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      <description><![CDATA[Finde die besten 13 hochauflösenden Boyas Fotos auf cizucu. Alle sind lizenzfrei, kostenlos herunterladbar und ideal für jedes Projekt ohne Quellenangabe.]]></description>
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          <title><![CDATA[boy's yearning | Yosuke0312]]></title>
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          <pubDate>Sat, 15 Mar 2025 18:43:53 GMT</pubDate>
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          <title><![CDATA[BOYS | Yosuke0312]]></title>
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          <pubDate>Fri, 23 Jan 2026 10:41:43 GMT</pubDate>
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          <title><![CDATA[Boys be ambitious | Yosuke0312]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Yosuke0312 auf cizucu an.]]></description>
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          <pubDate>Fri, 02 May 2025 13:33:30 GMT</pubDate>
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          <title><![CDATA[Boys be ambitious | Yosuke0312]]></title>
          <link>https://www.cizucu.com/de/photos/F9WxVt5XsNg4Uibhgb2J</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Yosuke0312 auf cizucu an.]]></description>
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          <pubDate>Sat, 03 May 2025 05:10:22 GMT</pubDate>
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          <title><![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment | chetpin8]]></title>
          <link>https://www.cizucu.com/de/photos/c8yAw6xuVRsl8fhKypAn</link>
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          <pubDate>Sun, 29 Mar 2026 21:09:30 GMT</pubDate>
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          <title><![CDATA[girls,boys,,,and | まつざか]]></title>
          <link>https://www.cizucu.com/de/photos/Fsj9zOgw0nHeRdaI26ut</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von まつざか auf cizucu an.]]></description>
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          <pubDate>Wed, 25 Feb 2026 23:09:47 GMT</pubDate>
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          <title><![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment  | chetpin8]]></title>
          <link>https://www.cizucu.com/de/photos/5AmjTpQdz0cVkgkbIZ3V</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von chetpin8 auf cizucu an.]]></description>
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          <pubDate>Fri, 20 Mar 2026 16:11:06 GMT</pubDate>
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            <media:title><![CDATA[As I pass by a corner of a restaurant, a boy's quiet moment  | chetpin8]]></media:title>
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          <title><![CDATA[Some moments don’t need colour to scream.  Unusually stripped off colours that the festival's messy joy brings, with colour smeared hands slathering paste on the boy's face amid the frenzy, his wide-open mouth echoing the burn of chemical dyes. | Rushabh Javeri]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Rushabh Javeri auf cizucu an.]]></description>
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          <pubDate>Sat, 14 Mar 2026 15:24:54 GMT</pubDate>
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          <title><![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments.  Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection.  Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]></title>
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          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Akshob Ram Kumar auf cizucu an.]]></description>
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            <name>Akshob Ram Kumar</name>
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          <pubDate>Sat, 14 Mar 2026 10:56:17 GMT</pubDate>
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            <media:title><![CDATA[This photograph captures a quiet moment of solitude beneath a tree. A young boy sits absorbed in his own world, momentarily separated from the noise and movement of everyday life around him. The scene reflects the small spaces of stillness that exist even within busy environments.  Using black and white allows the image to focus on mood, light, and emotion rather than colour. The contrast between shadow and light highlights the boy’s concentration while the surrounding darkness frames the moment, creating a sense of calm and introspection.  Through this work, I aim to show how simple, ordinary moments can carry quiet depth. The photograph invites viewers to pause and reflect on the unnoticed moments of stillness that often exist in our everyday lives. | Akshob Ram Kumar]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Akshob Ram Kumar auf cizucu an.]]></media:description>
