 13:27:26 GMT</pubDate>
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            <media:title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></media:title>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/de/photos/FGecy4iXa0FxyLmFPs1x</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Serene Teo auf cizucu an.]]></description>
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            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/de/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
          <atom:updated>2026-03-15T16:26:26+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Serene Teo auf cizucu an.]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/de/photos/4ZXYEpJisBKlm4YA82Qu</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Serene Teo auf cizucu an.]]></description>
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            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/de/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
          <atom:updated>2026-03-16T23:54:50+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Serene Teo auf cizucu an.]]></media:description>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
          <link>https://www.cizucu.com/de/photos/bqXUVMgMXBlAsPM7Qjwu</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Lanna Shuttered Moments auf cizucu an.]]></description>
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            <name>Lanna Shuttered Moments</name>
            <uri>https://www.cizucu.com/de/users/zLWK6aZf3majg9NHN7feKot3mzs1</uri>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
          <atom:updated>2026-02-14T10:30:49+09:00</atom:updated>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Lanna Shuttered Moments auf cizucu an.]]></media:description>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/de/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Chan Jian Liang auf cizucu an.]]></description>
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            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/de/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
          <atom:updated>2026-01-20T22:11:12+09:00</atom:updated>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Chan Jian Liang auf cizucu an.]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/de/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von W Mick auf cizucu an.]]></description>
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            <name>W Mick</name>
            <uri>https://www.cizucu.com/de/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von W Mick auf cizucu an.]]></media:description>
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