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      <title>Fotos von Dried | Lizenzfreie und hochauflösende Bilder herunterladen</title>
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      <description><![CDATA[Finde die besten 11 hochauflösenden Dried Fotos auf cizucu. Alle sind lizenzfrei, kostenlos herunterladbar und ideal für jedes Projekt ohne Quellenangabe.]]></description>
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          <title><![CDATA[Crispy Fried Chicken Sandwich mit pinkem Kohl in einem Sesambrötchen | あがの]]></title>
          <link>https://www.cizucu.com/de/photos/SUalrATmdWTm0uiyYX3C</link>
          <description><![CDATA[Laden Sie die hochwertigen und kostenlosen Crispy Fried Chicken Sandwich mit pinkem Kohl in einem Sesambrötchen-Fotos von あがの auf cizucu herunter.]]></description>
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          <pubDate>Mon, 20 May 2024 16:32:01 GMT</pubDate>
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            <media:description><![CDATA[Laden Sie die hochwertigen und kostenlosen Crispy Fried Chicken Sandwich mit pinkem Kohl in einem Sesambrötchen-Fotos von あがの auf cizucu herunter.]]></media:description>
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          <title><![CDATA[【K＆M】 知り合いのマックモスさんを思い出す組み合わせだ。 ※千葉まで友人に会う為＆撮影に行きました。  #ファストフード #店舗 #SNAP #SNAPショット #人物スナップ #マクロレンズ #千葉遠征編 | RYUURI]]></title>
          <link>https://www.cizucu.com/de/photos/gxZi7FFPI4Cv0xNlnWzw</link>
          <description><![CDATA[Laden Sie die hochwertigen und kostenlosen Außenansicht von Kentucky Fried Chicken mit dem Logo der 11 Kräuter und Gewürze-Fotos von RYUURI auf cizucu herunter.]]></description>
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          <pubDate>Sun, 22 Dec 2024 15:21:16 GMT</pubDate>
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            <media:description><![CDATA[Laden Sie die hochwertigen und kostenlosen Außenansicht von Kentucky Fried Chicken mit dem Logo der 11 Kräuter und Gewürze-Fotos von RYUURI auf cizucu herunter.]]></media:description>
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          <title><![CDATA[Dried flower | 小野寺 篤史/ㄚㄘㄕ/AtsushiOnodera]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von 小野寺 篤史/ㄚㄘㄕ/AtsushiOnodera auf cizucu an.]]></description>
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            <name>小野寺 篤史/ㄚㄘㄕ/AtsushiOnodera</name>
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          <pubDate>Sat, 29 Jun 2024 02:43:40 GMT</pubDate>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von 小野寺 篤史/ㄚㄘㄕ/AtsushiOnodera auf cizucu an.]]></media:description>
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          <title><![CDATA[A forgotten hobby. I tried many times to learn guitar but never got fully into it and the guitar sat by my wall for many years | matthewfinchley]]></title>
          <link>https://www.cizucu.com/de/photos/5seBOdPXfe7lK4vSg3nO</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von matthewfinchley auf cizucu an.]]></description>
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          <pubDate>Mon, 06 Apr 2026 01:32:24 GMT</pubDate>
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            <media:title><![CDATA[A forgotten hobby. I tried many times to learn guitar but never got fully into it and the guitar sat by my wall for many years | matthewfinchley]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von matthewfinchley auf cizucu an.]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/de/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Lousycameraman auf cizucu an.]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/de/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/de/photos/nzPjCStIaDaI13iYDJl2</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von kelvintetsuya auf cizucu an.]]></description>
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            <name>kelvintetsuya</name>
            <uri>https://www.cizucu.com/de/users/Y9dOOQ3yyXfiOjiYVyOhdfZOanS2</uri>
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          <pubDate>Wed, 18 Feb 2026 02:32:54 GMT</pubDate>
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            <media:title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von kelvintetsuya auf cizucu an.]]></media:description>
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          <title><![CDATA[This photo was taken outside Vauxhall Station on a foggy day. I used my phone first. When I tried my camera, the bird was already gone. This moment could easily be lost.  For me, memory works the same way. It is fast, unclear, and we don’t have time to control it. We catch it with instinct, or we miss it.  This image became very popular online, more than many photos I carefully planned. It made me realise that being present is more important than being perfect. Sometimes instinct sees before we think. | Miha Spring]]></title>
          <link>https://www.cizucu.com/de/photos/l6wDkjrafjnCOnz7f6G3</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Miha Spring auf cizucu an.]]></description>
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            <name>Miha Spring</name>
            <uri>https://www.cizucu.com/de/users/ps7ST0o9rRXpCBrTtF3XlA7eQbq2</uri>
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          <pubDate>Sat, 04 Apr 2026 20:54:09 GMT</pubDate>
          <atom:updated>2026-04-04T20:54:09+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken outside Vauxhall Station on a foggy day. I used my phone first. When I tried my camera, the bird was already gone. This moment could easily be lost.  For me, memory works the same way. It is fast, unclear, and we don’t have time to control it. We catch it with instinct, or we miss it.  This image became very popular online, more than many photos I carefully planned. It made me realise that being present is more important than being perfect. Sometimes instinct sees before we think. | Miha Spring]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Miha Spring auf cizucu an.]]></media:description>
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          <title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></title>
          <link>https://www.cizucu.com/de/photos/ChiMNFFJvPO2199Rv4U0</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von umani auf cizucu an.]]></description>
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            <name>umani</name>
            <uri>https://www.cizucu.com/de/users/kBz7T7zF1ORMKMkyf0Iqik5Tzqc2</uri>
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          <pubDate>Sun, 17 Aug 2025 21:47:14 GMT</pubDate>
          <atom:updated>2025-08-17T21:47:14+09:00</atom:updated>
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            <media:title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></media:title>
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          <title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Chan Jian Liang auf cizucu an.]]></description>
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            <name>Chan Jian Liang</name>
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          <pubDate>Tue, 20 Jan 2026 21:49:17 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken on 29 October 2024, when I was doing my solo day trip around Tallinn, Estonia!   I was just walking around and happen to saw this young gentleman chilling, who seemed to be reflecting on his life. I thought the tree and the castle behind were complementary features to the picture at such a perfect angle to where he is seated, hence I took this shot!   A vision of this image would be that, in life, as we grow older and our pace of life gets faster  where we face multiple life stages (from finishing our education, to getting an occupation, settling our future homes), there are so many seasons in our life such that there will be ups and downs. The dried autumn tree has its leaves shed, but the leaves will grow back again. This represents that even when we get lost in the midst of living, it's okay to face setbacks and have your leaves all shedded off. However, you will bounce up from your obstacles and grow out of them, which represents the leaves growing once again. This reflects your personal growth. The castle represents a Home, where despite whatever challenges you face in your life, there will be a Home for you. That can be your inner self love, your family who will love and support you, your close friends who you confide in or anyone you know you can return to peacefully, safe and sound amidst life's chaos and obstacles. The gentleman resting can be you, but this picture shows that Life goes on as days pass by regardless of how tough or happy your day may be. You just have to remember through your journey, you will value personal growth and have love in your life.  | Chan Jian Liang]]></media:title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/de/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von John Hupa auf cizucu an.]]></description>
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            <name>John Hupa</name>
            <uri>https://www.cizucu.com/de/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
          <atom:updated>2026-02-11T12:29:25+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/de/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von John Hupa auf cizucu an.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/de/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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