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          <title><![CDATA[“Boys be ambitious” - 「少年よ、大志を抱け」  札幌農学校の初代教頭としてアメリカから赴任していたクラーク博士が日本を去るときに学生たちに残した言葉。  このフレーズだけが有名だが、実際は、“Boys, be ambitious like this old man”- 「この老人のように」と自分のことを指してアメリカ帰国の際に馬上から学生たちにと言ったとされ、それは「さよなら」の挨拶の代わりとなるようなものだったとも。  諸説あるが、クラーク博士は札幌農学校の学生らに対し、「紳士たれ」というもうひとつの名言をも残していた。  ずっと住んでいるのにおそらく初めてここに来たきがする。  あまり振り返ることもない遠い昔の母校にまつわるエピソードだが、春休みなのか日本各地から沢山の若い学生とおぼしき人たちが観光に来ていた。  大志ではなくとも成し遂げたいことは改めて徹底的に取り組みたいと若者のように心新たに思った。  人はみな自分の人生の開拓者なのとつくづく思う。 そして道なき道であってさえもそれは決して止むことがない道なのであると。     羊ヶ丘展望台　クラーク博士像  #北海道　#札幌市　#羊ヶ丘展望台　#クラーク博士　#札幌農学校　#ウィリアム・スミス・クラーク　#大志の誓い | Icecandle]]></title>
          <link>https://www.cizucu.com/de/photos/JcN3PqwwrPmIDuth9K8b</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Icecandle auf cizucu an.]]></description>
          <author>
            <name>Icecandle</name>
            <uri>https://www.cizucu.com/de/users/KYOTpzvt1qRcuis1xV3As9GTiCf2</uri>
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          <pubDate>Tue, 05 Mar 2024 15:20:26 GMT</pubDate>
          <atom:updated>2024-11-21T18:49:35+09:00</atom:updated>
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            <media:title><![CDATA[“Boys be ambitious” - 「少年よ、大志を抱け」  札幌農学校の初代教頭としてアメリカから赴任していたクラーク博士が日本を去るときに学生たちに残した言葉。  このフレーズだけが有名だが、実際は、“Boys, be ambitious like this old man”- 「この老人のように」と自分のことを指してアメリカ帰国の際に馬上から学生たちにと言ったとされ、それは「さよなら」の挨拶の代わりとなるようなものだったとも。  諸説あるが、クラーク博士は札幌農学校の学生らに対し、「紳士たれ」というもうひとつの名言をも残していた。  ずっと住んでいるのにおそらく初めてここに来たきがする。  あまり振り返ることもない遠い昔の母校にまつわるエピソードだが、春休みなのか日本各地から沢山の若い学生とおぼしき人たちが観光に来ていた。  大志ではなくとも成し遂げたいことは改めて徹底的に取り組みたいと若者のように心新たに思った。  人はみな自分の人生の開拓者なのとつくづく思う。 そして道なき道であってさえもそれは決して止むことがない道なのであると。     羊ヶ丘展望台　クラーク博士像  #北海道　#札幌市　#羊ヶ丘展望台　#クラーク博士　#札幌農学校　#ウィリアム・スミス・クラーク　#大志の誓い | Icecandle]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JcN3PqwwrPmIDuth9K8b.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Icecandle auf cizucu an.]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/de/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von Victor Tan KH auf cizucu an.]]></description>
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            <name>Victor Tan KH</name>
            <uri>https://www.cizucu.com/de/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2</uri>
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          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:43:45+09:00</atom:updated>
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            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?fm=jpg" type="image/jpeg" width="2557" height="3835" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von Victor Tan KH auf cizucu an.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/de/photos/sVh1uqHQzy9Jq3sPjFco</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von John Hupa auf cizucu an.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/de/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:29:25 GMT</pubDate>
          <atom:updated>2026-02-11T12:29:25+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?fm=jpg" type="image/jpeg" width="2362" height="4200" />
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von John Hupa auf cizucu an.]]></media:description>
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          <title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></title>
          <link>https://www.cizucu.com/de/photos/cI8eCjEr7pTX08wnzCdu</link>
          <description><![CDATA[Sehen Sie sich weitere großartige Werke von John Hupa auf cizucu an.]]></description>
          <author>
            <name>John Hupa</name>
            <uri>https://www.cizucu.com/de/users/5pbld81DKVT8o45bBOOJ7CDUle72</uri>
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          <pubDate>Wed, 11 Feb 2026 12:30:12 GMT</pubDate>
          <atom:updated>2026-02-11T12:30:12+09:00</atom:updated>
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            <media:title><![CDATA[Raeng Nóm Jai  The Force That Draws the Heart  I had already packed my bag when I noticed them.  The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back.  But something shifted.  One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness.  My battery was nearly dead.  I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct.  I turned the camera on.  For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once.  Then the camera died.  The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred.  But that single frame remained.  Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome.  I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk.  Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear.  And that was enough. | John Hupa]]></media:title>
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            <media:description><![CDATA[Sehen Sie sich weitere großartige Werke von John Hupa auf cizucu an.]]></media:description>
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